Product Description

Released in September 1982, DEVIL is Ozzy's third solo album and first live one. Recorded at NYC's Ritz, it closes a chapter in Ozzy's career with an all-Black Sabbath set, actually competing against his former bandmates as they released LIVE EVIL just a few months later. Ozzy's performance is as spirited as ever, and the Sabbath classics come across tight and rock solid.
Opening with "Symptom Of The Universe", one of the finest metal compositions ever, the album pulls you into Ozzy's wacky and twisted world for the duration of the show. This remastered edition (with superb clarity) features the previously omitted "Sweet Leaf", Sabbath's ode to herbal remedy. Osbourne's last recorded song with Sabbath, the ironically titled "Never Say Die" is rocked with renewed vigour by the ace band of Brad Gillis, Rudy Sarzo and Tommy Aldridge. The group and the over-the-top Manhattan crowd seem to play off each other. If you're a Sabbath or Ozzy fan, you need to purchase DEVIL, a sonic souvenir of a classic gig.

Track Listing

1. Sympton of the universe
2. Snow blind
3. Black Sabbath
4. Fairies wear boots
5. War pigs
6. The Wizard
7. N.I.B
8. Sweet leaf
9. Never say die
10. Sabbath, bloody Sabbath
11. Iron man/Children of the grave
12. Paranoid

Product Details

• Amazon Sales Rank: #32180 in Music
• Released on: 1995-11-06
• Number of discs: 1

Customer Reviews

OZZY DID THIS ALBUM TO GET OUT OF A CONTRACT DEAL AND IT'S THE ONLY ALBUM OZZY DOESN'T GET PAID FOR
Immediately following the death of Ozzy Osbourne's dear friend and collaborator Randy Rhoads, tentative plans for a live recording from the Rhoads tours were quickly scrapped. Instead, the deeply troubled singer opted for a pair of one-offs at New York City's Ritz club. No one had any idea what Ozzy would do, and an evening of Black Sabbath covers was the furthest thing from everyone's mind. Ozzy had been portrayed as a washed-up, vocally challenged frontman by his ex-bandmates, and the perception was that Ozzy could no longer sing the original Sabbath material. Hiring metal producer Max Norman to man the boards, Ozzy enlisted Night Ranger guitarist Brad Gillis to play the role of Tony Iommi for the evening. The show itself took on an ominous tone with a chair visibly propped up on the edge of the stage; upon it rested a spiral notebook containing the lyrics to all the Sabbath songs of the evening, from which Ozzy read throughout the show. Still, Speak of the Devil is strengthened by the classic combo of Rudy Sarzo and Tommy Aldridge on bass and drums, undoubtedly one the best rhythm sections of Ozzy's solo career. And immediately, it becomes obvious that Brad Gillis was the right man for the gig. Playing Iommi to a tee, Gillis effortlessly leads the band through some of the best of the Sabbath catalog; Speak of the Devil ends up solid throughout, if somewhat unremarkable at times. Listening to the remastered version, there's no doubt that the vocals feature some heavily doctored patch-ups, but regardless, Ozzy proved his point to his ex-bandmates. Following the recording, due to the uncertainty surrounding the Ozzy camp, Gillis would jump ship and rejoin the ranks of Night Ranger.

Ozzy's Sab covers are good, but missing something...
I like this album, for a couple of reasons. First of all, I like Sabbath alot. I have more Sabbath then Ozzy in my collection (mostly bootlegs) This is a good album but one of things that bothers me is the overly loud bass guitar. It's got more bass then guitar. There is only four people who can do these songs and they are Ozzy, Tony, Bill and Geezer.
PRO'S
- Ozzy
- Nice sabbath set
- Cool cover
- Nice vocals
CON's
- Too much bass guitar
- Iron Man/ Children of the Grave same track

Also, a track that would have been cool is Behind the Wall of Sleep. On the Black Sabbath LP, it and NIB are one, large song.
It's kind of the whole Black Sabbath feel, ya know?

Brad Gillis?????
If you're a Sabbath purist, avoid this album like the plague.While the playing is acceptable, it comes across as 3 very good session players going through the motions.The intensity and foreboding of Sabbath's music is missing here.The guitarist Brad Gillis(think wannabe Eddie Van Halen) meanders aimlessly over every chord change and treats us to 2 handed tapping and wammy bar overkill in every solo.Contrast this to a player like Zakk Wylde's intuitive reading of Sabbath's music.
Ozzy was under contract to release an album under his former management and this is the hastily released result.If you want to listen to sabbath check out "War Pigs","Black Sabbath",or"Master of Reality".