Track Listing

1. Ghosts
2. Old Stone
3. Tap At My Window
4. Failure
5. You're No God
6. Cross Your Fingers
7. Crawled Out Of The Sea
8. My Manic And I
9. Night Terror
10. Captain And The Hourglass
11. Shine
12. Your Only Doll (Dora)

Product Details

• Amazon Sales Rank: #1269 in Music
• Released on: 2007-02-11
• Number of discs: 1
• Format: Explicit Lyrics

Amazon.co.uk Review
Reading-based songstress Laura Marling has been likened to veteran folksters Joni Mitchell and Joan Baez. Despite such hyperbolic accolades, her entry into the crowded world of young female singer-songwriters has been remarkably hushed and wonderfully organic. Having started writing songs at the age of 15, Marling's success has been achieved not by shouting, but by whispering her way through the ranks. Perhaps because of her youth--she turned 18 just before releasing this Alas, I Cannot Swim--Marling has an understated yet accomplished manner that just doesn't grate like some of her peers. Plus her songs are good--very good. Backed by imaginative arrangements from leftfield acoustic outfit Noah and the Whale, the tracks here are often coyly charming, though far from naïve. Marling digs impressively deep into all kinds of universal topics, from religion and parents to love and romance. Lead single "Ghosts" introduced to many her soft, alluring vocal style, and other songs here share the same sense of intimacy, even if they differ thematically and musically. Things are kept simple throughout (think acoustic strums and a homespun delivery), but there are subtle and beautiful contrasts throughout; the Beirut-esque carnival aura of "Crawled out of the Sea" and the brooding "Night Terror", for example, which provide darker counterpoints to airier fare like the folksy title track and the compelling "My Manic & I". Disarming yet deep, provocative yet peaceful, Alas places Marling head and shoulders above the bawlers and wailers. --Paul Sullivan

CD Description
Debut album from folk-pop singer-songwriter Laura Marling. A collection of British folk classics in the making, with hints of psychedelia, this album is a must for fans of artistssuch as Richard Hawley, Turin Brakes and Portishead. Includes the tracks 'My Manic And I', 'Night Terror' and 'Ghosts'.

Customer Reviews

It's all gone swimmingly
Female singer-songwriters are like buses (not necessarily in appearance, you understand, and I'm not naming names): you wait ages and then three turn up at once. We seem to be inundated with them at the moment, and one who deserves the spotlight but isn't getting it so much (because she hasn't been seen shooting her mouth off in public or falling out of nightclubs) is Laura Marling. Her debut "Alas, I Cannot Swim" has also been somewhat overlooked because it is not in a pop/r'n'b idiom and she doesn't sing about, well, falling out of nightclubs. She appears to draw inspiration from an earlier generation of folk-rock singers, the likes of Joni Mitchell, Melanie, Jacqui McShee (of Pentangle), Linda Thompson etc.

The subject matter of her songs is a long way removed from the infatuations of (supposedly) hip urbanites trying to buy tequila at 4.00 a.m. too. Her lyrics sound rooted in the land, influenced more by Thomas Hardy or, in modern terms, Graham Swift than by the usual Camden Town obsessions. For someone who is still a teenager she displays a very mature take on difficult subjects such as parental strife, mental illness, death. God only knows what she might have to say by the time she's twenty-five. This is not to say the album is miserable. It is quite introspective, quite melancholy, but not all sad. "You're No God" and "My Manic and I" have an austere humour and light, lilting style. "Cross Your Fingers" has an almost nursery rhyme feel. And like many nursery rhymes, if you think about it, the words are much darker than the tune. The deft, basic acoustic folk backing is augmented here and there by strings and accordion.

So "Alas, I Cannot Swim" is not a party record. You might not play it getting ready to go out on Saturday night. But you might when you get home at whatever time on Sunday. And sitting at home any time, with a malt whisky, not an alcopop.

Alas, I cannot stop listening to this album....
The music on Laura Marling's debut album isn't entirely what I expected but, in a different way it's a lot more than I expected. What I thought would be a quiet, subtle, poppy folk album turned out to be a bold, creative, eclectic and incredibly exciting poppy folk album. Considering how youg Laura Marling is, `Alas, I Cannot Swim', has the markings of an artist ten years older.

The lyrics are clever, interesting and at times quite thought provoking. The music is, admittely, secondary to Marling's voice but remains varied and creative enough to superseed that assumption. The focal point though, is indeed her voice. It's fantastic. Nothing more needs saying on the matter.

The majority of the tracks are pleasant, stupidly enjoyable poppy folk tracks; Old Stone, Tap At My Window, The Captain & the Hourglass. But there is the odd curveball thrown in. Ghosts is the opening track and doesn't sound quite like anything else on the album somehow and is definitley a higlight. Cross You Fingers sounds fairly upbeat but boasts the a chorus of; "cross your fingers, hold your toes, we're all gonna die when the building blows." The opening lyric to My Manic & I; "he wants to die in a lake in Geneva, where the mountains can cover the shape of his nose." Unorthodox indeed for a pop record, which intrigues me even more.
Crawled Out of the Sea is the biggest curveball and possibly the most effective; it's a kind folk shanty, complete with accordion and serves to break up the album and is even stated as an "(Interlude)".

It's my view that Marling is strongest when branching out a tad like this; where a natural eschewing of convention needs nurturing. I prefer my music a little darker and when Marling edges over slightly there is a whole lot more depth of meaning which suggests she'll be around a whole lot more in the future.

So, `Alas I Cannot Swim' boasts a very promising young talent and if she can fill an entire album with tracks as strong as the best on here, then she'll be a force to be reckoned with. I know it's only February but this could be my album of the year so far.

Songbox - A Review
Having read a favourable review of the album in a newspaper I found on the train I placed an order on Amazon. The packaging is amazing - the CD comes in a cardboard sleeve inside a large box that also contains a board game, art postcards, a voucher for a free gig ticket, a pamphlet containing song lyrics, a tiny cardboard sleeve (about the size of a mini-CD sleeve) containing a fold-out series of prints and a large envelope (no, I don't know why).

Anyone old enough to have bought vinyl albums in the past will appreciate the thought that went into the packaging, all of which gives you something to read through and enjoy on the way home before you get to hear the album itself.

The album has been produced to a very high standard and the musicians all play very well. Her voice, gentle and relaxed, sits well in the mix and the music sucks you in and mellows you out. It's twelve tracks long but they're over before you know it. My personal favourite is The Captain and the Hourglass, which I found myself listening to repeatedly once I'd heard the album all the way through.

The singer's voice reminds me very much of Joni Mitchell and, bar a few ill-advised attempts at some high notes, is very easy on the ears. The songs on the album complement each other nicely and on the whole it reminds me of happy summers in the past, drinking gin and tonic in the park and falling asleep under the sun.

All in all a refreshing change from the mass produced pop that all sounds so similar these days. If you like to hear proper music, played on real instruments by talented musicians, then this is definitely for you.

The only downside of buying the Songbox edition is that the box, being roughly the same size as a ring binder, won't fit in a normal CD rack.