Product Description

Covering their career from 1981-1993, the 17-track (THE BEST OF) NEW ORDER features at least one track from each of theband's albums, the odd single or two, and a handful of remixes. Focusing on their late-period work, there are a couple of overlaps with the 1987 collection, SUBSTANCE, but there'sstill more than enough additional material to justify it. Many of the band's high points are here: "Dreams Never End" from MOVEMENT, "Age of Consent" from POWER, CORRUPTION AND LIES, and "Love Vigilantes" from LOW LIFE, along with a remix of BROTHERHOOD'S "Bizarre Love Triangle".
TECHNIQUE is represented by that album's standout track, "Run", as well as three others, while REPUBLIC gets three tracks, including the hit "Regret". Also included are remixed versions of "1963", "Round & Round", and the 1988 chart-topping version of "Blue Monday". For fans, the album also contains the hard to find "Touched by the Hand of God" and the previously single-only tracks, "Let's Go" and "World in Motion", an odd song written for the British soccer team as it entered into the 1990World Cup. (THE BEST OF) NEW ORDER puts the spotlight on some of their finest moments, and is a fine introduction to the band.

Track Listing

1. True Faith '94
2. Bizarre Love Triangle
3. 1963
4. Regret
5. Fine Time
6. Perfect Kiss
7. Shellshock
8. Thieves Like Us
9. Vanishing Point
10. Run
11. Round And Round
12. World (Price Of Love)
13. Ruined In A Day
14. Touched By The Hand Of God
15. Blue Monday '88
16. World In Motion

Product Details

• Amazon Sales Rank: #8714 in Music
• Released on: 1999-10-04
• Number of discs: 1

From Amazon.com
Manchester's pivotal post-punk quartet offer a 16-track opus that skips obscurities and early material in favor of their greatest singles. Highlights include "Blue Monday," "Thieves Like Us" and "The Perfect Kiss" and sparkling Stephen Hague remixes of "True Faith" and "Bizarre Love Triangle." --Jeff Bateman

Customer Reviews

Keeping the true faith
New Order is a rather mysterious band in many ways. It has pre-history and continuing influence by groups such as Kraftwerk, Eno and the Velvet Underground, and various other experimental electronic-based European groups. It also has a strong shadow cast over it from Joy Division, an ironic name for a group whose leader (also the founder of New Order) Ian Curtis committed suicide. Enigmatic to the last, New Order members (who drift in and out of other band arrangements; the latest perhaps being Bernard Sumner's work with Electronic) tend to be less than specific when talking with the press, and their albums are conspicuously devoid of liner notes.

This CD, entitled (the best of) New Order for once contains some liner notes, which alas are disjointed, following the same fuzzy logic of information as in the past. The introduction states: 'This carefully selected commercial compilation of 16 such single-minded grouped and seductive songs of love, longing, life and belongings surely sums up the heartpounding pop life of this devious, uncomplicated pop group, uncertainly the most secretive of English groups, certainly the most surprising.'

Alas, not all that enlightening. Perhaps, given my mystical bent of mind, this is one of the reason why I enjoy New Order so much. Their music in came to life for me in London in the 1980s, and I have followed them ever since. Songs such as Bizarre Love Triangle and True Faith have been international club hits, and continue to be regulars on the playlists. Other songs, such as Blue Monday and Round and Round, have had new life breathed into them as remakes (the trend of groups to remake their own work is more prominent in certain Euro-pop groups than in other musical varieties).

These songs have enigmatic but meaningful lyrics; these are intelligent lyrics -- poetry set to music, not simple statements set to a beat. The longing and regret expressed in songs such as Ruined in a Day and Regret, the hope and energy contained in songs like True Faith and World in Motion; these have real emotion with real substance, for those who listen behind the electronic overlay. Videos that were made in support of the songs are innovative creatively and visually, often displaying the same kinds of enigmatic symbolism as do their lyrics.

The music is intricate and detailed, full and expressive. This type of music was coming to an adolescent maturity in the 1980s, and more adult maturity in the 1990s, and this compilation shows the progression of style and complexity for New Order over that time. This is, however, very much a dance/pop oriented sound, and those who are not looking for such will most likely not enjoy this sound. New Order is a relatively obscure group in American terms; much better known in Europe and Britain, but still not a 'powerhouse' group (of course, they can't all be the Spice Girls, now, can they?). But, for the particular audience niche they crafted for themselves, they remain an integral part, and remain for me an important influence in my pop musical tastes.

Friends who peruse my CD collection often comment on the seeming contradiction between the choral/liturgical collection, the classical collection, and the pop collection, wondering how they fit together. Perhaps it is that each of these touches an emotion inside; each striking a different chord that sounds with a different tone, yet, just as the strings on a violin or guitar all must be different for music to be made, these differing tastes coexist so to add fullness to my life. New Order inspires such thinking in me. Odd for a song likely to be blaring over a disco floor!

< A New Order Snapshot >
This 16-track 1994 compilation is probably the best single-disc overview/introduction to New Order. Included here are the radio formats of "Shellshock", "Touched By The Hand Of God", 1990's "World In Motion", and "Blue Monday '88", all making it for the first time onto an official full-length release. However, the collection in my opinion is not a definitive Best Of, since some of the New Order's stand-out tracks (True Faith, Bizarre Love Triangle, and Round & Round) are featured in their alternative 1994 remixed versions, which are not by any means better than the splendid originals. The present collection was also released in America in 1995, but with a slightly different tracklisting; in particular the non-album track "Let's Go (Nothing For Me)" was included on the U.S. version. What I would really have liked to see here was a 2xCD set, with the first disc representing the original versions of the best tracks, and then a companion disc featuring the new mixes as well as some rarities. For example, they could have included the rare dub version of "Touched By The Hand Of God", hard-to-find club mixes of "Round and Round", or the instrumental version of "Vanishing Point".

The best of? Fiddled and flawed more like.
I got this album when my curiosity for New Order's music restarted sometime around 1996, and was after a brief resume of a career which due to my age (then about 14, now 18) I had largely missed. The Best of served a purpose, and was an enjoyable listen. More than that in fact, a superb album. I loved the emotions of 'Thieves Like Us', the orgasmatronic 'Perfect Kiss' and the frankly awesome '1963' and 'Vanishing Point.'

So far, so good. Why only 3 stars, you may ask. The answer is this - the versions of these songs differ to many of the album versions. The 94 rehashes of 1963 and True Faith I consider to be sacrilege to the wonderful 12" versions found on Substance 1987. The version of 'Fine Time' is put to shame by the one off 'Technique' and quite why 'Blue Monday 88' is on the album and not the masterful and legendary original is beyond me.

The album has some nice non album additions on it, like 'World in Motion' and to some, I concede, 'Blue Monday 88.' 'Touched by the Hand of God' is probably the overall outstanding track on the album. However, on an album with versions of songs the quality of 'Thieves Like Us,' 'The Perfect Kiss,' 'Blue Monday,' and 'True Faith,' this properly demonstrates the true position of this album.

After the demise of Factory, this album smacks of London Records on a mony making exercise. Who in their right mind would put 'Ruined in a Day' on the Best of New Order? Other than a record company out for a quick buck, I can think of nobody.

Anyway, back to the point. For an introduction to the band, this is a reasonable start, and if you see this cheap in a bargain bucket somewhere, get it. For a real introduction though, get Substance 1987. 150 minutes of audial ecstasy (except 'State of the Nation' and 'Shellshock') and the best compilation album ever made. Get that instead.