Product Details

• Amazon Sales Rank: #598094 in Books
• Published on: 1995-08-31
• Original language: English
• Binding: Paperback
• 224 pages

Review
'Cowan's writing is reminiscent of Roddy Doyle's in his ability to recreate the intense emotions of youth.' -- The Good Book Guide 20020901 'A coming-of-age story as strange and surprising, in its way, as THE CATCHER IN THE RYE' -- New York Times 'A first novel of extraordinary poise and accomplishment, treating a boy's coming of age amid the squalid realities of the new British underclass with a delicacy and lyricism which is both gripping and moving' -- Michael Dibdin 'The detail is immaculately recorded; the effect is heartbreaking' -- Louisa Young, Sunday Times '[A] wholly satisfying book, quietly beautiful and inescapably ominous' -- David Buckley, Observer 'Beautifully evoked ! Cowan writes with a deceptive simplicity' -- Amanda Craig, The Times 'A wonderful first novel' -- Christopher Hart, Daily Telegraph

The Sunday Times
The detail is immaculately recorded; the effect is heartbreaking

Independent on Sunday
A poignant, bitter-sweet meditation on the traumas, delights and absurdities of growing up

Customer Reviews

Transparent Writing
Andrew Cowan seems to effortlessly guide you around a coming of age story. He creates so beautifully, achingly, in the lines and between the lines. As much can be gleaned by what he doesn't say in this novel. His transparent writing allows the reader to be the characters, to connect with the story at a deeper level. He strips away writerly conceits and leaves you gasping at beauty. It will melt you after it slaps you across the face and sticks your nose in stench. The characters are intimate and tender. A masterful achievement. You can read this novel to understand the power of 'transparent writing'. I ordered his latest book, 'What I know', the day after finishing this.

Subtle, Descriptive, Overall Average, But Maybe Not
This is a short book, and not much actually happens. There is an abundance of descriptions which makes the novel very atmospheric and sensual. However there is a lot of unnecessary detail. Not just the telling detail is there but detail and even scenes that don't need to be there. Do we need to be told about him spilling milk on the counter and wiping it up, or do we need to have a description of the ceiling? Also the whole scene of trying to find Ted could probably be cut, or maybe just shortened at least.

The style is also strange. He deletes most of his conjunctions and prepositions and substitutes them with a comma. In a way it makes the narrative more sensual, creating a type of variation of the stream of conscious technique, but not so pretentious. To me, or at first, it made the narrative stutter, because I wanted to add the words to it. However I think you just get used to it, and for me, towards the end, preferred it. But maybe not.

There are a lot of issues discussed in the book, usually done quite subtly and only done between the lines. The Contrast of the old and new, with the former decaying and the two main characters unable to stop it; racism; multi ethnic relationships; problematic family; adolescent love and uncertainty; precariousness of the future; with an ominous atmosphere that creeps through out the book is all there. I almost gave this book 4 stars, but I just don't think there is enough significant events in it to give it that. But whether 3 or 4 stars, there is a lot you can get out of this book. This is the author's first book and there is huge potential here. I would definitely be interested in reading more of Andrew Cowan's work.

Well written, but not much going on...
This is not the book for somebody who likes a lot of drama, action and surprise!!
It is a well written book, and it reads nicely, but don't choose it if you don't want to fall asleep!
I gave it 3 stars because it's written well, but I didn't enjoy the book at all.