Track Listing

1. Track A - Solo Dancer
2. Track B-Duet Solo Dancers (Hearts' Beat And Shades In Physical Embraces)
3. Track C - Group Dancers
4. Medley: Mode D - Trio And Group Dancers / Mode E - Single Solos And Group Dance / Mode F - Group And Solo Dance

Product Details

• Amazon Sales Rank: #18061 in Music
• Released on: 1999-03-20
• Number of discs: 1
• Running time: 38 minutes

Amazon.co.uk Review
This 1963 recording occupies a special place in Mingus's work, his most brilliantly realized extended composition. The six-part suite is a broad canvas for the bassist's tumultuous passions, ranging from islands of serenity for solo guitar and piano to waves of contrapuntal conflict and accelerating rhythms that pull the listener into the musical psychodrama. It seems to mingle and transform both the heights and clichés of jazz orchestration, from Mingus's master, Duke Ellington, to film noir soundtracks. The result is a masterpiece of sounds and textures, from the astonishing vocal effects of the plunger-muted trumpets and trombone (seeming to speak messages just beyond the range of understanding) to the soaring romantic alto of Charlie Mariano. Boiling beneath it all are the teeming, congested rhythms of Mingus and drummer Dannie Richmond and the deep morass of tuba and baritone saxophone. This is one of the greatest works in jazz composition, and it's remarkable that Mingus dredged this much emotional power from a group of just 11 musicians. --Stuart Broomer

Customer Reviews

One of Mingus's finest
I must admit that there are a fair few composers in jazz that I would put at the top of my list before Charles Mingus, (think Ellington, Nichols, Monk, Shorter, Hill, etc) yet there cannot be any more exciting opening than "Track A - Solo Dancer" on "The Black Saint and the sinner lady. " Stoked by the drums of Danny Richmond, the band swirls around the grumbling tones of the tuba in a kaleidoscope of colours, the time signatures constantly shifting before a piercing soprano solo rounds things off, pursued by the growling brass. This is nothing short of incredible.
More than any other recording, this offering demonstrates the bassist's love of the music of Duke Ellington - indeed Rolf Ericson and Quentin Jackson played for the master at one time or the other. Elsewhere, Charlie Mariano's alto evokes Johnny Hodges. The second movement is even more bizarre, an over-blown 1940's big band ballad ( a very strong theme, this one) that morphs into a barbaric vamp on one chord. Jackson's "Tricky Sam" influenced muted trombone is a highlight here - the only way to play the instrument to my ears. After this, there is a bit of flamenco incongruously thrown in. Listening to this over and over again, it becomes impossible to calculate what was written and was improvised. What is certain , is that this music must have taken alot of energy to perform and the rendition of the composition is brilliant, all the musicians seeming determined to ensure it's success and having huge belief in the music.
Here was a composer who was familliar with the whole history of jazz and not ashamed to employ earlier devices such as the Ellingtonesque trumpets and trombone to add richness to the work.
As with much of Mingus's music, there a few dull moments, particularly in the last movement and the composition as a whole could have done with a few more themes rather than the opening one that is repacitulated on many occasions. However, this is rather curmudgeonly as, after "Ah, um", this is Charles Mingus's greatest recording.
In conclusion , this is another essential purchase for a serious jazz collection.

A Classic
This is a real gem. I think Mingus is severely under-rated as an arranger and genius composer. The stuff on here takes some beating, it has to be said. This will stand thousands of repeat plays, and there will always be surprises, while at the same time you will love growning familiar with it. You can't do without this, or at least some quality Mingus: try also 'Mingus plays piano' for something a bit different.

A life-enhancing experience - miss it at your peril!
40 minutes of the purest, most organic music imaginable. This disc defies all labels - although the inspiration of a jazz musician, such is Mingus's genius that other tags, such as symphonic, tone poem, flamenco or indeed chamber would indeed be equally applicable. This is a disc to place in your collection alongside The White Album,The Ring Cycle or Beethoven's ninth.
It really is that good.