Product Description

This title includes an introduction and notes by Keith Wren, University of Kent at Canterbury. The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate. The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions.

Product Details

• Amazon Sales Rank: #3186 in Books
• Published on: 1997-11-20
• Original language: French
• Number of items: 1
• Binding: Paperback
• 928 pages

Customer Reviews

Be careful which version you choose!
Dumas' "Count of Monte Cristo" is the most exciting book I have ever read. It is the epitome of the perfect adventure novel and contains all of the traits that define the genre: jealousy, suspense, action, revenge, deceit, etc. At 1100+ pages, and the label as a "classic," many readers would be turned off at the task of reading such a book. Although the story is long and over 150 years old, it is truly "timeless." This does not read at all like the books you were forced to endure in 9th grade English, and is mostly as topical today as it was when it was penned.

That being said, reading the "wrong" version of this book can change the reader's experience for the worse. Amazon has combined all of the reviews for this book across the many different versions available, which can be very misleading. There are two things that affect the story, the translation, and the context.

I strongly encourage everyone to get the UNabridged version of this story. The abridged version cuts out more than half of Dumas' novel and while the story is still enjoyable, the reader misses out on many exciting chapters in the book. Do not let the length fool you. I found every bit of this book exciting, and never got bored.

Secondly, look for the Robin Buss Translation. Many of the versions of this book use a translation from 1846 (including the Modern Library and Oxford World's Classics editions) that, because of social restrictions at the time, altered some of the story, especially that dealing with sexuality. The Robin Buss translation is more faithful and restores this language, as well as making it an easier read for modern readers.

A Masterpiece for All Times.
Every year amusement parks around the world spend millions of dollars trying to build the biggest and fastest roller coasters. These parks seek to give their visitors the greatest thrills possible on these rides without actually endangering the riders and thrill seekers flock to these parks by the thousands in order to take what they hope will be the ride of their lives. My advice is to skip the long trips and even longer lines and take a ride with Alexander Dumas and Edmond Dantes. No technology known to man can match the excitement and adventure you will thus find.

Make no mistake; this will be a long and sometimes bumpy ride. Dumas occasionally will drop his reader into a chapter that seems to have no relevance to any of the chapters before it. After a while though, it will all become crystal clear as this master storyteller weaves his magic. There will be twists and turns that the reader will not be able to foresee and in the end you will marvel at the scope of the story and the extent of both the vengeance and kindness of the story's hero.

As with many great works of literature, there have been many film adaptations of this book. Some were of course better than others were but none of these films come close to doing this book justice. If you have watched any or all of these films, be prepared to find that the book will often only resemble the films in that the characters have the same names. At least the characters that make it into the films will have the same names but many of the characters in the book never make it into the films. This book is simply too rich and too deep to be captured on film. To really experience Dumas' work you simply must read the book.

This is a story of love lost, of deception, jealousy and murder. Within this book the reader will find villains so vile that they seem almost inhuman but when their downfall comes it is so terrible that one almost feels for these wretched creatures. All through the book the reader sees the story building to a climax, but it builds slowly. So slowly in fact that the reader will be almost on the edge of his or her seat as they wait for the inevitable falling of the ax. When the final act does finally come, the reader will know the characters so well that they will almost be able to feel their agony. On the other hand, the reader will also see that the Count's victims would not have become victims but for their own greed and pride. The traps laid by the Count simply would not have worked had not his victims been ruled by same vices that led them to wrong Dantes in the first place. As with all great works of fiction, the moral lessons are there, but buried under the surface so that they don't interfere with a great story.

This is indeed a great story.

Well worth the wait!
When I was ten years old, I recall a teacher at my junior school telling a class of boys just on their way to play football about a book that he'd just read. He called "The Count of Monte Cristo" a fantastic adventure story that had everything in it. I recall making a mental note to read the book as soon as I had a chance. Well, I hit 40 this year and I finally kept my pledge. After 30 years, I can honestly say that it was worth the wait. The opening 300 pages was as good as anything I have read, and the final 300 ties everything together wonderfully well. Perhaps there is a middle section where the pace slows down just a little too much, but the overall impression is one of perfect balance. It's quite likely that my old teacher is no longer with us, but as with Edmond Dantes, his legacy lives on in at least one thankfull mind.