Track Listing

1. Lullaby Of Broadway - Bennett, Tony & Dixie Chicks
2. Smile - Bennett, Tony & Barbra Streisand
3. Put On A Happy Face - Bennett, Tony & James Taylor
4. Very Thought Of You - Bennett, Tony & Paul McCartney
5. Shadow Of Your Smile - Bennett, Tony & Juanes
6. Rags To Riches - Bennett, Tony & Elton John
7. Good Life - Bennett, Tony & Billy Joel
8. Cold Cold Heart - Bennett, Tony & Tim McGraw
9. If I Ruled The World - Bennett, Tony & Celine Dion
10. Best Is Yet To Come - Bennett, Tony & Diana Krall
11. For Once In My Life - Bennett, Tony & Stevie Wonder
12. Are You Having Any Fun - Bennett, Tony & Elvis Costello
13. Because Of You - Bennett, Tony & K.D. Lang
14. Just In Time - Bennett, Tony & Michael Buble
15. Boulevard Of Broken Dreams - Bennett, Tony & Sting
16. I Wanna Be Around - Bennett, Tony & Bono
17. Sing You Sinners - Bennett, Tony & John Legend
18. I Left My Heart In San Francisco - Bennett, Tony
19. How Do You Keep The Music Playing - Bennett, Tony & George Michael

Product Details

• Amazon Sales Rank: #9063 in Music
• Released on: 2006-10-30
• Number of discs: 1

Amazon.co.uk Review
At this point, who else but Tony Bennett would have the clout to round up stars on the scale of Elton John, Paul McCartney, Bono, Celine Dion and Barbra Streisand for some duets? (Note also that unlike some similar projects, all the parties involved on this CD were alive when it was recorded!) The material consists of relatively obvious classics in standard big-band arrangements, and Bennett himself is in top form at age 80, so much so that he doesn't need anybody else to handle "I Left My Heart in San Francisco." But the fun comes from checking out how his collaborators fare. The Dixie Chicks provide wonderful Andrews Sisters–type harmonies on the percolating version of "Lullaby of Broadway" that opens the festivities. The best songs tend to be the ones where Bennett's slightly craggy voice is juxtaposed to smooth female ones, like Diana Krall on "The Best Is Yet to Come," familiar accomplice k.d. lang on the sultry "Because of You" and Streisand—-perhaps Bennett's only equal in stature at this point—on "Smile." Among the less expected guests, soulman John Legend is a revelation on the hard-swinging "Sing, You Sinners," while George Michael confirms he’s quite the crooner on "How Do You Keep the Music Playing?" Elvis Costello, Celine Dion or Juanes don't sound as comfortable, and sometimes it feels as if they overdo it to compensate, but overall this collection is among the best of its kind, with most guests rising to the occasion. --Elisabeth Vincentelli

Customer Reviews

Bennett at his best
Octogenarian? Impossible! Tony Bennett teams up with current stars to delight with well-loved standards and a few which were new to me. How many times must he have sung "I Left My Heart in San Francisco" in his career? It must be in the hundreds. Yet it still comes out fresh from the Master. His duet with George Michael on "How Do You Keep the Music Playing?" shows his voice has lost nothing over the years. It brought a tear to my eye. A beautiful album.

If you're a big loyal fan, this is not for you!
I think the idea of the CD was good, but it's too shoddy and if you're a loyal fan you probably won't like the other artists parts of the songs, I do agree they should pay respect to Tony, but this isn't as good as I thought it would of been. John Legend's "Sing You Sinners" was okay, and Barbra Streisand's version of "Smile" was good, not great though. However the best song on the CD is probably Tony Bennett going it alone in "I Left My Heart In San Francisco" It's such a great version! It's better than the original in my opinion.

I bought it off Itunes, and i've already got "The Ultimate Tony Bennett Album" on my ipod, so I just changed the "I left my heart..." versions around(If that made sense to anyone...lol).

I suggest you buy his Ultimate CD, or maybe one of the few compilations he has.

Overall it's a let down for me, but the idea of the artists paying tribute to the great Tony Bennett is such a great thing, you don't get people like Tony today.

It looks good, it sounds good, but I do not feel it !
There's little more dispiriting than the sound of ageing stars frantically chasing after their lost youth. This autumn sees the release of Tony Bennett's "Duets: An American Classic", in which the octogenarian crooner revisits his signature hits alongside a raft of younger artists, from Bono ("I Wanna Be Around") and Sting ("Boulevard of Broken Dreams") to John Legend ("Sing You Sinners") and the Dixie Chicks ("Lullaby of Broadway").
There's no disputing that Bennett, whose career spans five decades, boasts a fine body of work. It's also fair to say that his golden years are now behind him, which makes it all the more distressing that, to mark his 80th birthday, he should see fit to pair up with a series of young pups and bask in their leather-clad glory. Surely a party and a birthday cake would have been more than adequate.
This isn't the first time that Bennett has played the duets card. His last release, "A Wonderful World", a collection of songs associated with Louis Armstrong, was recorded with kd lang. Given that lang and Bennett are both gifted interpreters with pseudo-operatic voices, it made perfect sense and was widely praised.
By contrast, "Duets: An American Classic" smacks of an artist who longs to stay musically relevant. On paper, at least, it's an album that belongs to that dubious Grammy-grabbing genre in which pop and rock royalty put on a glitzy show of mateyness while conspicuously failing to push the envelope.
At 80, Bennett justly qualifies as "An American Classic." And he sounds like one on this starry duets set on which he's teamed with the so called SERIAL COLLABORATORS... a new generation of musicians, who have all but abandoned their own musical endeavours in favour of hitching a ride on those of older musicians..from Barbra Streisand, Diana Krall and Celine Dion to Bono, Chris Botti,Stevie Wonder, John Legend, Elton John and Sting...Actually, no "tribute" album, no duets album is complete these days without appearances from them...
It's not just the poor quality of these duets that is depressing for listeners. In many cases you suspect that they are simply a gimmick cooked up by record companies at a loss with what to do with their ageing stars.
Stuck with a crumbling icon too old and out of touch to scale the charts by themselves and there can be only one solution: squeeze them into a shell-suit, bring in a hip-hop producer and force them to hang with the kids.
I like Tony Bennett and this allbum looks good, it sounds good, but I just do not feel it.