Product Description

When Sylvester, the Duke of Salford, first meets Phoebe Marlow, he finds her dull and insipid. She finds him insufferably arrogant. But when a series of unforeseen events leads them to be stranded together in a lonely country inn, they are both forced to reassess their hastily formed opinions, and begin to feel a new-found liking and respect for each other. Sylvester calls to mind the satirical genius of a Jane Austen novel and is adored for its wit and a fast-paced plot that ranges across a myriad of settings.

Product Details

• Amazon Sales Rank: #9250 in Books
• Published on: 2009-07-01
• Formats: Abridged, Audiobook
• Original language: English
• Number of items: 4
• Dimensions: .46 pounds
• Binding: Audio CD
• 4 pages

Review
Although this is an abridged version of Heyer's work, British actor Richard Armitage makes this exceptionally fun to listen to. The only drawback is that listeners will be disappointed that he didn't read the full-length version. Armitage is perhaps best known for playing the most appealing John Thornton in the BBC production of Elizabeth Gaskell's North and South. He also played the dastardly Guy of Gisborne in Robin Hood, and, a spy in Spooks. Armitage's reading is warm, lively, simply brilliant. He easily voices all characters and regional and class differences with ease and captures the underlying tension and growing romantic interest between Phoebe and Sylvester. The period classical music between chapters adds wonderful, appropriate atmosphere. --Jean Palmer, Soundcommentary.com

From the Publisher
A highly amusing and wonderfully romantic comedy of errors set in Heyer's lovingly detailed Regency England.

About the Author
Author of over fifty books, Georgette Heyer is the best-known and best-loved of all historical novelists, who made the Regency period her own. Her first novel, The Black Moth, published in 1921, was written at the age of fifteen to amuse her convalescent brother; her last was My Lord John. Although most famous for her historical novels, she also wrote eleven detective stories. Georgette Heyer died in 1974 at the age of seventy-one.

Customer Reviews

Fantastic book
Another of my favourite Heyers along with Frederica. Such an unlikely couple at the outset (just like Alverstoke and Frederica) Sylvester and Phoebe's love for each other at the end is therefore even more touching. The plot is wonderful, varied, entertaining. We go from country house, snow-bound inn, society London, the Channel, France and back to London. The period detail is immaculate as usual. It's also has funny, laugh-out-loud bits, especially featuring Sir Nugent Fotherby.

I wasn't allowed a separate review for the audio version so I will have to add this to my original review of the book...... I bought this because it was Richard Armitage and because it was much cheaper than the unabridged Heyer books I have been collecting on my iPod. Frankly the abridgedness (if that is a word)spoils it for me and I'm sorry. I love love love this story and so many great details have been left out that I am really disappointed. There are even some plot complications that don't quite fit together that well because of the cuts. One of the joys of Heyer is her attention to detail and that is what I have particularly enjoyed whilst listening to the books in full and glorious unabridged pleasure. I knew I was taking a chance and whilst the lovely Richard does a great job I'm afraid I won't be buying any more abridged Heyer even though he is doing a shortened version of Venetia (another of my favourites) which is coming out soon....

Sylvester by Georgette Heyer
One of Georgette Heyers best. I loved this book. I must have read it about 50 times, and each time I read it it's like the first time. I still get such a joy out of it. It is funny, and very romantic. There's adventure and mystery. In short, it has everything. There's nobody like Georgette Heyer for creating romantic Regency comedy, and her command of English, and the way it was spoken in Regency days is fantastic.

Sylvester - One Of Heyer's Best
Georgette Heyer is in my opinion unsurpassed as an author of Regency period romances. She knows the period detail in and out, and the reader is never disturbed by anachronisms in dress, behaviour, manners, attitudes, or embarrassed by faulty use of titles etc. The persons are allowed to speak for themselves and to show what kind of people they are, instead of the author spelling it out to her audience. The text is intelligent, the persons psychologically coherent, the ever-lurking humour delicious. The protagonists tend to be people you would want to know, and they are surrounded by people who in themselves are worth a tale, who live their own lives, and never make the reader to think that the person has only been invented to add humour or suspense to the plot.

This is what one has learned to expect from a book by Georgette Heyer. "Sylvester" is all this and more. The book is hilariously funny, romantic, even touching in a subtle way. Phoebe and Sylvester are not your typical love-story heroine and hero; both have their better and worse sides, as we people tend to have, and some of Sylvester's character-traits are downright unsympathetic (he is at least partially redeemed during the story). Although neither of them is perfect, you find yourself to be completely on their side. Is this because of the humour they both have, or is it because they, in spite of their imperfections, so thoroughly deserve to be happy and to have each other? Or is it because they, imperfect as they are, are so very life-like? One can't imagine their future life to have been mere bliss; rather one sees them as quarrelling the next forty years in perfect amity. True love is not that you find the other person a paragon; true love is that you accept the coin's both sides, as the good sides and the bad often are reflections of the same character trait. And the main thing is that you are friends, and that I considered Phoebe and Sylvester to be.

There is nothing explicitly sexual about this story. I find this (natural as it is, considering when Heyer has written this book) more believable than having the protagonists eroticizing on some balcony or in a dark garden during some ton party or other, considering the social rules of the era. On the other hand, I had my abdomen in some kind of a grip from the moment that Sylvester marched into the French inn, met Phoebe, with whom he had quarreled most viciously, and was in his joy close to going to embrace Phoebe. This vice-like feeling lasted until they finally got each other at the end of the book. Was it because of my sympathy for them as they were both miserable at the time, or was it caused by the totally unspoken longing that the story vibrated? Sometimes you are more moved by things unsaid than those said. Sylvester's anguished self-control spoke more to me than many a clumsily written overtly erotic passage. I also expect that I would have been less moved if there had been more sentimentality and less humour about the ending.

Phoebe and Sylvester are surrounded by a gallery of vivid people living their lives next to them, having relations to Phoebe and Sylvester and to each other: Phoebe's brother-like friend Tom and his family, Phoebe's family and governess, Sylvester's mother with her companion, his cousin, and the beautiful widow of Sylvester's deceased twin brother with her delightful brat of a son and her dandy of a fiancé. These people seemed totally alive, as did Phoebe and Sylvester. Even Harry, Sylvester's dead brother, seemed more alive than does many a living character in a less well-written book.

Georgette Heyer is an author that you can trust not to bore you with unintelligent dialogue. Her pieces are finished with a lustre, only to be compared to Jane Austen. If you have not read this one, you have something to live for.