Product Details
The Killing of Sister George [DVD] [1968] [Region 1] [US Import] [NTSC]

The Killing of Sister George [DVD] [1968] [Region 1] [US Import] [NTSC]
Directed by Robert Aldrich

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Product Details

  • Amazon Sales Rank: #63839 in DVD
  • Released on: 2005-08-23
  • Aspect ratio: 1.78:1
  • Formats: Closed-captioned, Colour, DVD-Video, Subtitled, Widescreen, NTSC
  • Original language: English
  • Subtitled in: English, French, Spanish
  • Number of discs: 1
  • Dimensions: 1.20 pounds
  • Running time: 140 minutes

Editorial Reviews

Amazon.co.uk Review
"Sister George" within The Killing of Sister George is Britain's best-loved soap opera character, played by actress June Buckeridge (Beryl Reid). Buckeridge has become so identified with her character--a sweet old Miss Marple-ish nurse who putters around her quaint little village on a motor scooter--even her friends call her George. But outside the studio she's a hard-drinking, hot-tempered, foul-mouthed lesbian living with an immature young thing she's nicknamed "Childie" (Susannah York, who makes her memorable entrance in a sheer baby-doll nightie). At her worst Sister George is an abusive monster (in a moment of rage she forces Childie to eat the butt of her cigar) but beneath the bluster is an insecure television actress. When the studio decides to kill her character off and an executive makes a play for Childie, the soap star desperately clings to her young lover. Director Robert Aldrich, best known for his tough action films and gothic thrillers, brings his fierce vision of human nature to Frank Marcus's play . In its best moments the film simmers in angry suspicion and helpless frustration, brought to life by Reid's vivacious performance but other scenes are overlong and stage-bound and would have benefited greatly from judicious trimming and tightening. The caricatured portrayals of lesbian life have aged rather poorly--an inevitable sign of the times--but this acidic show-biz drama still carries a hefty emotional punch. --Sean Axmaker, Amazon.com


Customer Reviews

Moooooooo5
As a young teenager back in 68 or 69, I sneaked into the theater to see this film; a film I had read about as being very controversial. It caught me and I've never been free of it since. I cannot say much more than this; a film which I saw back in 1968/69 as a 14/15 year old, which I continue to watch over and over again is a very powerful film. Sister George and Alice "Childie" McNaught will always be with me. I was shocked by the scene where Alice must show her contrition for having caused George unnecessary aggravation, loved the Laurel & Hardy skits, opened up my mind at the Gateways Club, and felt wretchted at the final scene. The Killing of Sister George, a film which has been with me for 35 years.

Excellent and like nothing else you will ever see4
I was utterly astonished by this film when i saw it. Incredibly funny in places, moving and full of wit. I can't believe this film was made in its time, the characters are wonderfully played by the actors. I discovered this film by reading a TV review but it was on at like 2am or something. I did remember to make a note of seeing this film somehow as the review said it was a hidden gem in British film. I totally agree!

Beryl Reid's finest hour5
This is a film which is very much a product of its time (1968)and yet also seems more innovative and contemporary than most of today's movies. Beryl Reid's portrayal of an alcoholic soap star whose career and personal life are falling apart is flawless and she is more than ably supported by her co-stars Susannah York and Coral Browne.

This film is memorable on so many levels. Along with vividly recapturing 1960's 'Swinging' London, it also gives a rare and fascinating insight into the lesbian scene, as the scenes were filmed in the famous Gateways Club. However, the most striking aspect of this film is the harrowing and moving portrayal by Reid and York of two women in a disintegrating relationship.

Beryl Reid manages to strike the right balance between tragedy and comedy, managing to be fearless and outrageously funny in one scene, whilst seeming broken and pathetic in the next.

One trivia fact: this film was made with the proceeds from Robert Aldrich's previous film, 'The Dirty Dozen'. This may seem an unlikely successor, but remember that Aldrich also directed the wonderful 'Whatever Happened to Baby Jane?'