Track Listing

1. New Year Storm
2. Volcan Veins
3. Truncation Horn
4. For Wolves Crew
5. Violenl
6. Gaskarth/Cyrk Dedication
7. Ache Of The North
8. Mercy Sines
9. Hot May Slides
10. Beg
11. Penultimate Persian

Product Details

• Amazon Sales Rank: #48094 in Music
• Released on: 2008-01-28
• Number of discs: 1
• Format: Import
• Dimensions: .13 pounds

Customer Reviews

An astonishing release from Clark
Incredible, High-Octane Hard-Tech here from Clark. Supplemented with his usual array of incredible production techniques... Moving away from the sublime 'Organica' of Boddy Riddle, this latest offering embraces the harder, more synthetic sounds of the IDM dancefloor...

At once, Clark dispenses with the woven textures which populate the cerebral building blocks of previous outings and it's simply straight to business... A bewilering mix of sound contortions packaged up in a huge throbbing handgrenade are thrust out at you, but the result never seems over-produced, messy or misconstrued... If clubs up and down the land had course to educate their patrons, they'd play this...

What's served up here is a thinking man's hard dance album that seamlessly translates to something much more hypnotically basic if the mood dictates...

One parting shot... Do try and use the best system possible to play this on. The dazzling complexity on show will only be further enhanced.

A stunning achievement...

Turning Dragon
Turning-dragon position is one of the nine therapeutic sex techniques listed in 'Positions of Dark Girl.' In this sex technique while love making, the woman lies on her back and the man lies upon her, with his knees resting on the bed. She raises up her Jade Gate and inserts his Jade Stalk into her mysterious cavern, while he caresses the upper part of her body. He then begins to move slowly interspersing two deeply penetrating love strokes between every eight shallow ones.

Good, but a bit over-rated
A decent album, but I don't know why everyone rates this quite so highly. Clark relies heavily on familiar tricks, and here I can't help thinking of Cristian Vogel's awesome Dungeon Master album, AFX's Chosen Lords, and Jackson And His Computer Band. Great albums to be inspired by - but sometimes I feel Clark's a little too close to his source material. He is clearly talented, and some of this album sounds bloody good, but for me, this is a largely derivative album that is an amalgam of influences. Clark is clearly adept at recycling other peoples' pioneering work, but this album's not unique enough to warrant "classic" status. You'll probably enjoy it, but you won't come away with a sense of wonderment that you get when you've discovered something truly remarkable.