Product Description

The murder of a close friend puts journalist Paddy Meehan in the firing line. The third novel in the highly acclaimed, award-winning crime series by Denise Mina

Product Details

• Amazon Sales Rank: #260302 in Books
• Published on: 2007-08-01
• Original language: English
• Binding: Hardcover
• 352 pages

Synopsis
It is Glasgow in 1990. Paddy Meehan is home alone when there's a knock at the door. It's the police and they have bad news. Former boyfriend Terry Patterson's naked body has been found in a ditch. He's been tortured, hooded, then shot through the head: all hallmarks of an IRA assassination. Paddy is devastated: Terry was her first lover; the sort of journalist she's always aspired to be. But why have the police come to her? Although she and Terry have had an on/off affair since they first worked together in the 1980s, she hasn't seen him for over a year. She is therefore horrified to find that not only has Terry named her next of kin, but he has left her a huge Georgian house in Ayrshire and several suitcases full of notes. What was Terry trying to tell her? As Paddy begins her investigation into his death, she realises that if the secret he was about to expose was worth killing for, she is next in line...

From the Inside Flap
Glasgow, 1990.

Paddy Meehan thinks she might have it all: flash car, flat, job as one of Scotland’s leading newspaper columnists, and a giant packet of biscuits all to herself.
But her relaxed Saturday night in front of the TV is shattered when the police knock on her door. Someone close to her has died, they tell her, smiling sympathetically. She prepares herself for the worst – and is staggered when they tell her who it is.
Terry Patterson has been found naked in a ditch, executed with a shot through his temple. He was her first ever lover and her hero, the sort of journalist she always aspired to be.
Paddy chucked him months ago, but she’s down as his next of kin. He has also left her everything in his will: a house in Ayrshire, boxes of notebooks, and a folder.
What was Terry trying to tell her? As Paddy begins her investigation into his murder, she realizes that if the secret he was about to expose was worth killing for, she – and those closest to her – are in terrible danger ...

From the Back Cover
Paddy Meehan finally has it all: a flat of her own in Glasgow and a job as one of Scotland’s leading newspaper columnists.

And then the police knock on her door. Her former lover Terry Hewitthas been found naked in a ditch, shot through the head.

Paddy’s down as his next of kin - even though they’d split months before – and Terry has left her everything in his will: a house in Ayrshire and boxes of notebooks.

What was Terry trying to tell her?

As Paddy digs deeper into his murder, it soon becomes clear that the secret he was about to expose is worth killing for. And that she is next in line …

Customer Reviews

Gripping and gritty new Paddy Meehan novel
Denise Mina's newest book opens with the shocking murder of Terry Hewitt, former boyfriend of her protagonist, Paddy Meehan. They had known each other since they were both in their teens, eleven years ago, but it had been six months since they had seen each other. Paddy is now 27, and has graduated from her lowly position at the Daily News to her present celebrity status with a regular column of her own, in addition to being a published author. Terry, in turn, had just signed a book deal of his own, and Paddy is told by the police that his killing "had all the hallmarks of an IRA hit...his body found stripped naked in a ditch, single shot to the head." He had been a journalist as well, later "went to war zones, conflict zones, did hard reporting on a world stage...the last of a dying breed...had witnessed corruption and brutality, women raped and murdered, children mutilated, whole villages put to the torch...a fifteen-year-old Angolan boy, shot between the eyes right in front of him." But in the moments before he is killed, after thinking that he "had been arrested in Chile, seen a woman necklaced in Soweto, stood on the edge of a riot in Port-au-Prince," he has no idea why he is about to be murdered on a road on the outskirts of Glasgow, Scotland.

In many respects Paddy has changed little over the years since she first appeared in Ms. Mina's books, of which this is the third: She still hates her appearance, believing she is too fat; still feels she has to prove herself to the misogynistic men around her; though she attends Mass, she still rebels against her family's Catholicism--her sister is a nun, "wasn't even prepared to take communion and had had a child out of wedlock," a son, Pete, now nearly six years old, who she adores. When she is told by the police that Terry had listed her as his next of kin, with her new address that she didn't even realize he had known, she has no choice. When the effects of that investigation threaten not only Paddy but her son as well, the stakes are raised all the way around.

A parallel story line deals with the release after nine years in prison of young Callum Ogilvy, who with another boy had been found guilty of the brutal murder of a toddler, following Paddy's investigation - she had been engaged to Callum's cousin, Sean - described in an earlier book.

Ms. Mina's descriptions conjure up her characters precisely, e.g., someone's wife is "blond, tall, and so thin she could have opened letters with her chin;" in a photo she sees "a woman of eighty, arms crossed, grinning, the folds in her skin deep enough to lose change in;" and, of her editor: "Nature, time and his temperament had conspired to perfect McVie's glower. His face and posture fitted around misery as neatly as cellophane over a cup." The author maintains an undercurrent of menace. Paddy is a gutsy, slightly vulgar and very human protagonist, the characters and the setting very well drawn, the writing and the story taut with a hold-your-breath quality. Highly recommended.

My first Denise Mina
This was my first Denise Mina. She can write, she can create believable, rounded characters and she gives a very vivid sense of place. I think the reason I'm not completely enthusiastic is because, as a thriller, it just isn't thrilling enough. Clearly the author wants to achieve something more than a formulaic crime thriller and she succeeds but the praise featured on the cover - from Rankin, Connelly and Billingham (perhaps suspiciously short-winded? - 'wonderful', 'exciting', compelling') - whilst it leads one to expect good quality, also suggests action, twists and suspense in a measure that, I feel, just isn't here - though they are here in measure enough to keep the book within the bounds of genre fiction. Which makes it a bit of a hybrid - nothing wrong with that in theory but does it really work in practice?
She keeps more than one thread going very well but sometimes I had the feeling that this was several sub-plots in search of a main plot, for it is the main plot that I find the book's weakest feature. We know the who and the what from quite early on - and the why isn't ultimately very interesting.
But, despite my complaints, I will be after another Denise Mina soon - it was never less than an enjoyable read.