Track Listing

1. Bring Da Ruckus
2. Shame on a nigga
3. Clan in da front
4. Wu Tang : 7th Chamber
5. Can it be so simple
6. Da mystery of chessboxin'
7. Wu Tang Clan Ain't Nuthing Ta F' Wit
8. C.R.E.A.M.
9. Method Man
10. Protect ya neck
11. Tearz
12. Wu Tang : 7th Chamber - Part II
13. Method Man (Skunk mix)
14. Conclusion

Product Details

• Amazon Sales Rank: #4335 in Music
• Released on: 1994-05-02
• Number of discs: 1
• Format: Explicit Lyrics
• Dimensions: .21 pounds

From Amazon.com
This debut revolutionized hip-hop (and launched half a dozen solo careers), as much for The RZA's raw barrage of off-kilter, off-key loops and sound effects as for its elliptically violent lyrics. Martial arts--at least as they appear in kung fu movies--are the Wu-Tang Clan's favorite metaphor, but they're also the organizing principle of the group, a crowd of eight rappers, each with his own way-out-there "fighting style." They created their own little self-contained culture, with its own symbols and shifting identities, and let listeners figure it out for themselves. Unless you're willing to immerse yourself in its world, it can be baffling and a little dry, but its aggression and originality are undeniable. --Douglas Wolk

CD Description
The Wu-Tang Clan seemed to come out of nowhere when they released their first independent single, "Protect Ya Neck". Tothe industry's surprise, it sold over 10,000 copies and enabled this conceptually innovative crew to land a deal with RCA. ENTER THE WU-TANG (36 CHAMBERS) is the first effort to "take you on" the full "lyrical high" of the Wu-Tang--eight "killer bees" who stem from that forgotten borough of New York City, Staten Island.
Prince Rakeem "The RZA" may dominate the loosely-based group's production chamber, but the success of the Wu-Tang should be credited to all. "Clan In Da Front" gives The Genius (aka "The GZA") the opportunity to prove to critics of his former solo career that he's far from played out. To the liking of many hardcore ruffnecks, "ShameOn A Nigga" unites the Clan's most distinctive vocalists, Ol' Dirty Bastard, Method Man and Raekwon The Chef; and fellow members Inspector Deck, Ghost Face Killer and U-God join forces on the album's highlight, "Da Mystery Of Chessboxin'".Both cuts prove the Wu-Tang to be the most lyrically diverse rap group on the streets today.
The Clan's alliances inthe hip-hop community have already brought about crazy recognition to their brother-artists (The Gravediggaz, Shyheim aka The Rugged Child, Method Man's solo work), showing that the Wu-Tang's influence can be found in both the studio and the market-place. So, while they may have been dissed in previous incarnations, the Wu-Tang Clan understand that power comes from unity and that their's is far-reaching; or as they put it, "we form like Voltron".

Customer Reviews

A landmark release
The music world had never heard anything like it. Eight MCs from New York with at least three personas each and an unmitigated passion for kung-fu movies release an album full of blood, passion, violence and Eastern mysticism coupled with eerie piano and string arrangements and pulsating basslines. Now, a decade after its release it is believed to be the second most essential hip hop album ever recorded (just behind Public Enemy's 'It Takes A Nation Of Millions').

The moment Ghostface Killah nails the first line on 'Bring Da Ruckus' the hip hop world would never be the same again. After an uncompromising verse and with no fuss or pause Ghostface passes the microphone to Raekwon who seamlessly continues. Hip hop groups of course were not unheard of, but where groups like Public Enemy and the Ultramagnetic MCs each had a main rapper, here there were eight equally visible rappers, each as talented as the last.

While eventually the group would collapse under the weight of kung-fu kitsch, ten years ago they were genuinely intimidating. Their description of what they do to journalists that serves as the introduction to 'Method Man' is grotesque. Earlier Gza had threatened to 'slit a n***er's back like a Dutch master killer" on 'Wu Tang: 7th Chamber'.

What makes the Wu Tang so entertaining is that each MC has their own personality well-crafted, even at this formative stage of their careers. Each MC brings an enthusiasm and character to the album. Surrounding the three master storytellers (Raekwon, Gza and Ghostface Killah) are U-God and Inspectah Deck who have never bettered their respective verses on this LP, the director Rza who also delivers most of his best verses here, witty prankster Method Man and resident lunatic ODB. Method Man, in particular, has never been in better fettle than on his eponymous track. His humour is evident throughout the entire LP, but it is on 'Method Man' where he most successfully melds it with a degree of gravity ("I be Sam, Sam I Am / and I don't eat green eggs and ham / style will hit ya, then god damn / you be like oh s**t, that's the jam"). ODB is as manic as ever; he is only slightly more coherent than he has been on later releases ("Burn me, I get into s**t, I let it out like diarrhoea / got burnt once, but that was only gonorrhoea."). This blend is what makes Wu Tang group efforts so good, but it is on their debut that the melange is at its most potent.

'C.R.E.A.M.' (Cash Rules Everything Around Me) remains the Wu's most perfectly recorded moment. Raekwon and Inspectah Deck fill the listener in on how hard it was for them growing up, "A man with a dream with plans to make CREAM / which failed; I went to jail at the age of fifteen / a young buck selling drugs and such who never had much / trying to get a clutch at what I could not.... could not...." 'Wu Tang: 7th Chamber' has the entire Clan (bar U-God) attempt to out-do each other in some short verses. The beat is almost skeletal and the track has no chorus, meaning that each MC merely passes the mic to his next compadre. The track also gives ODB the chance to say perhaps his best, and unquestionably his funniest, couplet to date, "Are you, uh, ah, uh, are you a warrior? Killer? Slicing s**t like a samurah (sic) / The Ol' Dirty Ba***rd. Wunderba!" It's the first and last time ODB would deal in the German language, which, on this evidence, is a crying shame. Meanwhile, the Wendy Rene-sampling 'Tearz' sounds like some demented carnival mixed with the subject matter of TLC's 'Waterfalls'. In fact it's hard to believe that TLC's track wasn't heavily inspired by this track, as the subject matter is essentially identical. Rza's first verse tells of the murder of his brother and Ghostface Killah's verse tells of his friend who catches HIV. And has any band ever recorded a mission statement as perfect as 'Wu Tang Clan Ain't Nuthing Ta F' Wit'? This writer thinks not.

Many albums are branded as being landmark releases few however actually deserve the title. 'Enter The Wu Tang' is one such album that is entirely worthy of its reputation. 'Enter The Wu Tang' is as good an album you will ever hear. It seems unlikely that the Wu will ever better it, or anybody else for that matter.

Just one of the greatest debut albums of all time...
Enter the Wu-Tang(36 Chambers)is one of the greatest debut albums of all time- name any one (Roxy Music, Never Mind the Bollocks, Music from Big Pink, The Modern Dance, Talking Heads77 etc) & it more than measures up. It's also one of the most significant rap albums- personally the nihlistic spirit of NWA and 2LiveCrew were a bit tiring (Efil4Zaggin is one of the worst albums ever, by anyone). Rap would ultimately get emptier with Puff Daddy, Tupac & the whole exploitative cabal that surrounded/surrounds them. The late 80s had seen key rap albums released- PE's It Takes a Nation of Millions (& follow up Fear of a Black Planet), EricB&Rakim's Paid in Full, Beastie Boys' Paul's Boutique & De La Soul's 3 Feet High & Rising. An album like Straight Outta Compton had some great tracks, but was a lot more limited- so it was this debut from 1993 that rejuvinated the genre.

The Wu were spearheaded by rapper Prince Rakeem who took on the moniker of The RZA, backed by seven charismatic & talented rappers: Method Man, U-God, Rebel Ins (aka Inspector Deck), Raekwon, Ghost Face Killah, ODB & The Genius/The GZA. Here the collective come together in perfectly lethal form, to the semi-industrial sci-fi soundscapes of the RZA (advancing on the sound of EricB&Rakim's Follow the Leader&Lyrics of Fury).

ODB before his sad lapse into problemville (though his 1st two solo albums are total classics) assists cousin The RZA on Da Mystery of Chessboxin' & previews the immense sound of solo debut Return to the 36 Chambers. While Method Man is the star not only of Wu-Tang Clan Ain't Nuthing Ta F'Wit, but the eponymous track named after him- which moves from an improvised horrorshow rap to a severe blend of sonic grooves & industrial beats. A major highlight- though every track stands out, from the summertime sounds of Can It All Be So Simple (rerecorded for Only Built 4 Cuban Linx) & C.R.E.A.M.- an intelligent rap on the reductive nature of the material world and how everything is reduced to cashola (part of the Wu's subsequent problems can be linked to this theme- all the parasites come out...)

Shame on a Nigga is another highlight, ODB rapping over over a brassy70s sample that would later be sampled by Suicide on 2002's Wrong Decisions (another sonically uncompromising NY band who came from the underground). Bring on Da Ruckus is the perfect opening track- huge beats as violent overloaded imagery is spat out (Nixon, PLO, Porno-flick bitches,the Waco-atrocity...). The best is saved for the conclusion of the album- debut single Protect Ya Neck (as great a debut single as Anarchy in the UK or Piss Factory). The kettle-whistling sound of Rebel Without a Pause (from a Miles Davis record) is referenced- The RZA in complete control of the soundscape as the tightest Wu-line-up trade lines- some great harmonics (here comes my shaolin style!)- the beats pulse and overload as atmospheric keyboards play in the background. Even better is Tearz- a Wendy Rene-sampling slice of emotional rap that sounds like the missing link between prime Lee'Scratch'Perry, 80s Prince & Tricky's Maxinquaye (1994). Absolutely amazing- later Wu-related tracks like Heaven&Hell, Rainy Days & Heaterz would stem from this great blueprint.

Enter the Wu-Tang is one of the greatest albums...ever. The initial solo follow-ups showed equal invention- Only Built 4 Cuban Linx, Liquid Swords, the Gravediggaz debut ,Tical, Return to the 36 Chambers, Ironman. It was more with the bloated Wu-Tang Forever where things began to go wrong- though Killah Priest's debut was great, as was ODB's Neptunes-assisted second album. But as a single album, Enter..., is definitive & remains an important release both in the rap-sense and of the 1990s, a decade which would generally run out of ideas about halfway through. At this budget price, it NEEDS to be owned...

THE WU-TANG DEBUT
Along with Dr. Dre's The Chronic, the Wu-Tang Clan's debut, Enter the Wu-Tang (36 Chambers), was one of the most influential rap albums of the '90s. Its spare yet atmospheric production -- courtesy of RZA -- mapped out the sonic blueprint that countless other hardcore rappers would follow for years to come. It laid the groundwork for the rebirth of New York hip-hop in the hardcore age, paving the way for everybody from Biggie and Jay-Z to Nas and Mobb Deep. Moreover, it introduced a colorful cast of hugely talented MCs, some of whom ranked among the best and most unique individual rappers of the decade. Some were outsized, theatrical personalities, others were cerebral storytellers and lyrical technicians, but each had his own distinctive style, which made for an album of tremendous variety and consistency. Every track on Enter the Wu-Tang is packed with fresh, inventive rhymes, which are filled with martial arts metaphors, pop culture references (everything from Voltron to Lucky Charms cereal commercials to Barbra Streisand's "The Way We Were"), bizarre threats of violence, and a truly twisted sense of humor. Their off-kilter menace is really brought to life, however, by the eerie, lo-fi production, which helped bring the raw sound of the underground into mainstream hip-hop. Starting with a foundation of hard, gritty beats and dialogue samples from kung fu movies, RZA kept things minimalistic, but added just enough minor-key piano, strings, or muted horns to create a background ambience that works like the soundtrack to a surreal nightmare. There was nothing like it in the hip-hop world at the time, and even after years of imitation, Enter the Wu-Tang still sounds fresh and original. Subsequent group and solo projects would refine and deepen this template, but collectively, the Wu have never been quite this tight again.