Dance of Death
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Average customer review:Track Listing
- Wildest Dreams
- Rainmaker
- No More Lies
- Montsegur
- Dance Of Death
- Gates Of Tomorrow
- New Frontier
- Paschendale
- Face In The Sand
- Age Of Innocence
- Journeyman
Product Details
- Amazon Sales Rank: #6263 in Music
- Released on: 2003-09-08
- Number of discs: 1
Editorial Reviews
Amazon.co.uk Review
The release of Dance of Death, Iron Maiden's 13th studio album, comes at a most fortuitous time. Fortuitous for them, because in 2003--after years of struggle--rock has fought its way back to the top of the UK charts (thanks, in large part, to the success of The Darkness). Fortuitous for us, because Dance of Death ably demonstrates why, amongst the Monsters of Rock pantheon, Iron Maiden are the Godzilla.
With singer Bruce Dickenson and guitarist Adrian Smith now firmly re-entrenched after returning for their previous album, Brave New World, Iron Maiden seem newly reinvigorated. Dance of Death sounds like classic Maiden--in particular Seventh Son of a Seventh Son--right down to the over-the-top production. It kicks off at breakneck speed with first single "Wildest Dreams", builds to a crescendo by track three (the anthemic "No More Lies"), and for the most part, maintains this pace throughout the album, pausing only briefly for the slow build of the title track or the orchestra-laden, battlefield epic "Paschendale". Dickinson's overwrought vocals add gravity to apocalyptic lyrics that would descend into irony or outright silliness at the hands of a lesser band (who else could get away with the sound effect of a hawk's cry in the middle of a song?). These are serious men playing serious music, and after more than two decades, Iron Maiden can still teach the big-shorted yoof a thing or two about rock. With Dance of Death, Iron Maiden aren't just back, they're back on top. --Robert Burrow
CD Description
'Dance Of Death' is the thirteenth studio album from Londonmetal sextet Iron Maiden and the follow-up to their 2000 release 'Brave New World'. Produced by Kevin Shirley (Aerosmith/The Black Cowes), the album is undeniably classic Maiden. Relentlessly fast-paced songs with hard-hitting choruses andpowerful lyrics sit alongside epic melodic tracks with orchestral strings and acoustic guitars. Includes the lead single 'Wildest Dreams'.
Customer Reviews
A Glorius Return to Form...
After three years of waiting, the loyal fans of Iron Maiden have been rewarded with a cracking studio album from the UK based sextet. Dance of Death, their 13th studio opus, is as hard hitting as earlier releases such as Powerslave, but combines a beauty so far unheard of on Maiden albums. Much more varied songwriting, past and present influences abound through this album and these show up most in the latter stages of the tracks. Speaking personally, I did approach this album with a fair degree of anxiety after I found that Brave New World marginally failed to deliver to my huge expectations. And I was stunned...
1. Wildest Dreams. The first single from the album, is a catchy little rocker, taking the listener back somewhere between Somewhere in Time, and relatively recent Bruce solo work on his experimental album Skunkworks. Penned by the flawless and criminally underated Adrian Smith, it is a single which will be likely to make a massive indent into the UK charts come September 1st. I urge you all to buy this now!! Already a live favourite on the Give Me Ed...Til I'm Dead tour, it's the shape of things to come on Dance of Death.
2. Rainmaker is a stunningly melodic penned track by Dave Murray. His songwriting always seems to be discarded for some strange reason (nods in the direction of Deja Vu and Judas be my Guide) but hopefully this melancholic yet beautiful use of the three guitars will find it's way into the live set on the Dance of Death tour. Bruce Dickinson delivers his first, but not last, blistering vocal performance on this track.
3. No More Lies is the first of the mid-range to long songs on this album and the mood turns markedly dark (reflecting perhaps the title of the album). A cracking performance by Nicko McBrain and Steve Harris forming that tightly bound rhythm section of this band. This Harris only penned epic will surely replace a similar track (The Clansman) as another live favourite. A superb, triple guitar assault midway through the album speaks volumes for the more tightly woven triumvirate of Janick Gers, Adrian Smith and Dave Murray. A main theme of this album in fact, and whereas you could argue the three guitars weren't used to their greatest effect on Brave New World, they are certainly on show on Dance of Death which spells good times ahead for the boys.
4. Montsegur. Ah, Montsegur! Quite possibly the most unique sounding track Iron Maiden have written. Janick has really come on as a songwriter in recent times and this odd blend of crushing heavy major riff into minor riff really works to my ears. The chorus is somewhat reminiscent of heavy metal for the new millenium, as seen on The Chemical Wedding by Bruce's solo band. Excellent vocals, excellent vocal harmonies, cleverly stacked guitar layers and a chilling ambience. Superb stuff.
5. Dance of Death - the darkness continues. After the staggeringly heavy Montsegur, it seems difficult to complete the aesthetic. But the theme of the album, to some extent, is played out to its fullest in this track. 8 and a half minutes of some shattering different guitar work. Another Janick penned track, the three pronged guitar assault is in abundance throughout this song, especially during an arrangement which is the centre point of the latter stages here.
6. Gates of Tomorrow. A decidedly more upbeat track ofsets the mood a little bit. A more midpaced rocker is a well earnt break from the previous 20 minutes of darkness.
7. New Frontier. Well well well. Here's a first! Who would have thought that Nicko McBrain, the veteran drummer of 51 years, would finally deliver a brutal selfpenned track worthy of a place on a Iron Maiden studio album! Not I. Really quick, another classic rocker with a superb solo by, once again, Adrian. This song sets up the last chapter of the album perfectly....
8. Paschendale. Adrian's mournful tale of the 3rd Battle of Ypres is harrowing, stunning and blistering all in the space of 8.5 minutes. He's never written an epic of such proportions before and I hope that he will do from now on. This song is destined for instant success. I don't think I could ever describe it's majesty that accurately, so just buy this album and witness it for yourself!
9. Face the Sand. And another track from Adrian, this time evoking some of the progressive aspects of earlier releases, such as 2 Minutes to Midnight. This progressive element is another theme to take in on this fantastic album, running through the last three tracks. It is complex but sounds as though it could become a live track if manipulated correctly.
10. Age of Innocence. A lovely sweeping intro into a strangely heavy track, this one by Dave. The album is peaking in quality at the right time, towards the end. More progression here and changes in rhythm abound. Hints of 70s influences run through this song.
11. Journeyman. Oh wow! This just gets better. After so many themes, progression, uniqueness, variety of writing styles, darkness, bleak tales, upbeat rockers, Iron Maiden surprise us all with a totally acoustic, ambient yet bitter tale. Beautifully sung by Bruce, superbly written by Adrian, this track is just the icing on the cake of what will surely be one of Iron Maiden's most loved studio album.
The elements combined to make this album all work. The topics covered, musicianship, lyrical content and delivery is such a staggering step up from Brave New World it's frightening. Just buy Dance of Death - it's a true return to form.
Metal of the 21st century!
Dance of Death is simply the best Iron Maiden album since Seventh Son of a Seventh Son.
Excellent song writting (with very few exceptions), unbelievable guitars, Dickinson sings like a maniac and the production is superb.
The album is very diverse. It has everything from the very first completely accoustic Maiden song (Journeyman) to the most aggressive one (Montsegur), from the outstanding absolutely magnificent epic (Paschendale) to the pure rocker (Wildest Dreams), from the classic Harris arrangement of No More Lies to the also classic Maiden uptempo songs like RainMaker and New Frontier.
Inspired bridges, memorable melodic choruses (Gates of Tomorrow, New Frontier), sensitive dreamstate intros (Age of Innocense) and almost theatrical vocal performances that send chills to the bones (Dance of Death). Let's not forget Adrian Smith's song writting at his very best in Face in the Sand.
This album has a lot of guitar! I mean a lot! Harmonies, solos, riffs, it's a triple guitar assault. After Seventh Son, Number of the Beast, Piece of Mind, Powerslave and Somewhere in time, Dance of Death climbed in #6 position of my personal Iron Maiden ranking list. It's a must have. It has a certain quality, this "SOMETHING" that lifts it to another level. It's Metal for the 21st century. Nobody does it better!
Up the IRONS!
Good, but not Great
Having listened to this album several times, it strikes me that whilst there is not a bad track on the album, neither is there anything truly memorable either, especially in comparison to Brave New World. I find it mildly astonishing that some reviewers think Dance of Death is a better album. It has nothing to match the aching beauty of The Thin Line Between Love and Hate and Brave New World (the song), or the ridiculous but funky Nomad. On the other hand, Dance of Death is a million times better than the dreadful Blaze albums, and considerably better than Fear of the Dark.





