Product Description

He's known to many as an inoffensive pop balladeer, but at the arguable peak of his career in the late '70s, Billy Joelreleased his darkest, most emotionally charged album. THE STRANGER abandons the grandstanding and broad melodic sweep of Joel's earlier records for a more intimate, introspective sound, effectively communicating Joel's ruminations on the perils of life and love. "Movin' Out" is something of an existentialist anthem, chronicling the way people's dreams are often irreparably crushed. The ominous-sounding title tune examines the many guises with which lovers disguise themselvesin their attempts to entrap and deceive each other. "Only the Good Die Young" is hedonism at it's most iconoclastic. Even "She's Always a Woman", ostensibly a romantic piano ballad, is full of thorny, less-than-complimentary observations about its subject. Joel's emotional honesty would never be this clear-eyed and unabashed again.

Track Listing

1. Movin' Out (Anthony's Song)
2. Stranger
3. Just The Way You Are
4. Scenes From An Italian Restaurant
5. Vienna
6. Only The Good Die Young
7. She's Always A Woman
8. Get It Right The First Time
9. Everybody Has A Dream

Product Details

• Amazon Sales Rank: #30479 in Music
• Released on: 1998-06-01
• Number of discs: 1
• Format: Enhanced

Amazon.co.uk Review
This, Billy Joel's breakthrough album, came years after he first made his mark with the novelty-ish "Piano Man". In the meantime, the New York-based songwriter released two lacklustre and stylistically confused platters that blunted interesting songs with a sound that was neither Elton mellow nor Elton attitude. Produced by Phil Ramone, The Stranger took those who had written Joel off as a one-hit wonder by surprise and it remains a solid introduction to Joel's restless muse at a crucial point in his career. It invited a few comparisons to Bruce Springsteen, with its prominent sax breaks, hard-edged rebel-rockers ("Only The Good Die Young") and slice-of-life dramatics ("Scenes From An Italian Restaurant"), recounting life in a lower middle-class setting; but Joel's chameleonic, formalist approach to pop wasn't to be so easily pigeonholed. --Don Harrison

Customer Reviews

A classic, essential album
Billy Joel is the complete artist. A wonderful vocalist, a brilliant lyricist, an exceptional musician, an absolutely astounding pianist and an incredible performer. He is, quite literally, one of the greatest songwriters of the 20th Century and his breakthrough 1977 Phil Ramone-produced album, 'The Stranger', is widely regarded as his finest moment in music. Although I believe that, given his talent, there are other strong contenders for that honour, I can certainly understand why this album is rated so highly. Like any truly classic release, you can listen to 'The Stranger' from start to finish and it is like listening to a greatest hits package. In fact, nearly all of the tracks on this album can be found on the better Joel compilations and with good reason - it's a masterpiece.

'Movin' Out (Anthony's Song)' kicks the album off, a ballsy song about leaving the rat race which is full of characters working too damn hard to improve their lives against a vividly-painted New York backdrop ("Sergeant O'Leary is walkin' the beat/At night he becomes a bartender/He works at Mister Cacciatore's down on Sullivan Street/Across from the medical centre"). The title track follows, introducing itself with a gentle piece of pretty piano music accompanied by a whistled melody line. This proves to be a false start as the song itself is an electric guitar-heavy rock song about recognising how you and everyone you are close with can be an emotional stranger, something that I'm sure most people will be able to connect with.

'Just The Way You Are' is the first ballad of the album, a bossa-nova style song with an interesting, almost 'backwards', drum rhythm, during which Joel implores his loved one (it was written as a birthday gift to his then wife, Elizabeth) to never change. Always his harshest critic, Billy has gone on record saying that he dislikes this composition and that it was very nearly left off the album. He's entitled to his opinion, of course, but I think that the popularity of it amongst his fans (not to mention the two Grammy awards) proved him wrong.

The next song, 'Scenes From An Italian Restaurant' is truly remarkable. It tells the story of two people getting together over a couple of bottles of wine, reminiscing about their early years, about Brenda & Eddie, the king and queen of the prom who evidently peaked too early in their lives. It's the human detail in this song ("Do you remember those days hanging at at the village green?/Engineer boots, leather jackets and tight blue jeans"... "Well they got an apartment with deep pile carpets/And a couple of paintings from Sears") coupled with the genuinely stirring and moving music which makes this one of the best songs Billy ever wrote and recorded.

'Vienna' would have been the first song on what they used to call 'side two' and, to this day, remains one of my favourite songs of all time. It is ballad written as a piece of advice for someone who wants everything all at once ("Dream on but don't imagine that they'll all come true/When will you realise Vienna waits for you?") and is a truly beautiful piece of music. The next song is the rather amusing but controversial rock shuffle 'Only The Good Die Young' which sees Billy attempting to get a Catholic girl, Virginia (very subtle, eh?), into bed with him. This extremely enjoyable song got banned by many radio stations which only aided its popularity and was defended by the author as being "pro-lust" instead of anti-Catholic - a stance that I'm sure that many young men could testify to.

Continuing on, the beautiful 6/8 time Gordon Lightfoot-inspired ballad, 'She's Always A Woman', tells the story of a man who loves a woman for all of her flaws and perceived cruelty. The album then moves upbeat with 'Get It Right The First Time', a catchy near-disco number which betrays the era a little and finishes with the powerful, emotive gospel of 'Everybody Has A Dream' which has echoes of Billy's early albums. At nine tracks and just over 42 minutes of music, 'The Stranger' has no excess, no flab and is up there with amongst the greatest albums ever made. As essential as any album could ever be.

Outstanding album that made Billy famous
Billy's career had been building gradually prior to the release of this album, but this album made him a major star in America, spawning four hit singles, two of which (Just the way you are, Moving out) also became British hits at the time while a third (She's always a woman) made the UK charts six years later. The other American hit (Only the good die young) didn't chart in Britain.

Of all the hits, the standout track is Just the way you are, which was also a UK hit for Barry White less than a year after Billy's original made the UK top twenty. Many artists in several genres of music have covered Just the way you are, proving just how good the song is.

Among the other tracks, there is a great story song - Scenes from an Italian restaurant. It lasts for over seven and a half minutes so it could never have been released as a single. Vienna, Get it right the first time, Everybody has a dream and the title track are all excellent album tracks.

Although there are only nine tracks on this album, the playing time is over forty minutes and every song is brilliant. Among Billy's many excellent original albums, I rate this one as second only to An innocent man.

Pop Perfection
Musically, critically and commercially one of Billy Joel's finest albums 'The Stranger' has set standards of the popular song, it also shows a man very much on top form in the singer/songwriter category. With 'The Stranger' Joel has touched the pulse of pop perfection, and outcame such songs like 'Movin Out (Anthony's Song' - a fun narrative pop song with one of the most catchiest choruses I've ever heard. 'The Stranger' (a song on the album with the same name) - a dark funky rock song with an oriental guitar riff, not to mention the beautiful piano introduction. 'Just The Way You Are' - need I say no more.
'Scenes From An Italian Restaurant' is one of Joels best written songs, jazz, rock and roll and romance all thrown into this pop epic. It is Joels 'Bohemian Rhapsody' if you like. 'Vienna' is tranquil and poignant and 'She's Always A Woman' empathises with any man who's ever been in love, a song of such beauty and significance.
Melody, Harmony and Orchestration all have high standards and just pure enjoyment in this masterpiece.
This is a must have for Billy Joel fans, but even if you don't particularly like his work this is an elagant addition to anyones collection. A true classic from the Piano Man