Product Details
Whale Rider [DVD] [2003]

Whale Rider [DVD] [2003]
Directed by Niki Caro

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Product Details

  • Amazon Sales Rank: #20928 in DVD
  • Released on: 2004-01-19
  • Rating: Parental Guidance
  • Aspect ratio: 1.77:1
  • Number of discs: 1
  • Format: PAL
  • Original language: English, Maori
  • Subtitled in: English
  • Number of discs: 1
  • Running time: 97 minutes

Editorial Reviews

Amazon.co.uk Review
One of the most charming and critically acclaimed films of 2003, the New Zealand hit Whale Rider effectively combines Maori tribal tradition with the timely "girl power" of a vibrant new millennium. Despite the discouragement of her gruff and disapproving grandfather (Rawiri Paratene), who nearly disowns her because she is female and therefore traditionally disqualified from tribal leadership, 12-year-old Pai (Keisha Castle-Hughes) is convinced that she is a tribal leader and sets out to prove it.

Rather than inflate this story (from a novel by Witi Ihimaera) with artificial sentiment, writer-director Niki Caro develops very real and turbulent family relationships, intimate and yet torn by a collision between stubborn tradition and changing attitudes. The mythic whale rider--the ultimate symbol of Maori connection to nature--is also the harbinger of Pai's destiny, and the appealing Castle-Hughes gives a luminous, astonishingly powerful performance that won't leave a dry eye in the house. With its fresh take on a familiar tale, Whale Rider is definitely one from the heart. --Jeff Shannon

DVD Description
In a culture steeped in tradition, one young girl challenged the past and found hope for the future. A magical coming-of-age story of a young girl’s struggle to fulfil her destiny.

Special Features

  • Behind the Scenes Featurette (26 mins)
  • Director’s Audio Commentary
  • Tribal Featurette (11 mins)
  • 8 deleted scenes with commentary
  • Cast Screen Tests
  • Trailers
  • Photo Gallery

DVD Technical Information:

  • Language: English
  • Subtitles: English, English HOH
  • Running Time: 97 mins approx.


Customer Reviews

A beautiful film5
Whale Rider is a rare and wonderful film. It is set in a small seaside Maori village in New Zealand and concerns the chief, who has no first-born grandson to carry on the old ways. He does have a loveable and plucky granddaughter, Pai, named for the legendary founder of the Maoris who came there on the back of a whale. Pai adores her grandfather, but he has forbidden her to study the old ways because she is a girl.

This is one of those movies that draws you into its world completely with its honesty. The 12-year old star, Keisha Castle-Hughes is so genuine and charismatic, it is no wonder she has been nominated for a Best Actress Oscar. She is a natural talent, beautiful, inspiring, and delightful to watch.

Whale Rider has the art-house feel to it, because it deals almost exclusively with emotions. Village life and underwater scenes of whales are lovingly photographed and accompanied by a haunting score. There is a lot of Maori culture in it, but the desire for acceptance and respect are universally understood. If you like character-driven stories with heartwarming elements of the supernatural, you'll enjoy Whale Rider.

Simply one of the most wonderful films you will ever see5
There are those films that everyone should see. There are those that everyone should own. Then there are those that everyone should cherish. Whale Rider is all of these.
Breathtakingly emotional, beautifully heartbreaking and wonderfully funny, this outstanding film deserves much more recognition than the lone best actress Oscar nomination for Keisha Castle-Hughes. This brilliant young girl should have received the award for the speech scene alone.
Simply an excellent story by Witi Ihimaera, adapted perfectly for the screen by Niki Caro, casted with genius by Diana Rowan, acted magnificently by all the actors, completed with a hauntingly stunning score by Lisa Gerrard.
Every now and then a film comes along that makes the world a better place to live in. Whale Rider does this. Watch it now.

"And he came on the back of a whale, our ancestor..."5
This film of a Maori chieftain's search for a successor who will keep the rural community's culture alive is also an appraisal of the culture itself and the values it represents. The community is dying as its young people leave for the city and do not return, except briefly as visitors, and the chief, Koro (Rawiri Paratene) has no successor. His own firstborn son, Porourangi (Cliff Curtis), who would normally have succeeded him, has left the community after his wife died giving birth to twins--a son who died, and a daughter who lived. Naming the surviving daughter (Keisha Castle-Hughes) Paikea, after the whale rider who formed the culture a thousand years ago, Porourangi (Cliff Curtis) abandons her to the care of her grandmother and the community and goes to Germany to promote his artwork.

Paikea's difficult relationship with her grandfather, who scorns her because she is a girl and not the male heir he needs, is beautifully played here, and Keisha Castle-Hughes is a sensitive and winning actress who endows Paikea with the "strength, courage, intelligence, and leadership" which are the hallmarks of the culture. Always trying to learn the old ways so that she can win her grandfather's love, she is, instead, constantly berated for trying to break the taboo of the marai by assuming a boy's role.

The striking cinematography (Leon Narbey) captures the spirit of the land, while the underwater photography of whales, as Paikea's spirit is drawn to them throughout the film, is stunning. Maori chants and ceremonial dances convey many of the Maori cultural traditions and illustrate their similarities with those of the Hawaiians, who share a common origin. The exchange of breath between Maori as a greeting represents a sharing of each person's essence, a factor which achieves tremendous symbolic significance in a climactic moment at the end of the film.

Because this is a film which conveys a message, it is not surprising that some of the characters here are two-dimensional, especially Koro, the grandfather, so consumed with the need to find a successor that he is unable to be a person. But Paikea and the other children in the film more than make up for some of the adults' predictability with their palpable delight and pride in their culture and the fun they have learning the old ways. A fascinating glimpse at a vanishing culture, this magnificent and moving film will itself help preserve its history and traditions. Mary Whipple