Track Listing

1. Abide With Me
2. Pie Jesu
3. The Lord is My Shepherd
4. Down in the River to Pray
5. May the Good Lord Bless and Keep You
6. Hallelujah
7. Panis Angelicus
8. In Paradisum
9. Silent Night
10. Ave Maria
11. Misa Criolla: Kyrie
12. Agnus Dei

Product Details

• Amazon Sales Rank: #764 in Music
• Released on: 2008-10-20
• Number of discs: 1
• Dimensions: .21 pounds
• Running time: 48 minutes

Amazon.co.uk Review
Sacred Arias is Katherine Jenkins' last album in her deal for Universal before she moves to Warner for another six-album deal, and she has decided to go out with a bang--albeit a quiet one. While her previous outing, Rejoice, saw the Welsh mezzo-soprano striking out more than ever towards the world of pop, Sacred Arias, as the title suggests, sees her return to her religious-classical roots with comfortably familiar tunes like "Abide with Me", "Ave Maria", "Pie Jesu" and even "Silent Night". The mood on Sacred Arias is as refined and peaceful as you'd expect given the title, and though there's an abundance of well known material here, Jenkins also offers us the more obscure charms of "Missa Criolla", a dreamy version of Leonard Cohen's "Hallelujah" and a soulful take on "Down in the River to Pray". Other classical pieces include "Panis Angelicus" and Barber's haunting vocal piece "Agnus Dei", which help make this a triumphant final flourish for both her and Universal. --Danny McKenna

CD Description
As one of the more celebrated figures in the classical crossover genre, Welsh mezzo-soprano Katherine Jenkins here presents several religious pieces, all delivered in tasteful andmuted fashion. Familiar tunes such as 'Abide With Me', 'PieJesu' and even 'Silent Night' are neighboured with more obscure, traditional works like 'Missa Criolla' and even an interpretation of Leonard Cohen's 'Hallelujah' (no doubt influenced by the popular Jeff Buckley version). Throughout, Jenkins' impressive voice remains the star, making this release certain to appeal to her existing fans.

Customer Reviews

Back to her Origin's; Brilliant
Katherine Jenkins first impressed me when I heard her sing O Holy Night on the BBC. This new album is excellent, more in the style of her earlier albums Premiere & Second Nature then last year's Rejoice. I have listened to this brilliant album several times now.
I am glad that she has returned to songs and music that suit her voice best, a voice that is growing in richness and depth.

Terrific finale to the six album Universal deal

Sacred Arias is the final album in the £1million, six album deal with the Universal Classics and Jazz label which has seen a meteoric rise in the singers popularity since her debut album Premiere in 2003. So, while it's time to say goodbye to the old label, it's time to move on, and the departure from Universal heralds the start of another six album contract, this time with the Warner label, and this time worth a staggering £5.8million.

The farewell Sacred Aria album marks a return to the classical market where she has found such success. Her first four albums enjoyed lengthy periods at No. 1 in the UK Classical charts, while the fifth (Rejoice) with less than 60% of its content being classical making it ineligible for the Classical Chart still enjoyed favourable sales and reached No.3 in the UK Album Chart.

The return to classical also introduces us to some of Katherine's personal favourites from the decade she enjoyed as chorister in her childhood days at St. David's Church in Neath, South Wales. She describes the experience:

`It taught me about discipline and musicianship, and it gave me a huge knowledge of the sacred music repertoire. I don't think I'd be here without it'.

The track list is either comfortably familiar or too predictable, depending on ones taste. Those who complained that the previous album Rejoice strayed too far into the pop direction will be pleased to see this return to the classics, while those who liked that pop foray will have to wait for Warner to reveal the route for the future. Personally I think she generally makes a comfortable transition from each genre.

I think Sacred Arias scores highly over previous albums for its subtlety of arrangement (credit to Simon Franglen), keeping it a firmly choral-based (Crouch End Chorus and The Rodolfus Choir) themed selection of church style singing which succeeds in giving some of the songs a hymn like quality. Examples of this are 'Abide With Me' and 'The Lord is My Shepherd'.

`Down In The River To Pray' is a lovely arrangement by Steven Baker which provides an almost gospel choir backing to the song, and `Hallelujah' (Leonard Cohen's version not Handel's!) is wonderfully dreamy performance. `Panis Angelicus' and `In Paradisum' are beautiful arrangements of pieces by classical composers Franck and Faure.

My favourites are the lesser-heard version (by Simon Lindle) of `Ave Maria', and `Agnus Dei' which is a vocally haunting version of Samuel Barber's popular Adagio for Strings.

In summary, a terrific album to say `Amen' to the fruitful five years with the Universal label, and the start of a new chapter which will almost certainly see a further successful six albums, perhaps one of which may even see a foray into opera singing to satisfy the purists, you never know!

But for now, it's time to enjoy the Sacred Arias.

Katherine Jenkins - Sacred Arias
I really looked forward to this album's release. It was worth the wait, I was not disappointed.

This album in my opinion, contains Katherine's best vocal to date. The vocal production is free and unhurried, giving the whole album a very relaxed feel. I really like all the repetoire chosen, my own personal favourites include: Goodall's "The Lord Is My Shepherd"; "Down to the River To Pray" "Ave Maria" and "May The Good Lord Bless You and Keep You".

I do agree that the choice of Leonard Cohen's "Hallelujah", seems a little odd. However, while Katherine's version is not as definitive as k.d. lang or Jeff Buckley's version - it is still well sung.

I would definately recommend this album, to anyone considering purchasing it.