Track Listing

1. Pug
2. Tear
3. Blank Page
4. Tale Of Dusty And Pistol Pete
5. Daphne Descends
6. Shame
7. Ava Adore
8. Behold The Nightmare
9. Once Upon Time
10. For Martha
11. Appels And Oranjes
12. Annie Dog
13. Perfect
14. 17
15. To Sheila
16. Crestfallen

Product Details

• Amazon Sales Rank: #17128 in Music
• Released on: 1998-06-01
• Number of discs: 1

Amazon.co.uk Review
With Adore, Smashing Pumpkins return to the forefront of rock to do a dance with a new partner. Trading white-noise vocals and guitars for caramel crooning and dense synthesizers, frontman Billy Corgan drives bandmates James Iha and D'Arcy to a lush aural plateau. The darkness is still there--evidenced in the techno throb of the single "Ava Adore"--but the Pumpkins also tinker with Lennonesque lullabies ("Behold! The Night Mare"), midtempo electronica ("Appels and Oranjes") and tender calliope music ("Once Upon a Time"). Smartly, Corgan rarely upstages the watery sounds going on behind him; the trademark mid-song blowouts are almost completely absent. Adore will strike your ears and heart in a way you didn't think the Smashing Pumpkins could. --Jason Josephes

CD Description
In the wake of drummer Jimmy Chamberlin's departure, the Pumpkins have taken a giant step away from the grunge-flavoured, turbo-powered alt-rock anthems that made them famous. On ADORE, Billy Corgan and company opt instead for a more scaled-down approach that relies heavily on acoustic instruments and ballads of love and longing. Corgan may still be expressing angst here, but he does it in an understated, romantic way, addressing matters of the heart with subtlety and maturity on tunes like "Shame" and "To Sheila".
Don't take all this acoustic-based balladry (a path also explored by James Iha on his solo debut) as a sign that the band is out of touch with contemporary production trends, though. Bon Harris of Nitzer Ebb is on hand to add a sprinkling of electronica to the proceedings via his programming talents. His contributions, like much of ADORE itself, remains modestly unobtrusive, providing just the right underpinning for some of the tunes. As the album ends with a solo piano instrumental, we're reminded that Smashing Pumpkins are a band who refuse to ossify, constantly changing and evolving. ADORE is just one more leg of their continuing journey.

Customer Reviews

Adorable
The Smashing Pumpkins were a band that continually evolved throughout their albums, and their fourth "proper" album is, in my opinion, their finest and most beautiful work. "Adore" may have been panned by the critics, and some fans consider it to be the worst of the band's efforts, admittedly it does take a few listens to really connect with the mood of the album. But once you recognise and appreciate the song's melancholy outlook, the album really enters another level.
"Adore" was recorded without the help of drummer Jimmy Chamberlain, who was asked to leave following his involvement in the death of a Pumpkin's tour musician. He was replaced with a drum machine, and therefore created a totally new sound for the Pumpkins, gone were the powerful, guitar-driven songs that made their previous three albums, and replacing it was far more electronica based music. "Adore" is a very somber album, it was written and recorded during the death of Billy Corgan's mother, and the band were beginning to sober up to the reality of rock and roll, songs such as "Blank Page" and "Annie-Dog" really reflect the bleak mood of the album. The two singles released off the album don't really show off the it's deflated feel, both "Ava Adore" and "Perfect" are fantastic examples of the Pumpkin's work, but they sound slightly disconnected with the rest of the album. The electronica influence really shines through tracks such as "Appels + Oranjes" and "Behold! The Nightmare", whilst more tender, intimate moments are reflected in "To Sheila" and "For Martha", an epic track which only the most ardent philistein can fail to fall in love with. The album ends with the mysterious "17", a strange seventeen-second long track which is slightly baffling, what it is meant to mean or reflect I don't know.
Despite the strange conclusion, "Adore" is the most touching and wonderful album that I have ever heard. Ignore whatever reviews that you have heard which slates this album, just listen to it and make up your own mind. "Adore" is not an album which will leave you dithering whether you like it or not, you'll either fall in love with it, or hate it. I personally regard it as not only the best album by the Smashing Pumpkins, but as the best album I have ever listened to. My copy has a slightly different track-listing, but I'm sure the copy advertised here won't fail to touch your hearts, it really is that good.

Sheer poetry
I'll admit that I wasn't sure about Adore at first. It was the second Pumpkins album I bought (after Mellon Collie) and I was expecting more of Billy Corgan's own brand of heavy metal. What I got, and what I soon learned to appreciate, is an album of rare beauty. Some of the lyrics (most to be honest) are as good as the work of any conventional poet - "I faced the fathoms in your deep, withstood the suitors' quiet siege, tore downs the heavens just to please you, to hold the flower I can't keep" is a perfect example.

The songs range from the almost sinister Ava Adore (watch with the video for full impact), to the dark, grief stricken Tear and Blank Page - one of the most haunting songs I've ever heard. Songs such as Perfect and Appels + Oranjes add just enough catchy pop to what is a lengthy, though not overly so, album. Other highlights include Behold! The Night Mare (see lyrics above) and the reverb drenched and downright scary Shame.

As a whole, Adore is a mixture of electronica and subtle acoustic tracks, with occasional moments of angry distortion. Jimmy Chamberlain's absence is noticable, but not necessarily detrimental (though he is one of the greatest drummers around!) and Billy Corgan's voice is noticeably better in comparison to earlier albums. It was always going to be hard to follow Mellon Collie, but Adore succeeds, both in sounding nothing like its predecessor, but also attaining the same heights. One of the best, and most underrated, alternative rock albums of the 90s, any fan of the genre should own Adore.

Disappreciated
They'd been around for years and the pumpkins released they're fith album, it came out and was a superb album, although there are a few songs that i dont like as much as the rest, though they are good songs. When the album came out it did not do well, despite the critics love of the album, the pumpkins appealed to a wider audience with this album than people who wished to bang there heads against brick walls, dont get me wrong i like moshing too, but I dont want to do it all the time. In this album Billy opens his heart, pours his soul all over the CD in the lyrics and the music, its a sensitive, mellow and in places, a sad album, and fits perfectly that time in Billy's life and what he was going through.

I guess this album brings the moment of truth to whats in the listeners heart, does he much like many wanabe moshas just want something to bang his head along to, or does he have a heart? I dont see how if you have a heart you can dislike this album, it is very powerful and it is very touching, and it does reflect the quiet songs on mellon collie, with just as much(if not more) feeling. I do feel if your a pumpkins fan , you should like the quiet and the loud songs, so if you do, then buy this, if you dont, then go elsewhere.

Adam