Track Listing

1. Banquet
2. Cold Blue Steel And Sweet Fire
3. Barangrill
4. Lesson In Survival
5. Let The Wind Carry Me
6. For The Roses
7. You See Sometime
8. Electricity
9. You Turn Me On I'm A Radio
10. Blonde In The Bleachers
11. Woman Of Heart And Mind
12. Judgement Of The Moon And Stars (Ludwig's Tune)

Product Details

• Amazon Sales Rank: #2641 in Music
• Released on: 1987-10-02
• Number of discs: 1
• Dimensions: .22 pounds

Amazon.co.uk Review
Sandwiched between the solitary, heart-on-her-sleeve confessions of Blue and the ravishing pop of Court and Spark, 1972's For the Roses captures Joni Mitchell in a deceptively subdued period of transition. Still hewing to a spare sound, Mitchell ventures beyond the elegant folk sources of earlier records to explore her love of blues and jazz-based harmony, writing as much on piano as guitar; thematically, the earnest reveries and heartbroken dirges of before give way to a more detached, even journalistic perspective and darker, grittier settings, most strikingly on "Cold Blue Steel and Sweet Fire". "You Turn Me On, I'm a Radio" was the set's nominal hit, yet in hindsight the keepers here are found in evolutionary pieces like the jazz-tinged "Barangrill", the rock-infused "Blonde in the Bleachers" and in more sober meditations like "Woman of Heart and Mind"--testaments to her restless growth and signposts to the more mature music ahead. --Sam Sutherland

CD Description
Between the stark, confessional singer-songwriter format ofBLUE and the artful, streamlined jazz-pop of COURT AND SPARK, Joni Mitchell released this excellent transitional album.Located firmly between these stylistic poles, FOR THE ROSESlooks to Mitchell's folky beginnings with wistful, piano-driven ballads like "Banquet" and the acoustic guitar lilt of the title track. At the same time cuts like "Cold Blue Steeland Straight Fire" push toward the unconventional melodies and rhythms--heavily influenced by jazz--that she would explore more fully on albums like HEJIRA.
"Electricity" and "Let the Wind Carry Me" blend singer-songwriter styles with jazzy flourishes (as on the saxophone accompaniment and swooping wordless vocals on the latter), while the record's hit single, "Turn Me On I'm a Radio" is breezy, harmonica-driven pop. But while the styles diverge, Mitchell's lyrics are sharp as ever, exploring human relationships with a storyteller's eye for detail and a poet's feel for phrasing and image. The sense of painful, incisive honesty that comes across on BLUE is here as well, contributing to this exceptional, often overlooked gem in Mitchell's discography.

Customer Reviews

One of my all time favourite albums
this is the album that first introduced me to the words and music of Joni Mitchell and it remains as one of my favourites. Its an album of spiritual journeys and love of life and love; its moody and wistful and sometimes just full of longing and lust. Buy it and play it, over and over again!

A mixture of two fine albums, 'Blue' and 'Court And Spark'
Joni Mitchell's fifth album, 'For The Roses', is such a huge step forward from 'Blue' it is hard to believe it was released the year after 'Blue' in 1972.
This startling collection kicks off with the haunting 'Banquet', featuring just Joni and her beloved piano. 'Cold Blue Steel And Sweet Fire' contains woodwind instruments and is an overall harder song to get into - but it is still one of the album's many highlights. 'Barangrill' comes next, an odd little folk-jazz tune. It is not overlong and it makes for enjoyable listening. 'Lesson In Survival' is one of the few songs on 'For The Roses' that remains not as hummable or memorable as any of the others after a few listens. But as with all Joni albums, the songs that do not stand out immediately are actually one of the most important ones and they demonstrate Joni's fabulous artistry perfectly. 'Let The Wind Carry Me' is a beautifully depressing ballad about "bad" parenting and the title track is a wonderful folk number that sounds vaguely like a softer version of Alanis Morissette's '21 Things I Want In A Lover' (in the verse). 'Electricity' is a memorable midtempo tune and focuses on the power of Joni's melodies and her pure voice. One of the highest highlights! 'See You Sometime' is still very good, even if it lacks the power of some other songs on the album. 'You Turn Me On I'm A Radio' is the "mainstream" song of the album but often doesn't sound it along with the other "non-mainstream" songs. It is a great tune, but actually not the best track on 'For The Roses'. 'Blonde In The Bleachers' is saved from being a bit boring by a great rock'n'roll coda, an element on 'For The Roses' that stands out as being a sign of Joni's subsequent "experimental period". 'Woman Of Heart And Mind' may well be the standout of all standouts here, but you can't say because there are many others that are of equal brilliance and importance. It is brief, but the use of guitar puts an emotional power into the lyrics, and the strong word used early on sets the story wonderfully. The closing 'Judgement Of The Moon And Stars' features a long instrumental passage, echoing sometimes classical composers.
The music on 'For The Roses' is probably the first of Joni Mitchell's stuff to be experimental compared to others. There are some traces of 'Blue' in the ballads and 'You Turn Me On I'm A Radio', but the majority of the album leans further towards the following 'Court And Spark' recording, including elegant jazz arrangements. I would highly recommend 'For The Roses' to anyone, but it is probably not the best choice for a beginner to her music. That would go to more accessible albums like 'Ladies Of The Canyon', 'Blue' or 'Court And Spark'. 'For The Roses' is still one of Joni Mitchell's greatest albums after 30 years. Buy this underrated masterpiece, please!

Her nervous breakdown album
Mitchell worte this material largely in social solitude after the success of 'Blue. Increasing self revelation in her work left her feeling 'naked' and led to a year away from society in the Canadian back-bush without running water or elctricity. The result? Some of the best work she ever produced. The poetry is stunning and incisive. Musically it was another one of her seemingly endless transition periods. No hippy minstrel here. The dulcimer gone (it only appeared on Blue) , piano and guitar are backed by Tom Scott ( he of the LA Express whose collaboraion would continue in successive works) and some of the finest session musicians of the period. It is stark at times and deeply personal but the fight back is clear in her tone. The naked picture ( see line one above) appeared in inside of the gatefold version of the record album as opposed to the cover as it was suggested that she would 'not be happy with the price sticker on her ass' in stores. She was criticised for comparing herself to Beethoven in the final track also known as 'Ludwig's Tune"