Exit Planet Dust
|
| List Price: | £8.99 |
| Price: | £6.48 & eligible for FREE Super Saver Delivery on orders over £5. Details |
Availability: Usually dispatched within 24 hours
Dispatched from and sold by Amazon.co.uk
99 new or used available from £0.53
Average customer review:Track Listing
- Leave Home
- In Dust We Trust
- Song To The Siren
- Three Little Birdies Down Beats
- Fuck Up Beats
- Chemical Beats
- Chico's Groove
- One Too Many Mornings
- Life Is Sweet
- Playground For A Wedgeless Firm
- Alive Alone
Product Details
- Amazon Sales Rank: #9782 in Music
- Released on: 1995-06-26
- Number of discs: 1
Editorial Reviews
Amazon.co.uk Review
A key record of the 1990s, Exit Planet Dust invented the big-beat style that dominated British dance music in the second half of the decade, and it still sounds superb in its own right. Skull-crunching hip-hop loops, fuzz guitar, insistently repetitive spoken samples and thunderous basslines make up the blueprint for one of the most instantly energising albums ever recorded. Many of the titles--"Chemical Beats", "Fuck Up Beats", "Chico's Groove"--are fairly self-explanatory. Others show a level of erudite humour; "Song To The Siren" filches the name of a Tim Buckley ballad for a track more in keeping with the mysteries of a car alarm, while "One Too Many Mornings" is nothing that Bob Dylan would recognise in a hurry. Collaborations with Beth Orton ("Alive Alone") and the Charlatans' Tim Burgess ("Life Is Sweet") add human voices to the brilliant mechanical formula. --David Bennun
From Amazon.com
For years before the release of Exit Planet Dust, the production duo of Tom Rowlands and Ed Simons were cranking out slabs of the biggest sounds around on the U.K. label Junior Boys' Own. Before screeching guitars and massive breakdowns were par for the course in dance music, they were unleashing monsters like "Chemical Beats" and "Song to the Siren"; their distorted beats and rock mentality were years ahead of their time. And, not surprisingly, they still hold up today, collected and rereleased, along with several newer tracks, on Exit Planet Dust. All the singles that established the trademark Chemicals sound are present, as are explorations of pop-song forms with vocalists Beth Orton ("Alive Alone") and Tim Burgess ("Life Is Sweet"). While a more evolved sound can be heard on their follow-up, Dig Your Own Hole, the roots of big beat can be found here. --Matthew Corwine
CD Description
The Chemical Brothers were formerly known as the Dust Brothers. The name change seems particularly appropriate, as manyobservers viewing the disc's cover would be hard-pressed toperceive this as anything remotely electronic-based. Rave faves and flamboyant studio techies in their native England, the Brothers may be the '90s inheritors of Adrian Sherwood and his On-U Sound legacy.
EXIT PLANET DUST is a record concerned more with the urban jungle than space-time continuums, although there's no shortage of tripped-out effects, stereo panning, reverb, and a healthy amount of studio gimcrackery. Mobile fidelity is the nucleus here, so anyone expectingambience need look elsewhere. With this record, one of the first to break so-called "electronica" mainstream and on Main Street, USA, The Brothers have assimilated so many dancefloor ideologies that their stance within the "big beat" genreshould ultimately get them through the next musical revolution--and beyond. To many, this is the possible future of pop: Spock & roll, anyone?
Customer Reviews
The Brothers have worked it out
Exit Planet Dust was Tom and Ed's first album as The Chemical Brothers, the patenters of Big Beat. Drawing from work by the likes of The Dust Brothers (the Chem's previous name, as a sign of respect to the original American Duo), Big Beats was a hybrid of hiphop scratching and vocals, fuzzy guitars, hosts of acid bleeps, shreaking sirens and good ol' British bass. Beginning with the definitive Big Beats tracks Leave Home and In Dust We Trust, The Bros journey through the oncoming traffic of heavy beats, ear piercing sounds and the sweet vocal talents of Tim Burgess and Beth Orton, in the evil-sounding-but-superb Life is Sweet and slow, downbeat-but-still-bigbeat Alive Alone respectively. This was the birth of the finest form of dance on this planet and a landmark album. -Daniel Murtha
brilliant
This albumn is raw but has so many great beats like "chemical beats", "song to the siren", "in dust we trust" and "fucked up beats" that is a must for all chemical brothers and dance lovers. You will be boping to it for ever and it is better than most of todays stuff.
Brothers Work it out
This has to be the biggest big beat albums ever. The anthem song Leave home, is just the beginning of a freaky dance scape where they explore all manner of cool sounds. My favourite has to be the mellow No way of knowing if she's ever coming home, I don't know if it's called that but it has to be one of the most beautiful songs ever.





