Track Listing

1. Sidewinder
2. Totem Pole
3. Gary's Notebook
4. Boy
5. Hocus Pocus
6. Totem Pole (2)
7. What A Night

Product Details

• Amazon Sales Rank: #24691 in Music
• Released on: 1999-06-14
• Number of discs: 1
• Format: Original recording remastered

Customer Reviews

Defintive Blue Note groove
"The Sidewinder," is probably Jazz's,"Smells like Teen Spirit." It's undeniably brilliant but it's been so over-exposed, covered and plagiarised down the years that it's genius is no longer instantly apparent. The extended blues track became something of an anchorism for Blue Note, it's a shame because there is some truly wonderful playing on this track, Morgans's ranging trumpet and another set defining performance by Joe Henderson on sax. I prefer to analyse the title track in conjunction with the other brilliant peices of music on this record. You have the hypnotic "Totem Pole," and it's alternate version which somehow manages to be even better. It merges beautifully into the funky,"Gary's Notebook." Higgin's drumwork constantly helps Morgan and Henderson cut the groove. Another favourite of mine is,"Hocus-Pokus," where we see some of Morgan's trumpet trickery. He blew a trumpet like nobody else in my opinion, it's those little flickering sounds he makes before delving into the helter-skelter solos that I love. One of the most interesting things about this album is the drumming. Billy Higgins clearly knew Morgan like the back of his hand and it's his tight sequences that really give the tracks their steady drive and the controlling beat.
"The Sidewinder," isn`t liked by some because of it's commercial success and it did set a fad at Blue Note that lasted far too long. In my opinion Morgan made several other records just as strong as this but if you don't have this record in your collection there's no better way of possibly spending your money than getting your hands on it. Deserves it's legendary status.

A "Cool" Jazz Masterpiece - In the dictionary under Groove.
This album is an absolute must for any Jazz enthusiast, showcasing Lee Morgan at his powerful best. Undoubtedly one of the finest trumpeters in the history of Jazz, Morgan seems barely to break a sweat during the title track, and yet exploits the groove with precision and energy. The musical interplay between Morgan and Joe Henderson on Tenor Sax is superb and seldom matched in any session. Bob Cranshaws' irresistable basslines, and Billy Higgins' powerful backbeat create a momentum that will have your feet tapping helplessly from the first few bars.

After the sublime cool of "The Sidewinder", things get better and better, with every track arguably a masterpiece of the genre. Totem Pole is a superbly constructed piece, proving that Morgan is also a Jazz composer of a high order. "Gary's Notebook" and "Boy, What a Night!" are both upbeat numbers, with more challenging lines, and feature superb solos from Morgan and Henderson. Running through them all is the superb rhythm section, which never fails to groove, and at times takes centre stage - listen to Barry Harris' great piano work on "Totem Pole", and Billy Higgins' relentless beat on "Hocus Pocus".

If you are a Jazz fan and you do not own this album buy it now! If you are not a Jazz fan you will have heard the title track used as mood music on TV or radio - please buy it and listen without any distractions - it will reward your full attention! Be warned though - this album should be labelled with a health warning - "Extremely addictive - may cause excessive listening to Jazz"

The sidewinder - a review
This is an all time classic sixties Blue Note album that has even found fame in club dancefloor remixes.Leee Morgan was the most technically gifted trumpet player to emerge from the fifties.He cut his chops on hard bop records with Art Blakey but found his niche with what some call "boogaloo".But there is no doubt that this is where the whole soul/jazz movement started when morgan,Herbie Hancock,Donald Byrd and others started to "Funk Up" there music with irregular beats and make them the basis of the whole piece with the horn players soloing over those steady grooves making the music seem instantly "catchy" and familiar.
For the above reason alone this album deserves a place in any jazz fans collection.
Great Stuff