Track Listing

1. Cruel
2. Yours And Mine
3. Bisbee Blue
4. Panic Open String
5. Letter To Bowie Knife
6. Roka (Danza De La Muerte)
7. Lucky Dime
8. Smash
9. Deep Down
10. Non De Plume
11. All Systems Red

Product Details

• Amazon Sales Rank: #19524 in Music
• Released on: 2006-04-03
• Number of discs: 1

Amazon.co.uk Review
Never settling for one musical style, always searching for new ways to combine their jazz, desert-rock, Mariachi and dub influences, Tucson outfit Calexico have taken joyous quantum leaps, jumping from low-key, marmalade-coloured vignettes (their debut album Spoke) to more vivid palettes on LPs such as Hot Rail. Garden Ruins represents the band’s most populist statement yet. Assembled during and after their superlative collaboration with Iron & Wine (In The Reins) and a high profile tour with Wilco, the project connects with a wider musical picture--that of the classic American songbook.

The band avoid conjuring the busual Southwestern vistas in favour of more direct (and less exotic) styles like pop, rock and folk. It could have all been so terrible but in fact it’s one of the best decisions the band ever made: from the easy-going lope of "Lucky Dime" to the bombastic thrusts of "Letter To Bowie Knife" and "All Systems Red", Garden Ruin is hugely palatable (not to mention surprisingly political), marking yet another zenith for Tucson’s most sonically nomadic sons. --Paul Sullivan

CD Description
'Garden Ruin' is the sixth studio album from the Tucson collective known as Calexico. Continuing their sonic odyssey through the best parts of Americana and alt rock, this album finds the band on fine form, and is sure to please their die-hard fanbase. Includes the tracks 'Yours And Mine' and 'Roka'.

Customer Reviews

Mediocre effort from Tuscon's finest
I was really looking forward to 'Garden Ruin', the follow-up to Calexico's fabulous 'Feast of Wire'. Comparisons with the later are difficult this time around as the band have ditched their sun-baked dust bowl sound for a more (dare I say) accessible and 'classic' approach which predominately focuses on rock and pop.

What I love about 'Feast of Wire' and its predecessors 'Hot Rail', 'Black Light' and 'Spoke' is Calexico's incredible sense of atmosphere and protrayal of the environment in which these albums were recorded. They simply took me away from an otherwise dull existence in the south of England. The albums also had some tight musicianship (drummer Convertino's brush style on earlier albums is fabulous, whilst Burn's vocals and nylon stringed guitar work have improved greatly over the years).

However, with 'Garden Ruin' I can only help but be disappointed. The songwriting is, in my humble opinion, not as strong as anything on 'Feast of Wire' and the production a little forced. The atmosphere is non-existant. I think Calexico may have hit a stumbling block here and I can only hope that they get this new, workmanlike (MOR even) sound out of their system.

There are a couple of highlights though, and are worth a listen - 'Roka' and 'All Systems Red' are slow burners and somewhat achieve the heights of former glories.

The equal of Feast of Wire
Garden Ruin is Calexico's first release since their Convict Pool covers EP and their first album proper since their critically lauded 2003 effort, Feast Of Wire. Long-time fans won't be surprised to know that the Tucson collective explore new territory on Garden Ruin, but they might be intrigued to learn that this is almost certainly Calexico's most pop-orientated release to date.

With producer J.D. Foster, who has worked with everyone from Dwight Yoakam and Marc Ribot to Nancy Sinatra and Alejandro Escovedo, Calexico put themselves in good hands to continue their exploration of South Western culture and music; the flamenco-flecked Roka (Danza de la muerte) is just one indication of how far the band has come in their journey of Latin music, even recalling the mariachi trumpets of their earlier albums. However, Calexico have a well-deserved reputation for restless invention and there are more overt rock moments than fans may be accustomed to. So, while the hushed, desert-rock sound of Yours And Mine and the soulful, string-flecked Bisbee Blues might fit most effortlessly into the Calexico blueprint, they prove themselves equally adept at rocking out on Letter To Bowie Knife and the Crazy Horse-tinged six-minute album closer, All Systems Red. In fact, it could easily be Rivers Cuomo from Weezer singing the former's call-and-response chorus rather than Joey Burns.

Yet, Letter To Bowie Knife is not the only undisguised pop moment on Garden Ruin. Lucky Dime is a beautiful acoustic pop song, with Burns' papery vocals barely floating above John Convertino's gambolling guitar work. It would be the album's standout moment were it not followed by Smash. Here, Burns is reduced to a lovelorn whisper, with frail guitar and bated drum the only accompaniment, until the song detonates around the two-minute-thirty mark and the addition of a piano sees the song through to its stunning instrumental conclusion.

It's fair to say that while it's an album that takes a couple of listens before it begins to bloom, Garden Ruin is every bit as flawless as 2003's Feast Of Wire. Granted, some of the tracks form a slight departure for Calexico, but coming from a band of such sterling musicianship and imagination, Garden Ruin was never going to be anything less than spectacular.

New directions, mixed success
Calexico should be applauded for pushing in different directions, but 'Garden Ruin' suggest some growing pains to be resolved.

'Cruel' is a great start, a brisk bass line driving a lyric about enivironmental issues. Backed by horns and trumpet this sounds like a thoroughly modern and politicised Calexico. 'Yours and Mine' is brief acoustic song that feels slightly out of place but is fine enough. 'Bisbee Blue' is rather pedestrian, never quite getting out of first gear and sounding rather like the Travelling Wilburys as it plods along. 'Panic Open String' builds slowly, Burns' falsetto works well enough here as he sings of power grids and solar panels. 'Letter To Bowie Knife' is much more like it though. It bursts into a fast-paced rock song that sounds like The Edge has been drafted in on guitars.

It feels like Side 2 starts with 'Roka', a return to the dusty borderlands of previous albums, and almost a hint of the Mariachi sound. The majority of the lyric is sung in Spanish by Ampara Sanchez. 'Lucky Dime' is much less successful, a cliched lyric and slouchy lounge music sound that just seems out of place. 'Smash' is understated at first but builds nicely before 'Deep Down' rekindles the rocky urgency. Whipped along with electric guitars it is the least typical Calexico song here in some ways but it actually sounds very good indeed. 'Nom De Plum' is the oddest track on the album. Plonking along with banjo and a rather unconvicing french lyric it just passed me by. At least 'All Systems Red' finishes on a high note, a fairly epic climax with strings, horns and a squalling finale.

I doubt any Calexico fan will love everything on 'Garden Ruin', but you will not hate it either. It is bold, imaginative and has definite highlights. Who knows what they will do next-judging from this it could be pretty much anything.