Track Listing

Disc 1:

1. Melodien
2. Chamber Concerto for 13 Instruments: 1st movement, Corrente (Flie�end)
3. Chamber Concerto for 13 Instruments: 2nd movement, Calmo, sostenuto
4. Chamber Concerto for 13 Instruments: 3rd movement, Movimento preciso e meccanico
5. Chamber Concerto for 13 Instruments: 4th movement, Presto
6. Concerto for Piano: 1st movement, Vivace molto ritmico e preciso
7. Concerto for Piano: 2nd movement, Lento e deserto
8. Concerto for Piano: 3rd movement, Vivace cantabile
9. Concerto for Piano: 4th movement, Allegro risoluto, molto ritmico
10. Concerto for Piano: 5th movement, Presto luminoso
11. Mysteries of the Macabre

Disc 2:

1. Lontano
2. Atmospheres
3. Apparitions: no 1, Lento
4. Apparitions: no 2, Agitato
5. San Francisco Polyphony
6. Concert Rom�nesc: 1st movement, Andantino
7. Concert Rom�nesc: 2nd movement, Allegro vivace
8. Concert Rom�nesc: 3rd movement, Adagio ma non troppo
9. Concert Rom�nesc: 4th movement, Molto vivace

Disc 3:

1. Concerto for Cello: 1st movement
2. Concerto for Cello: 2nd movement
3. Clocks and Clouds
4. Concerto for Violin: 1st movement, Vivacissimo luminoso
5. Concerto for Violin: 2nd movement, Aria, Hoquetus, Choral 'Andante con moto'
6. Concerto for Violin: 3rd movement, Intermezzo 'Presto fluido'
7. Concerto for Violin: 4th movement, Passacaglia 'Lento intenso'
8. Concerto for Violin: 5th movement, Appassionato 'Agitato molto'
9. With Pipes, Drums and Fiddles: no 1, Fabula
10. With Pipes, Drums and Fiddles: no 2, T�ncdal
11. With Pipes, Drums and Fiddles: no 3, K�nai templom
12. With Pipes, Drums and Fiddles: no 4, Kuli
13. With Pipes, Drums and Fiddles: no 5, Alma �lma
14. With Pipes, Drums and Fiddles: no 6, Keser�des
15. With Pipes, Drums and Fiddles: no 7, Szajk�

Disc 4:

1. Concerto for Horn 'Hamburg': no 1, Praeludium
2. Concerto for Horn 'Hamburg': no 2, Signale-Tanz-Choral
3. Concerto for Horn 'Hamburg': no 3, Aria-Aksak-Hoketus
4. Concerto for Horn 'Hamburg': no 4, Solo-Intermezzo-Mixtur-Kanon
5. Concerto for Horn 'Hamburg': no 5, Spectra
6. Concerto for Horn 'Hamburg': no 6, Capriccio
7. Concerto for Horn 'Hamburg': no 7, Hymnus
8. Double Concerto for Flute and Oboe: 1st movement, Calmo, con tenerezza
9. Double Concerto for Flute and Oboe: 2nd movement, Allegro corrente
10. Ramifications for 12 Strings
11. Requiem: no 1, Inroitus 'Sostenuto'
12. Requiem: no 2, Kyrie 'Molto espressivo'
13. Requiem: no 3, De die judicci sequentia-Subito 'Agitato molto'
14. Requiem: no 4, Lacrimosa 'Molto lento'

Disc 5:

1. Aventures
2. Nouvelles Aventures (2): no 1
3. Nouvelles Aventures (2): no 2
4. Artikulation
5. Musica ricercata (11) for Piano: no 1, Sostenuto/Misurato, stringendo poco a poco
6. Musica ricercata (11) for Piano: no 3, Allegro con spirito
7. Musica ricercata (11) for Piano: no 4, Tempo di valse (poco animato)
8. Musica ricercata (11) for Piano: no 7, Con moto giusto
9. Musica ricercata (11) for Piano: no 8, Vivace. Energico
10. Musica ricercata (11) for Piano: no 9, Adagio. Mesto 'B�la Bart�k in memoriam'
11. Musica ricercata (11) for Piano: no 10, Vivace. Capriccioso
12. Musica ricercata (11) for Piano: no 11, Andante misurato e tranquillo 'Omaggio a Frescobaldi'
13. Sonata for Cello solo: no 1, Dialogo 'Adagio, rubato, cantabile'
14. Sonata for Cello solo: no 2, Capriccio 'Presto con slancio'
15. The Big Turtle
16. Ballade and Dance on Romanian Folksongs: Ballade
17. Ballade and Dance on Romanian Folksongs: Dance
18. R�gi magyar t�rsas t�ncok

Product Details

• Amazon Sales Rank: #21861 in Music
• Released on: 2008-05-12
• Number of discs: 5
• Format: Box set
• Dimensions: .45 pounds
• Running time: 319 minutes

Customer Reviews

One man's modernism - dark ambient music without knobs
The history of modernism in twentieth century 'classical' music is largely about composers leaving the safe shores of tonality, pushing out into the vast unknown lands beyond, and staking claim to some piece of territory. Then, if successful, they make it unmistakably their own. Gyorgy Ligeti was one such individual. Later composers might try to imitate or to to assimilate elements of his language or procedures, but there is no real question of taking his line of exploration any further out. He went to the furthest edge of musical possibilities and peeped over into the nothingness beyond. Probably why Stanley Kubrick chose this man's extraordinary music to represent the impossible alienness that humanity encounters in his classic 2001: A Space Odyssey.

This box-set presents Ligeti's large-scale works, that is large scale in terms of forces. Few of his works extend as far as twenty minutes in duration. With the exception of a handful of early, Eastern European folk inspired works, which even then show where his genius is heading, we are into a world where melody, harmony and even such simple devices as scales have been left behind. Timbre, texture and sonority reign supreme, with intricately detailed polyphony being subjugated into their service on occasions. Where rhythm does occur, it is irregular and stuttering, but most of the time we are floating within vast mutating sound sculptures, in which space is carved and divided, and from which new objects emerge to grow and fragment into features of the sonic landscape.

While 'classical', notated music is my home medium my interests extend to include the more 'out on the edge' regions of electronic music. In many repects Ligeti's music is in the same domain as that part of the electronica world that is called 'dark ambient'. But it has to be said that what he manages to do with real instruments is richer, more organic and downright stranger than anything that might be managed by the mere concatentation of waveforms. The subtle chaotic element provided by real musicians, playing real instruments, never quite prcisely in synchrony, in real acoustics allow the physics of sound generation to do things that only the most sophisticated of acoustic modelling techniques are just getting to grips with.

Much of Ligeti's sound world is generated from tone clusters. That is the blending of two or more notes that are only one two semitones apart, which, for reasons of physics, especially down towards the lower registers, give rise to timbres that are more than just the sum of their parts. Towards the higher end Ligeti might use microtonality, instruments playing not quite in tune with each other to achieve similar effects. Then there is his famous micropolyphony, in which many instruments play slightly differing lines, too rapid for the ear to unpick, and resulting in exotic aural textures, that again sound somewhat akin to those created in electronic studios.

At the larger scale Ligeti's blends these textures into intricate, evolving canvasses. Very often the music is about tone clusters evolving, colliding, merging or fragmenting. The result is often majestic and evocative of deep numinous awe. Sometimes this gives way to downright terror. Very occasionally one even finds oneself asking whether the music might not actually be about the terrors of living in a police state, which was Ligeti's condition until his move to Germany. But no, the man's music is not about trauma. You'd have to question whether it's about anything social at all. The theme throughout, it seems to me, is the individual human spirit reflected in all its manifestations by the void. He reminds us that we ourselves in fact are the unimaginably alien.

A Great Introduction To Ligeti's Music
I'm not a typical fan of Ligeti's. I've listened to little in the way of classical music, instead enjoying a wide range of pop, jazz and world music. Also, Ligeti is not your typical composer, very much of the avant-garde, with little in the way of traditional melodies, and often chromatic (that is, includes all the 12 notes in the same piece, even at the same time). Yet I find some of his music incredibly emotional, often in a somewhat unsettling fashion; this really should not be the case. Also, as I listen to it I really enjoy his strange scales and harmonies, and am pleased that many of pieces do not conform to the rules of typical film orchestration, the only place I tend to hear new orchestral pieces.

This collection has high quality recordings and performances, and a great selection of his works, all at a bargain price. I also own the Clear or Cloudy: Complete Recordings on Deutsche Grammophon 4 CD collection, but this is superior in both quality and selection. Highlights for me include his Requiem (all four movements), Clocks and Clouds (another beautiful choral piece), Atmospheres, Lontano, his Cello Concerto, Apparitions, San Francisco Polyphony, and Ramifications. Some other pieces I find inaccessible, but I feel I am lucky I can at least enjoy some of his works, as many people are unable to enjoy any of them, as it is fairly difficult to do so: persevere and you will be rewarded. One thing that can help is visualising scenes while listening to his music; I first enjoyed his music, like many others, while watching the film 2001 A Space Odyssey. A decent hi-fi or headphones also helps.

Not all his best works are included, so I recommend the buying the 4 disc DG collection, or the 2 disc The Ultimate Gyorgi Ligeti, or the 3 disc Gyorgy Ligeti Special Edition 2006, or download some tracks. I particularly like Lux Aeterna, and Continuum and Hungarian Rock (the harpsichord versions are best). If you want to go the whole hog you need to buy the seven Sony Gyorgy Ligeti Editions and his opera Le Grand Macabre.

Highly recommended box-set
This box should probably be your first choice if you want to get acquainted with the works of Ligeti. The recordings in this box are overseen by Ligeti himself, and they were supposed to be definitive recordings that after his death could show conductors how his music was supposed to be played. As detailed in Richard Steinitz' Ligeti biography, it took two record companies to bring us the complete authoritative works of Ligeti on CD. Sony started a series of cd's called "The Ligeti Edition", but they had to concentrate on the smaller works for solo instruments and chamber ensembles - they simply weren't able to produce the biggest works for choir and orchestra to the composers satisfaction. The project was aborted after 7 cd's, and later continued by Teldec. This box contains all Teldec's 5 cd's of the recordings of the really big works. And as I started out saying, it's recommended as the first Ligeti item to buy.