Product Description

Dan Dunne (Gosling) is an inner city high school teacher. Dynamic and inspirational in the classroom, he spends his time outside of school on the edge of consciousness. His personal disappointments and disillusionment have led to a serious drug habit. Dan juggles his hangovers and his homework, keeping his lives separated, until one of his students, Drey (Shareeka Epps), catches him getting high after school. It is from this pivotal moment that director Ryan Fleck builds a tentative friendship between these two unlikely allies, creating one of the year s most arresting films in the process.

Product Details

• Amazon Sales Rank: #9720 in DVD
• Released on: 2007-09-24
• Rating: Suitable for 15 years and over
• Aspect ratio: 1.78:1
• Formats: Anamorphic, PAL
• Original language: English
• Number of discs: 1
• Running time: 104 minutes

Amazon.co.uk Review
Sometimes people are attracted to each other because of their differences. When there's a nebulous attraction between a teacher and a young teenage child--as in the superb Half Nelson--the relationship has all the makings of confused disaster. Though there are a few uncomfortable moments when it's not obvious whether Dan (Ryan Gosling) and Drey (Shareeka Epps) might cross the line, the attraction between the pair is culled less from sexual tension than desperation. Dan is an idealistic history teacher in an inner-city school. Drey is one of his brightest students.

For both, drugs represent something that may help them escape their worlds. He takes drugs to dull his dissatisfaction with himself. She views drugs as a possible way to better her life, even though she knows her brother's foray into that trade landed him in jail. Bleakly filmed and well told, Half Nelson soars because of the immaculate acting by Gosling and Epps. With his impish smile, Gosling provides a character that is at once disarming, alluring, and pitiful. As the young girl who's already seen too much hardship in her life, Epps plays her part with just the right amount of hardened raw emotion. While the ambiguous ending may not please fans weaned on happy Hollywood finales, it's a fitting and believable close to a thought-provoking film. --Jae-Ha Kim

DVD Description
Filmmaker commentary from writer/director Ryan Fleck and writer/editor Anna Boden
Fleck and Boden's Sundance award-winning short film "Gowanus Brooklyn", also starring Shareeka Epps
Exclusive interview with Ryan Fleck and Anna Boden
Extended Q&A with Fleck and Boden at the Everyman Cinema in London
Cast Audition Footage
Outtakes
Deleted and Extended Scenes
Photo Gallery
Trailer

Synopsis
High school teacher Dan (Ryan Gosling) and quiet teenager Drey (Shareeka Epps) are two lonely souls who wander the planet looking to attach some semblance of meaning to their chaotic lives. Dan teaches Drey in a dilapidated school in Brooklyn, New York. Their relationship is unremarkable until Drey discovers Dan collapsed and clutching a crack pipe in a grimy toilet cubicle in the high school gym. It is from this pivotal moment that director Ryan Fleck builds a tentative friendship between these two unlikely allies, creating one of 2006's most arresting films in the process.

Carefully steering his film away from any overtly sentimental material, Fleck and co-writer Anna Boden create a gritty, powerful narrative that feels painfully real as it flickers into life. Very little back-story to either of Fleck and Boden's central protagonists is revealed, forcing the audience to draw its own conclusions as to what personal hells Dan or Drey may have emerged from. Dan's addiction steadily worsens as the movie progresses, and Gosling portrays his drug-addled life in the saddest way possible. Dan is a likeable character with a clear affection for the kids he teaches, and it's distressing to watch him losing his grip on reality. Relief comes only intermittently as Drey's presence in Dan's life momentarily pulls him out of his slumber, while some well-timed jokes sprinkled liberally throughout the dialogue, and a few direct-to-camera monologues from Dan's students, prevent HALF NELSON from completely toppling into the abyss. Supporting roles come in the shape of Dan's ex-girlfriend Rachel (SIX FEET UNDER's Tina Holmes), who hints at a joint addiction they once endured, and Frank (Anthony Mackie), a local drug dealer and acquaintance of Drey's incarcerated brother who tries to care for her. Together the cast, crew, and writing team construct a powerful film about loneliness, addiction, and friendship that is likely to etch itself deeply into the memories of anyone who sees it. In particular, Gosling and newcomer Epps are sensational in their parts, giving career-defining performances that very few actors could ever hope to improve upon.

Customer Reviews

Half Nelson
Half Nelson tells the story of an idealistic young teacher Dan, unable to break his cycle of cocaine and crack abuse. Labouring under the delusion that he will finish an illustrated children's book on 'dialectics', he teaches history at a run-down innercity school. Bringing left-wing theory into his lessons on the civil rights movement, his classes comprise predominately black teenagers from a poor suburb. When he has the sobreity to give them, that is; throughout the film he is increasingly unable to function with any kind of clarity.

Early in the film he is found in a locker room cubicle high on crack by one of his students Drey, and a tacit understanding is reached between them. She, whose brother has been incarcerated from involvement in the drug trade, can see how crack is devestating her community, but is still allured by the success of 'Frank', a drug dealing "family friend". Frank gradually enrolls her in his business; drugs providing her with a potential but probably ephemeral means of escape from the squalor of her broken home. For Dan, the escape is from the burden of completing his book, and from turning his political ideals into affirmative action. His inertia and drug-addled stupour are shown in contrast to footage of highly impassioned speeches from the civil rights movement, calling on people to throw themselves down on the machinery of the system to grind it to a halt. Decades after the civil rights movement, many people in the black community are still caught up in the prison system, or denied opportunities to further themselves socially; but Dan is increasingly aware how little he can do about it. His classes on the dialectics of change through opposition, start to sound hollow when there is so little hope for his students. It sounds especially hopeless to Drey, who knows about Dan's secret drug problems, which conspire to bring them together in an unlikely union of opposites. The question of whether Dan and Drey can progress and change themselves is left open, the film ending (as many of the best do) ambiguously.

It is an interesting work marred slightly by some polemic interludes featuring Dan's students recounting key events from the civil rights movement. This is not well contextualised and doesn't add anything to the film's themes. However, there is some fine use of film style to evoke Dan's crack-induced inertia. The dislocation and emptiness of his "highs" are realised with canny editing and blurred-focus that are quesily suggestive with the minimum of post-production trickery. Dan makes a convincing lead; one can imagine Paddy Considine playing the lead role if such a film could be made in the UK. But better still, for me, is Shareeka Epps as Drey, perfect as the coy teenager growing up under a multitude of imperfect influences. Also worth a mention is the soundtrack, largley provided by Canadian post-rockers Broken Social Scene. Rather than buying the OST your money might be better spent on their stunning 2003 album 'You Forgot it in People', from which much of this film's music is taken.

One of the best films of the decade
Ryan Gosling is exceptional in his role as a teacher at a comprehensive school and gives off raw emotion that at times is not only difficult for the character but the audience watching. He is superb and is an actor to watch for the long-term future.
Despite Gosling's inability to relate to the people that try and get on with him who are not directly involved in his life, he comes across as a simple but effective man but with hidden side-issues on what kind of world he is living in. He gets through any emotive negative within him by being truthful to himself and witty with others.
The film flows smoothly and without any preudice towards generic charachters and the music is unique and fitting. All the supporting players do a great job especially the drug-pimp(probably the nicest dealer portrayed in films) but theres the point of the film, do not take people on face-value or even the things they do to make money or get-by because there is a deeper meaning to what these characters are trying to achieve.
A film i could relate to and i especially like the scene where Gosling gets asked by his 'over-night guest' in the morning "Why do you have a copy of the mien kampf?" and he answers with a slightly cold but reasonable answer of "Just because i have a copy of that book, it doesnt make me a nazi". Theres something odd yet distinctive about the way he looks at life and the surprises with in his own. Its not till the end that Gosling's character realises its time to believe in not just his own thoughts but of those around him...and more importantly kick the habit..because although its an easy to get into and difficult slippery slide to hide your irresponsibilty, its a route that must be declined!

Nelson's Column.
HALF NELSON is a steadily paced, low-key movie from director Ryan Fleck. Given the subject matter, this flick could have easily become a syrupy melodrama, but it's understated, "fly on the wall" presentation helps the highly talented actors to weave their magic beautifully. This ain't MELODRAMA, this is REALISM.

The film is ostensibly about the relationship between crack addict history teacher DAN and his pupil DREY. Both of them lead troubled, uneasy lives and each feels a responsibilty for the other. Crucially, the magnificent performances of Ryan Gosling and Shareeka Epps serve to make each character sympathetic and very, very likeable. Gosling, in particular, is MAGNETIC in this movie.

HALF NELSON is a deeply absorbing character study and well worth a watch. It is a worthy examination of our vulnerability as human beings - the mistakes we constantly make and the people we inadvertently hurt as a result. Above all, it highlights our compassionate nature and our innate ability to care for one another. This is one of those movies whereby you finish watching it and maybe resolve to become a better person!

As a final comment, I also feel compelled to say that the closing scene of this flick is near-perfect.

A thought-provoking, satisfying film. RECOMMENDED.