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Average customer review:Track Listing
- Genesis
- Let There Be Light
- DANCE
- Newjack
- Phantom
- Phantom
- Valentine
- Tthhee Ppaarrttyy
- DVNO
- Stress
- Waters Of Nazareth
- One Minute To Midnight
Product Details
- Amazon Sales Rank: #36164 in Music
- Released on: 2007-06-18
- Number of discs: 1
Editorial Reviews
Amazon.co.uk Review
Justice is the moniker of the Paris-based production duo Gaspard Augé and Xavier de Rosnay. Their approach to crazy-quilt dance-pop hybridism is infectious, if a tad off-putting here and there. The duo rose to fame due to an MP3 single and super smart video for the excellent, kiddy-chorused house-pop number "D.A.N.C.E." in 2007, and they soon thereafter signed to the suitably named label Banger. They manage to make really silly and fun music in a way that frequently comes off in a pretentious manner. It's ridiculous to name your album after a symbol, especially if it's †. This is not meant derogatorily. Really. Justice does appear to be that rare breed of dance artist equally capable of stimulating the body and the mind, though neither Richard James nor Basement Jaxx need fear this act. After just one listen to "Waters of Nazareth," it's very difficult to avoid wondering "how the hell did they mix and match noise and pop so beautifully" while also dancing furiously.--Mike McGonigal
Customer Reviews
Outstanding
Let's get the negatives out the way. The Daft Punk influence is overwhelming at times, and there are a few average tracks on this album. But for a dance music artist album (remember how bad these often are) it is still exceptional. If you are going to model yourself on someone, Daft Punk isn't a bad place to start. Rock musicians are allowed influences without people griping, and let's not forget the whole point of dance music in the first place was to sample and reshape what was already there. Also, most people who have made good dance music in the last ten years have had some sort of DP influence stirred in.
As for the production style, anyone who says it's cheap is an idiot - the mix of low fi and hi fi is completely deliberate. Also, the combination of danceability and musical complexity is impressive. Yes, it might be challenging at times, but it's not exactly Aphex drill and bass, is it? What makes it different, possibly unsatisfying to the disco zombies amongst us, is that it's not always loop-based. So tracks might start in one place but... oh God... end up... somewhere else! Wow - how pretentious. Let's shoot them before they do it again.
All herald the arrival of Apocalisco
I've never been moved to write a review here, let alone starting one three songs into an album, but this just blew me away. It's apocalyptic disco - apocalisco if you will - the sound of a widescreen cinematographically lush death march through the grand canyon, with an orchestra of delicious slap bass licks and drill solos (the song 'Let There Be Light' alone sounds like it must have taken a fair few Black and Deckers to make), all mixed in with a healthy dose of classic era Michael Jackson or Daft Punk.
I'm not going to say there's no filler, but I am going to say that at its best it's stunning. I don't think I've ever heard anything by turns as cinematic and danceable at the same time. Deserves to be huge. Make it happen, people.
Contender For Best Dance Album Of The Year
I've Been impressed by pretty much everything I've heard from this French duo for the past few years. Their tunes have been rocking club nights all over the world and their debut LP does not disappoint. At first listen, this has all the hallmarks of a genre defining album like Daft Pumk's 'Homework'. So if you've been disheartened by Daft Punk offerings of late this album will certainly quench your thirst for that mix of funk, 80's chic, filthy synths and insatiable beats.
Just from the grand intro of 'Genesis' into the raw but emotional relentlessness of 'Let There Be Light' you know you're listening to something a bit special. The single 'D.A.N.C.E' is probably the most commercially accessible in the same school as the very successful 'We Are Your Friends' but still maintains that aura of french chic. By the time you reach the bass and distorted synth overload that is 'Waters of Nazareth' you'll be gagging for more.
Expect this to be THE dance album of 2007.





