Product Details
The Gift: How the Creative Spirit Transforms the World

The Gift: How the Creative Spirit Transforms the World
By Lewis Hyde

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""The Gift" actually deserves the hyperbolic praise that in most blurbs is so empty. It is the sort of book that you remember where you were and even what you were wearing when you first picked it up. The sort that you hector friends about until they read it too. This is not just formulaic blurbspeak; it is the truth. No one who is invested in any kind of art, in questions of what real art does and doesn't have to do with money, spirituality, ego, love, ugliness, sales, politics, morality, marketing, and whatever you call 'value', can read "The Gift" and remain unchanged." - David Foster Wallace.


Product Details

  • Amazon Sales Rank: #37744 in Books
  • Published on: 2007-09-06
  • Original language: English
  • Binding: Paperback
  • 352 pages

Editorial Reviews

Review
"Brilliant... by the time he is done he has folded language, culture and the very habit of being human into his ken." New Yorker "A masterpiece... The Gift is the best book I know of for the aspiring young, for talented but unacknowledged creators, or even for those who have achieved material success and are worried that this means they've sold out." Margaret Atwood "This timely British reissue reminds readers how urgent some of these questions remain, while also allowing them to measure the extent to which matters have changed." Bharat Tandon, TLS "Persuasive and fascinatingly illustrated, The Gift profits immensely from the modesty and unpretentiousness of Hyde's writing and the fascinated good nature with which he expounds his propositions." Tim Martin, Independent on Sunday "The Gift actually deserves the hyperbolic praise that in most blurbs is so empty. It is the sort of book that you remember where you were and even what you were wearing when you first picked it up. The sort that you hector friends about until they read it too. This is not just formulaic blurbspeak; it is the truth. No one who is invested in any kind of art, in questions of what real art does and doesn't have to do with money, spirituality, ego, love, ugliness, sales, politics, morality, marketing, and whatever you call 'value', can read The Gift and remain unchanged." David Foster Wallace"

Annie Dillard
"Absolutely interesting and original…An exciting book for anyone interested in the place of creativity in our culture."

Jonathan Lethem
"Few books are such life-changers as The Gift: epiphany, in sculpted prose."


Customer Reviews

Do not believe the blurbs1
I keep looking at the cover blurbs, looking at the book, looking back...

Pages 1 to 145 (out of 285, not including the afterword) is a summary of anthropological studies of gift giving in different cultures, and of examples of folk tales which have morals about reciprocity (for example the elves and the shoemaker) and sharing. Message: gift exchange has always been massively important in human culture. So far, almost nothing about the creative spirit and transforming the world.

Pages 146 to 162: 'Commerce and the creative spirit'. OK so now we're getting into it, interesting quotes from Pinter, Roethke, Snyder, Ginsberg. This 16 pages seems to be the start of the main theme, but then...

Pages 163 to 218: A biographical sketch of Whitman, focusing 'on how his nursing during the war opened him to love'.
Pqges 218 to 275: An exposition of Ezra Pound's dingbat economic theories and advocacy of facism and anti-semitism.

The relation of these chapters to the rest of the book seems to rest on the fact that both poets were not mainly attentive to the trappings of worldly success (but neither is Warren Buffet!). There is a strong feeling that he has lectured extensively on both these guys and has basically crowbarred them in. But they make up more than a third of the book.

Last ten pages: kind of a restatement of the introduction, but also a moderation: "I still believe the believe a gift can be destroyed by the marketplace. But I no longer feel the poles of this dichotomy to be so strongly opposed". Now he tells us!

The afterword, written in 2006, is a bunch of disparate stuff: open source, open access journals, Lessig-like copyright issues. all showing gift exchange being alive and well (again, nothing to do with artistic gifts - he bounces between the 2 ideas when convenient).

So why are Geoff Dyer and David Foster Wallace (neither of whom are the types of writer I would associate with this kind of poorly constructed mush) willing to act as salesmen for it? How can canongate say that reading about Pound and facism will 'transform the way you look at the world'?

I keep looking at the cover blurbs, looking at the book, looking back...

One of the best books - ever!5
Originally published in 1979 as The Gift: Imagination and the Erotic Life of Property and now published in England for the 1st time is a book which in my view is one of the best books - ever! Why, because it speaks directly to you about what makes us tick as human beings, what we do for love and what for money. By studying gift economies in the Pacific which show that gifts link people and commerce separates them and then taking an amazing jump through numerous cultural, spiritual and commercial universes helps give you a coherent view of the world. It then awakens interest in every area of art and human endeavour with wonderful readable prose. This is truly the book to have on your desert island and to give as a gift to everyone you know. Along with Epictetus's "the Art of Living" its all I need.

A book that will change the way you see the world5
I picked up a copy of The Gift in a bookstore and was initially sceptical because it had these raving endorsements from what seemed like TOO many authors who I think are brilliant. Can a book be this good? Margaret Atwood, David Foster Wallace, Zadie Smith and Geoff Dyer all certainly seem to think so. And you know what? They were right.

Lewis Hyde is not only a beautiful prose stylist but he is a thinker to match, for The Gift offers a challenging and provocative argument about how we value things. He uses wide-ranging examples from across cultures and epochs and leaves you at the end valuing all the more those things that can't have a monetary worth attached to them.

This is a massive book teeming with wisdom and insights into what matters. It's essential reading. And a beautiful book to give people for many different reasons.