Track Listing

1. Birth And Death Of The Day
2. Welcome Ghosts
3. It's Natural To Be Afraid
4. What Do You Go Home To
5. Catastrophe And The Cure
6. So Long Lonesome

Product Details

• Amazon Sales Rank: #24107 in Music
• Released on: 2007-02-19
• Number of discs: 1

Amazon.co.uk Review
Sometimes Explosions in the Sky start with a whisper and end with a scream, but on "Birth and Death of the Day", they begin with a scream and proceed into a symphonic odyssey that Aaron Copland might have composed if he'd played electric guitar. Like Copland, EITS are cinematic, but with more kinetic drive than any film--except maybe Koyaanisqatsi--could match. Compositions like "It's Natural to Be Afraid" take you on epic journeys that roar like a Harley Davidson one minute and slip into taut contemplation the next, using the slow-tension build that EITS have perfected. All of a Sudden I Miss Everyone was produced by John Congleton, who has worked with lo-fi groups like the Roots and the Mountain Goats. That might explain why the album lacks the atmosphere of EITS's monumental The Earth Is Not a Cold Dead Place and their Friday Night Lights soundtrack. Instead, they rely even more on the arc of their compositions and the integral twin lead guitar lines that never solo but always drive the songs. They can shift from power-chord aggression to the sound of plucked mandolins in an instant. This is progressive rock for people who weren't even born when prog reigned supreme. It's the sound of King Crimson, transmuted through punk and grunge aesthetics. --John Diliberto

CD Description
Back in the mid 1990s, when post-rock dominated the indie landscape, instrumental bands offered a sonic vision beyond what they saw to be the tired rock clich s of 4/4 time and G-C-D riffs, but very often negated the simple energy that makes rock so vital in the process. On their second full-lengthALL OF A SUDDEN I MISS EVERYONE, Explosions in the Sky do not make such mistakes. The Austin quartet (yes, there are only four of them generating all this sound) take cues from the post-rock era but apply an energetic, improvisational rockapproach full of relentless tension and bursts of beauty. The sound of a chamber orchestra afire, ALL OF A SUDDEN I MISS EVERYONE packs a wallop.

Customer Reviews

Mesmirising
Explosions In The Sky's track record of creating mesmirising sonic violence is almost unparalleled, but one thing that has eluded the band - until now - is the ability to translate the majesty of their hypnotising live shows to record.

All Of A Sudden I Miss Everyone changes that, marking as it does a huge leap forward for the band, ditching the somewhat crystalline production of its predecessors in favour of broader instrumentation and more focussed, asperous production. With increased intensity than even its ferocious predecessor, The Earth Is Not A Cold Dead Place, All Of A Sudden I Miss Everyone almost completely blurs the lines between Explosions' recorded output and their extraordinary live shows.
The Birth And Death Of The Day clashes and coruscates like not just the beginning and end of the day, but the beginning and end of the universe. It's Natural To Be Afraid roars with a fierceness that few, if any, bands can match. The addition of piano on So Long, Lonesome and What Do You Go Home To? creates a beautiful, meditative picture, while the machine-gun snare on Catastrophe And The Cure is nothing short of incendiary.

Proving once again that bass, guitars and drums still allow for infinite possibilities, Explosions In The Sky manage to speak with more emotional resonance than a million bands with singers ever could.

Wow.
I'd have to say this is the best Explosions album from my first couple days of repeated listens.

All the usual components of the formula are here - the gentle warmth of rippled notes that build up into crescendos of melodic, extended explosions, the rise and fall of excitement within the instruments, the odd sudden burst of distortion into some fading melody and the epic onslaught of beautiful, gentle noise. No huge amount of new ground is broken, but the production lets the discord take more of a front seat giving it a more live and raw feel (don't get me wrong though, this is by no means 'raw') the drums are allowed to ride free and the compositions are slightly deeper, less predictable perhaps than past material.

It has everything you'd want from an explosions album and a little bit more, they've definitely cracked the post-rock nut with this gem. People will criticise this record for being yet another post rock record on the pile that's generic and formulaic...blah. But real people, not music critics, can grasp that music is also a sensual experience, a ritual of enjoyment and comfort. This is impossible to not enjoy if you're inclined to the genre.

Good Not Great
There are both good and bad points to the new Explosions in the Sky album.

On the plus side, the band once again subtly shifts its style. The delicate, chiming guitar work of `The Earth is not a Cold Dead Place' has been energized by a rawer, more live sound. Drums seem more in the mix, particularly when the opening track `The Birth and Death of the Day' kicks into gear.

Piano has been introduced to the band's repertoire with good effect, best shown on the teasingly short and beautiful album closer `So Long Lonesome'. Also, the musicianship throughout is of the highest order and I would imagine the band sound fantastic live.

Now the downside. I have owned this CD for several weeks and given it many careful listens. In my experience, Explosions albums are not immediately accessible, which is not a problem in itself (although how some Amazon reviewers can declare a CD to be a five-star classic after only owning it for a day is beyond me). However, there seem to be two real problems with the album.

Firstly, whilst I am an admirer of the band and the way they take rock's basic guitar/bass/drums template to wonderful new places, Explosions in the Sky seem to be struggling here against their self-imposed limitations. There is a sense that we have heard it all before.

Secondly, and more importantly, is the lack of real inspirational quality. As already mentioned, the first and last tracks are very good, and I also quite like `What Do You Go Home To?' and `Catastrophe and the Cure' but there are no catch-your-breath moments here to compare with `Greet Death' from `Those Who Tell the Truth..' or `Your Hand in Mine' from `The Earth is not a Cold Dead Place'. `Welcome, Ghosts' and ` It's Natural to be Afraid' fall particularly flat, the latter track even fizzles out into a dull feedback finish.

In my opinion, `Those Who Tell The Truth..' remains Explosions's strongest album. `All of a Sudden I Miss Everyone' is a good album but four records into their career and the quality is gradually declining not improving. Without adding vocals I am not sure where they go from here.

Still, reviewing the album in isolation, it is worth three stars, no more no less. I suspect the hardcore fans will slate this review but I have tried to offer a balanced, honest view, I hope you found it helpful.