Track Listing

1. Talk to Strangers
2. Grippo
3. Telegram
4. Act III Scene 2 (Shakespeare)
5. List of Demands (Reparation)
6. African Student Movement
7. Black Stacey
8. PG
9. Surrender (A Second to Think)
10. Control Freak
11. Seaweed
12. Notice of Eviction

Product Details

• Amazon Sales Rank: #28545 in Music
• Released on: 2005-04-11
• Number of discs: 1

Amazon.co.uk Review
Saul Williams is angry, no doubt about it. His previous album Amethyst Rock Star was feted for its brilliance; it was a fine extension of his day job as a poet. This self-titled follow-up is just as good, if not better. This is more rock-based, but certainly no less powerful- a new route to create an aural chronicle of everything that's wrong with 21st Century urban America.

Kicking off with the minor-key "Talk to Strangers" (complete with Serj Tankian on piano and backing vocal); the album proves to be uneasy listening both musically and lyrically. The startling blend of grimy, paranoid beats and industrial guitars is reminiscent of Tricky, and just as startling. However, the focus is always on Williams' restless observations on urban strife- the backing is merely an appropriately apocalyptic frame of reference. Even when Zach De La Rocha shows up for a guest vocal on "Act III Scene 2 (Shakespeare)", he's firmly put in the shadow by the hypnotic oratory on display. William's voice is certainly right for the job, and even casual listeners will find themselves hooked. Either as admirably intelligent musical poetry, or simply as a state of the nation address, this is essential listening. --Thom Allott

Customer Reviews

Rhyme for reason, not the game
Saul Williams has now perfected his craft with a breath-taking 12 tracks of heart-felt straight from the main vein poetry. Painted raggedly but purposefully across a myriad canvas of moving, dramatic pianos, from-the-gut reckless and anarchistic punk, and an incredible, emotive representation of pure hip-hop beats - from the most ragged downtuned crunchingly distorted amens (Notice To Eviction) to the most subtly produced ultra smooth slow-burning beats of 'PG' - every single moment has a sound that resonates with a feeling of both accidental discovery and total devoted intent, a true mark of genius: Saul Williams effortlessly creates the most deep, dense atmospheres and sustains their extreme emotional intensity for such lenghts I never though possible... the build up of the heart-wrenchingly honest (and heart-poundingly brave) Black Stacey is something majestic to behold - the first time I heard it i thought it would be an instrumental track, and would still stand up as such. But the impact of the beat combined with the change in tone of the lyrics half-way through make it an unforgettable moment, an unforgettable track: a true realisation of the power of hip-hop that hasn't been shouted loud enough by an american voice since Dead Prez's 'Let's Get Free'.
And like that landmark, the true power of Williams' new album (while backed up by original production that fuses who knows how many styles, many of them his own, to again create something new) lies in the lyrics.
For anyone who has heard Williams' first album release, Amethyst Rockstar, or any guest appearances on tracks for the likes of Blackalicious or Dilated Peoples will know that his lyrics and delivery are a universe away from the likes of 50 Cent, the Game... anyone who supposedly represents the 'true' hip-hop, those reputedly 'keepin it real' (or keepin it gangsta, whatever, i'm sure in their eyes there is little difference). In fact it is those who promote and the process itself of the perversion of hip-hop, that art form that found freedom and a voice for alot of disadvantaged and frankly opressed black youth in America into exactly that which it supposedly was a rebellion against, a reaction to. Every artist with bling, diamond teeth, any of them you've wanted to shout at for having no shame in openly declaring they only care about their status and wealth... they and the violent, ugly world they have created and are continuing to create are the focus for the rage and intent of this album. Whats makes it so satisfying is that Williams encapsulates everything there is to hate about todays multi-million dollar hip-hop/rnb pop industry and twists a metaphor round it, leaving an image that is almost a reflection of it as it truly is... and done with such succinct aplomb, such surety and confidence that there is a moral line being crossed it inspires both awe in the artist and hope for the future. There are so many examples, but they're best experienced with the music created for them.
I could
go on and on, even write a gushing review track by track but I'm still only taking this all in myself: its the feeling you get when you're looking at something so complex and beautiful that you know its too much to take in at once, there are layers of meaning and feeling that will only become apparant the more it is studied, like any good poetry i guess. You wanna give it the appropriate time, the proper respect. Instead I'll finish by saying obviously I was blown away by this album and would recomend it to anyone with a even a vague interest in or agreement with anything Saul stands for. But that doesn't stop me objectively believing that time will show this to album to be an important step foward in challenging the entrenchment of shameful ethical standards in our current 'urban pop' industry, as well as a landmark in the man's career, and a life changing event for some of us waiting for these words to be released from our collective unconscious all our lives.

Saul Williams will ingeniously change the face of Hip-Hop
This is Saul's latest album but don't be expecting production similar to that of it's predecessor 'Amethyst Rockstar' because this is a completely different album. In my opinion it's just as good as the other for different reasons with some production from 'Serj Tankien' of 'System Of A Down' and more collaboration with 'Zach De La Rocha' of former band 'Rage Against The Machine'. Expect quite a rock feel to this album but don't be fooled this is Hip-Hop the tracks express a range of melodic and frantic emmotion with very experimental dark beats going down. From the instrumental opening track "Talk To Strangers" to the reggae style "Black Stacey" Saul delivers his raw diverse style straight from his soul using originality and ingenuity of an iconic degree that mainstream artists could only dream of. Personally I strongly advise this album to listeners of Hip-Hop with a free thinking mind that are into a diverse range of experimental music because this album is DEEP!! I truly look up to this artist he is a great mentor!

A breath of fresh air
I first herd Saul Williams when he was supporting NIN on a UK tour and, to be honest, I didn't know what to expect and was slightly sceptical.... However, I was so impressed with what I herd, I ordered the CD that night.

It's been a long time since I've herd an album, from any genre of music, that was, in my opinion, really special. With his thought provoking, and inspiring lyrics; eclectic rhythms and beats, Saul Williams really is a breath of fresh air for the music industry.

It would be hard to categorise this album and that's one of the many qualities that I liked about it.

If, like me, you're fed up with uninspiring, uninteresting music being pumped out by the majority of musicians and groups, the only advice I can give is to purchase this album and see what you think. After a few listens, I challenge anyone to honestly say they don't like it. Many of my friends are slaves to the pop music industry. Even so, I don't know a single person who doesn't like, at least, the majority of this album.