Product Details

• Amazon Sales Rank: #10399 in DVD
• Released on: 2000-10-16
• Rating: Exempt
• Number of discs: 1
• Format: PAL
• Original language: English
• Number of discs: 1
• Running time: 137 minutes

Amazon.co.uk Review
Jesus Christ Superstar has been the definitive rock musical ever since its 1972 London stage premiere. Revived to great acclaim in the late 1990s, it has everything you'd expect from a blockbuster: great songs, strong characterisation and, crucially, a cracking story. This video is based on the 1998 London production. Director Gale Edwards pulls few punches in her efforts to draw a truly modern interpretation from a gifted cast. Pilate's cronies are sinister Darth Vader look-alikes. The whole thing has a hard, brutal edge, which both startles and thrills. And anyone who dismisses musicals as lightweight confections could do worse than look at the way Lloyd Webber and Rice treat Judas: this is a complex, well-written role. The performances are largely excellent: Jerome Pradon' Judas shines, and Renee Castle's Mary reinvents "I Don't Know How to Love Him" as a delicate exploration of her dilemma, far removed from its usual overblown treatment. Rik Mayall's relentlessly gurning Herod is less of a bonus than he would like us to believe, but will doubtless appeal to his fans. And the quality of Glenn Carter's singing in the title role makes up for a slight deficiency in the charisma department. --Piers Ford

On the DVD: Die-hard groupies will appreciate the inclusion of a documentary about the making of the video, which includes interviews with the cast, the production team and Lloyd Webber and Rice. There are also previews for video productions of Cats and Joseph and his Amazing Technicolor Dreamcoat.

Special Features
English
Region 2

Synopsis
Director Gale Edwards's film is an updated stage version of Tim Rice and Andrew Lloyd Webber's acclaimed masterpiece. Experience the last seven days in the earthly life of Jesus through the magic and wonder of a catchy and inspirational score. From his triumphant entry into Jerusalem and the enmity that this naturally arouses to his trial by the sympathetic but ultimately partisan Pontius Pilate, follow Christ as he assumes the role he was born to play. Notably, in a career change that some British comedy fans may find a bit odd, Rik Mayall (known to fans of THE YOUNG ONES as left-wing New Waver Rick) stars.

Customer Reviews

Excellent
This was the first professional production of Jesus Christ Superstar I came across, after having the pleasure of being involved in an amateur production at our school backstage. This production is a recording based on the production staged by Gale Edwards, which I also viewed live at Bristol last year. It is a revolutionary look at the musical - a completely different visual style to the 1973 video production... and boy does it work.

Instead of the swords and sands of the '73 version it is set mostly inside in some strange reality in which technology of the present can be seen ("Put away your sword," Jesus says to someone holding a machine gun,) but in the architectural style of revolutionaries in underground catacombes... (the opening overture rises above 'Liberty' and 'Democracy' graffiti.. as well as grafitti of a quote by George Orwell, interestingly enough) Visually, it works terrifically - particularly in the Overture, Superstar and Pilate & Christ. Again, visually it is very symbollic - about half way through the crowd - wearing their tie-die tee-shirts - change into a mob wearing complete black, appearing menacing... for this reason, the visualisations are also very symbollic. The lighting and costumes also add a lot this effect (a particular memory is Pontious Pilate in his huge military leather cloak...)

And now to the cast: Glenn Carter, I believe, provided quite a good Jesus in both the acting and the singing - far better than the 1973 version's Ted Neeley, although not, in my opinion, as strong as 1996's Steven Balsalmo, who's interpretation of Gethsemane is incredible. However, I've read many negative comments of his role in this film, and I don't believe that they are all entirely justified (in my opinion.) Judas was portrayed well, although vocally I don't believe he was as strong as in other interpretations. I do feel that he was very varied and portrayed the emotions and dilemas of Judas very effectively. I found the interpretation of Mary Magdalen reasonably good; the best Mary vocally I've encountered came from an amateur production, however. Pontious Pilate was outstanding - a completely different vocal style to the original Pilate who was quiter (I mean metaphorically, not in volume) - providing some very powerful performances. I did find that, however, the interpretation of Pilate's Dream was the weakest aspect of This Production - in my opinion it was far too emotional. This Pilate's interpretation of Pilate & Christ I believe to be truly exceptional. The preists I also believe to have been very effective, particularly Annas; and Rik Mayall provided an amusing rendition of Herod, though not my favourite vocally (although his predecessors in this role include Meatloaf and Alice Cooper, so what's to be expected?) The Simon was also very good, sounding very enthusiastic and, to quote from the score, "quasi soul." Peter was also reasonable.

In addition, this production also has very many 'clever touches,' examples including Judas showing Jesus the bible during the quote "Did you know your messy death would Be a record breaker?" during the abstract Superstar.

One thing I haven't commented on here is the Musical Itself - it goes without saying that its an exceptional creation; and you can probably guess that I've encountered it before. The lyrics are incredibly witty and the music very profound and great to listen to independantly of watching any production: although, in my opinion, the best production to listen to vocally is the 1996 version. However, visually, this production is stunning, and all-round it definately comes out on top.

Superb.

JCS DVD Review
I bought this DVD from Amazon after seeing the wonderful revamped (2004) production of JCS at Birmingham Hippodrome recently, because the experience was one I couldn't wait to recreate in my living room.

It's interesting to compare this filmed version - which dates back to 2000 - to the new show. It takes a quite different approach, and I find it hard to say which I prefer. I guess I'll just sit on the fence and say I love both - they're wonderful for different reasons.

The film has a very modern, edgy, West Side Story-ish feel - with minimalist sets, video screens, graffiti, clubby costumes and Christ fans bearing banners that proclaim slogans like 'JESUS RULES.' It's interesting to see how the new theatre production has returned to its 'Biblical' roots, with more traditional costumes and sets.

It's also worth comparing the DVD with the original 1973 Jesus Christ Superstar film. While the feel of that was more epic and grandiose - being shot on stunning location in Israel - this version conversely works well in its studio setting. The ambience is more claustrophobic and menacing.

Glenn Carter once again stars as Jesus and looks luscious. He has an amazing vocal range and acts with charismatic passion.

The great Rik Mayall gives a gloriously taunting performance in what must be the most fun cameo role in musical theatre - Herod. He plays the sneering king just as he played Richie Rich doing one of his showbiz pastiches in the criminally underrated 80s sitcom Filthy Rich & Catflap.

I have to say I find it difficult, after seeing the new show, to imagine anyone but Fame Academy's James Fox playing Judas - he has already made the role so much his own - though Jerome Pradon is excellent here as the tormented traitor. Renee Castle makes a sensual, fiery Mary Magdalene, and Tony Vincent -who has since come to greater prominence in the Queen musical We Will Rock You - makes a pre-Galileo appearance as a blond-highlighted Simon.

The DVD features a bonus behind-the-scenes documentary with enlightening interviews with the main stars, crew and Andrew Lloyd Webber and Tim Rice, and trailers for JCS itself, Joseph and the Amazing Technicolor Dreamcoat(starring Donny Osmond and Joan Collins) and Cats.

As I said, this isn't exactly a new release, but I wouldn't be surprised if it wins new audiences on the back of the recent 'Superstar' tour. Die-hard fans will already have it, but for slow-on-the-uptake converts like me, it's well worth the money.

stark and dark
Filmed at Pinewood Studios, this production has sparse sets with scaffolding that serves for nearly every scene, and has the feel of a stage performance; it has been updated to an indeterminate era, but definitely a time one wouldn't want to live in. There are Nazi-like authority figures, punky gun-toting youth, and the walls are covered in graffiti. The colors are provided by the lighting, and are usually in either a monocromatic dark blue or yellow-orange.
Inevitably, many people will compare this to the 1973 Norman Jewison film, which is a pity, as they are so vastly different. This is much more somber, and the final scenes are wrenching.

Glenn Carter is astounding as Jesus, vocally exceptional in what must be a difficult part to sing, and looking like an Albrecht Durer painting. His Gethsemane ("I Only Want to Say") is superb, and worth the price of this film alone.
Jerome Pradon is also excellent as Judas, and Fred Johanson's Pilate is marvelous, though the entire cast is good, both as actors and singers.
It is interesting in this film how skillfully the evil in a character is portrayed in the song and dance numbers, by Herod (who is so well played by Rik Mayall), and Judas.

One feels the exhaustion and horror of Jesus' last days palpably in this film. The drama of the scourging is a magnificent piece of staging, and powerful; it is a visual punch to the gut, and the crucifixion scene is brilliantly done and moves me to tears every time I see it.
Not an easy film to watch, but well worth the purchase, as it gets better with each viewing.