Track Listing

1. To Be Free
2. Wednesday's Child
3. Baby Blue
4. Dead Things
5. Unemployed In Summertime
6. Easy
7. Fingertips
8. Telepathy
9. Tuna Fish
10. Summerbreeze
11. Sea People

Product Details

• Amazon Sales Rank: #3645 in Music
• Released on: 1999-11-22
• Number of discs: 1

Customer Reviews

Worth Buying
I would of given this album 5 stars however a couple of tracks let it down. I bought it because 'To Be Free' is such a superb track and there are other good tracks on the album just not all to my taste. It's worth buying purely for the outstanding vocals.

Wow, what an album.
One of a kind, fantastic CD. Every song sparkles. I must have heard over 2000 albums. This is my favourite, the only one that has ever moved me to write a review so that more people hear it. Read the other reviews for the detail. Believe me you want to treat yourself and buy this ASAP.

Love "Science"
Most people have heard her unique vocals, singing the hauntingly, sorrowfully creepy "Gollum's Song" during the closing credits of "Lord of the Rings: The Two Towers." But very few people know Icelandic singer Emiliana Torrini by name. Which is a shame, because her trip-hop/electronica album, "Love in the Time of Science," is a unforgettable one.

While sitting firmly on a seat of trip-hop and gentle pop, Torrini stretches her wings with a variety of musical types. It's made up of light electronica like the cool, sweet "To Be Free," and murky pop ballads with a slightly morbid edge. "Keep my daughter in a jar/she can't get out/she won't go far," Torrini croons in one song.

She keeps the cool, dark edge with the eerie "Wednesday's Child" and "Telepathy," the offbeat jazz of "Dead Things," and even a few songs that are fun and upbeat pop, singing about friends who hang out and goof around in the summertime. There's even alien avant-pop that defies classification, where Torrini sings creepily about how tuna fish float with "bellies to the moon."

Comparisons to Bjork are inevitable, since they hail from the same country and have similar vocal styles. However, Torrini's music is smoother and less distant, less electronic and more organic. It's also graced with more traditional instrumentation and a warmer sound. Her music is a different shade of electronica-pop.

Her voice has a haunted, slightly eerie quality. Furthermore, it has the flexibility to be warm one moment, chilly and creepy the next, allowing her to gracefully slide from one kind of song to another. Her thick Icelandic accent makes her singing even more enchanting.

The writing of the songs ranges from surreal (the eerily creepy "Tuna Fish") to pleasantly ordinary (the delicate ballad "Summerbreeze"), using simple and evocative words for jumbled feelings. "But if it's so good being free/Would you mind telling me/Why I don't know what to do with myself?" she asks plaintively at the very start.

Far from a Bjork clone, Emiliana Torrini produces a superb solo album. Combining the best of electronica, pop and jazz, "Love in the Time of Science" is startlingly memorable and well worth it.