Track Listing

1. Sound And Vision
2. Golden Years
3. Fame
4. Young Americans
5. John I'm Only Dancing (Again)
6. Can You Hear Me
7. Wild Is The Wind
8. Knock On Wood
9. TVC 15
10. 1984
11. It's Hard To Be A Saint In The City
12. Look Back In Anger
13. Secret Life Of Arabia
14. DJ
15. Beauty And The Beast
16. Breaking Glass
17. Boys Keep Swinging
18. Heroes

Product Details

• Amazon Sales Rank: #13196 in Music
• Released on: 1998-04-20
• Number of discs: 1
• Dimensions: .21 pounds

CD Description
Born David Jones, the Londoner who would become David Bowiemade a career out of his chameleon-like tendencies and his relentlessly futuristic vision. Though he began in a rather non-rock mode, recording whimsical, Anthony Newley-ish pop tunes, he soon graduated to a more personal, idiosyncratic style. His first major hit, "Space Oddity", set the tone for much of what was to follow, with it's sci-fi theme, avant-popsound and the evocation of alienation that would be often reprised in Bowie's career. Throughout the '70s, Bowie adopted and discarded personas and musical styles at a breakneck pace; from futuristic folk-rocker to androgynous glam-rock god to post-modern soulster and beyond. Along the way, his carefully chosen image and techno-friendly sound influenced everyone from Lou Reed (who Bowie produced) and Roxy Music to Gary Numan and ABC.

Customer Reviews

These were truly his golden years!
This great compilation reflects my favourite Bowie period, the middle to late seventies. Drawn from the albums Young Americans, Station To Station, Heroes and Lodger, it covers his "plastic soul" excursion, the Thin White Duke period and the three albums of synth experimentation. The sequence of tracks is odd - I think a chronogical one would have made more sense. My favourite tracks from Low are here: the sublime Sound & Vision and the ominous Breaking Glass, of which the latter inspired Nick Lowe's brilliant song I Love The Sound Of Breaking Glass from 1978. Station To Station, in my opinion the best ever Bowie album, provides the energetic TVC15, the classic soulful Golden Years and the wistful ballad Wild Is The Wind, but a serious omission has been the magnificent Word On a Wing, one of the greatest and most poetic Bowie tracks of all time with its transcendent spiritual quality, its inspired lyrics and soaring melody. Fame and Young Americans, the "plastic soul" songs, still sound good after all these years, especially next to the disco version of John, I'm Only Dancing. I don't find some of these tracks from Heroes, like Secret Life Of Arabia or Beauty And The Beast, as memorable as some of the other songs here, but I love his cover of Knock On Wood and of course the title track of Heroes remains a landmark composition, one of the most psychologically trenchant songs of all time. Artists as diverse as Blondie and Nico have covered it and I still listen to the German and the French versions on vinyl. To me, Lodger was the least satisfying of the trilogy of Eno albums, but Boys Keep Swinging still swings after all these years and I remember its dramatic video clip from 1979. I consider this his most creative period based on the sheer quality of songs such as Sound & Vision, Breaking Glass, Heroes, Golden Years, Fame, Young Americans and Wild Is The Wind. That's why, although I regret the omission of the breathtaking Word On A Wing, I have awarded this album five stars

One of only albums you'll ever need
This album covers the best of the mid-late '70s almost all the songs are good althoughI would have wanted to add a few more songs from this time like "Fascination"(1975), "Station to station"(1976), "Be my wife" (1977), and "Joe the lion"(1977) to have these I would have left out "Can you hear me"(1975), his cover of "knock on wood"(1974), "John, Im only dancing (again)(1976)" and "it's hard to be a saint in the city"(1989)

~but otherwise a pretty good album and well worth buying..

A perfect introduction to Bowie's best period
This album is a perfect introduction to Bowie's most interesting and, in my opinion, his best period. This really is an intoxicating stew- Here we have plastic soul (Young Americans, Can You Hear Me), Krautrock-influenced rock-funk (TVC15), heart-stopping balladry (Wild is the Wind), electro-pop (Sound and Vision) and avant-garde guitar noise (check the startlingly weird guitar solo on Boys Keep Swinging). There's even a great version of Knock on Wood, from the coked-up David Live. To be honest, after getting into this stuff, Bowie's glam period, great as it is, just sounds a little conventional in comparison, mainly because the late 70s saw Bowie experiment with different procedures for making music. For instance, Sound and Vision has no vocals for almost 2 minutes (very unusual for a pop single), and on Boys Keep Swinging, Bowie instructed the musicians to swap instruments, giving the song a suitably shambolic, teen-punk feel. 'Chance' procedures were also employed on Low and Lodger through the influence of Brian Eno.

All of the albums from the period are well-represented, except Low, (which is his best album, so you should own it anyway). Although some of the tracks are edited (TVC15, Young Americans, Heroes, Golden Years), this doesn't matter, because if you come to this album as an introduction, never having heard the originals, you won't notice this anyway. In fact, Heroes and The Secret Life of Arabia (another gem) actually sound better than on the "Heroes" remaster, which has a thinner mix.

The only stinkers are It's Hard to Be a Saint in the City, which is pretty dreadful, and the disco version of John, I'm Only Dancing, which is actually rather enjoyable in a camp, Bee-Gees kind of way;) One thing's for sure, Bowie was never less than interesting during this period, whether or not his experiments came off successfully.