Product Details

• Amazon Sales Rank: #616 in DVD
• Released on: 2008-06-02
• Rating: Suitable for 15 years and over
• Aspect ratio: 2.35:1
• Format: PAL
• Original language: English
• Subtitled in: English, Swedish, Danish, Norwegian, Dutch, Finnish
• Number of discs: 1
• Running time: 117 minutes

Amazon.co.uk Review
The Coen brothers make their finest thriller since Fargo with a restrained adaptation of Cormac McCarthy's novel. Not that there aren't moments of intense violence, but No Country for Old Men is their quietest, most existential film yet. In this modern-day Western, Llewelyn Moss (Josh Brolin) is a Vietnam veteran who needs a break. One morning while hunting antelope, he spies several trucks surrounded by dead bodies (both human and canine). In examining the site, he finds a case filled with $2 million. Moss takes it with him, tells his wife (Kelly Macdonald) he's going away for awhile, and hits the road until he can determine his next move. On the way from El Paso to Mexico, he discovers he's being followed by ex-special ops agent Chigurh (an eerily calm Javier Bardem). Chigurh's weapon of choice is a cattle gun, and he uses it on everyone who gets in his way--or loses a coin toss (as far as he's concerned, bad luck is grounds for death). Just as Sheriff Bell (Tommy Lee Jones), a World War II veteran, is on Moss's trail, Chigurh's former colleague, Wells (Woody Harrelson), is on his. For most of the movie, Moss remains one step ahead of his nemesis. Both men are clever and resourceful--except Moss has a conscious, Chigurh does not (he is, as McCarthy puts it, "a prophet of destruction"). At times, the film plays like an old horror movie, with Chigurh as its lumbering Frankenstein monster. Like the taciturn terminator, No Country for Old Men doesn't move quickly, but the tension never dissipates. This minimalist masterwork represents Joel and Ethan Coen and their entire cast, particularly Brolin and Jones, at the peak of their powers. --Kathleen C. Fennessy

Amazon.co.uk

No Country for Old Men is Joel and Ethan Coen’s most gripping and accomplished film to date. DVD special features include a look at the Coen Brothers’ film-making process, showing how they assembled and shot one of the most compelling thrillers of the year, as well as shedding new light on the complex characters and celebrated creators of the film. Bonus features on this disc:

- The Making of No Country for Old Men

- Working with the Coens

- Diary of a Country Sheriff

Synopsis
With NO COUNTRY FOR OLD MEN, the Coen Brothers have found a perfect match in Pulitzer Prize-winning author Cormac McCarthy. Their adaptation of McCarthy's praised novel is a staggering masterpiece. In this almost impossibly faithful adaptation, the film takes place in a small Texas border town in 1980. Sheriff Bell (a never-been-better Tommy Lee Jones) has ruled the land for years without the use of a gun, but a new brand of reckless lawlessness has taken over his town. Llewelyn Moss (Josh Brolin) is an innocent Everyman with a devoted wife, Carla Jean (Kelly Macdonald), but when he stumbles across a drug deal gone deadly and finds two million dollars, he's determined to keep it for himself. There's only one problem. He's being pursued by one of the most amoral, evil psychopaths that the big screen has ever seen. Wearing an absurd haircut and brandishing a pressurized weapon that's used to murder cattle, Anton Chigurh (Javier Bardem) creeps forward on his mission to track Moss down and return the money to its rightful owners to save his own skin. As the tension mounts, the body count begins to rise, confirming Sheriff Bell's inability to battle this new wave of modern brutality.


The most striking thing about the Coen Brothers' thriller is their masterly use of silence to create an almost unbearable level of tension. Cinematographer Roger Deakins is once again at the top of his game, beautifully capturing this stark and lonely world. The well-rounded cast is clearly excited to be a part of such a stellar production--particularly Bardem, whose Chigurh is a freakishly mysterious monster, and is certain to haunt viewers long after the final credit has rolled. In a career filled with striking achievements, this might very well be the Coen Brothers' finest. It is filmmaking at its best.

Customer Reviews

Diefies moral reading
I think (though I don't want to speak for anybody else) that the main reason some people don't like this movie is because it defies traditional moral and movie logic - there really is no moral compass here. What happens to every character is almost totally random, good deeds often results in terrible consequences and and bad deeds can go ahead unhindered - in this sense it is much truer to life, but it makes disturbing cinema where we are so conditioned to see heroes be pushed to their limits but ultimately triumph and evil doers be punished by those who suffered most at their hands. Themes of chance and determination/fate and the crossing over of unavoidable lines of force or action are the themes of this film it seems - made most vivid in the coin toss scene with the shop assistant.

The abrupt ending threw me for a loop the first time as well - annoyed me and frustrated me.... but hell it also made me think about what I'd seen and that's something not many movies do - sending you off with a friendly cinematic, cathartic pat on the back. And the more I thought about it the more it seemed right, to tie everything up neatly at the end would undermine the very idea of movie itself.

Be prepared to think about it a bit.

'you can't stop what's coming'
I haven't read the novel but I understand that this a very faithful adaptation and it marks a welcome return to grizzly form for the Coen's although I'm not sure that this is quite the masterpiece that some are declaring.

When Llewelyn Moss stumbles upon the carnage of a botched drug deal whilst out hunting and finds a case filled with roughly $2million he makes one fatal mistake; to return to the scene later that night with a bottle of water for the one man who was still alive. His car is spotted and he barely escapes from two pursuers but he has now become the prey of a man, Anton Chigurh (a truly terrifying Javier Bardem), who will hunt him down like Death itself armed with a shotgun and heavy silencer and a pneumatic cattlegun, cutting down any who cross his path. Following this trail of bodies is Sheriff Ed Tom Bell (played with deadpan world-weariness by Tommy-Lee Jones) also trying to find Moss and protect him and his wife.

As you would expect from McCarthy this is a tale filled with men and violence and as you would expect from the Coen brothers it is shot with style and even the odd flash of humour but when you come down to it is there that much seperating this film from, say, The Terminator? Chirgurh's relentless progress is shown to have little consequence, these are bad guys he's killing remember (or if not bad then certainly undeveloped characters who we will find it hard to care about), and just when it looks as though karma will come full circle he walks way from a car crash (albeit with a broken bone protruding through his arm). Yes, there's some philosophical musings along the way but even Terminator 2 managed something similar ('there is no fate but that we make'). It's all in the casting I suppose. Tommy-Lee Jones is excellent; subtle and nuanced. He speaks volumes with that craggy facewhen in conversation with his Uncle Ellis. 'You can't stop what's comin'. It ain't all waitin' on you. That's vanity', he is told, and having watched Chigurh slaughter both innocent and guilty alike we know exactly what that means. This is the kind of apocolyptic vision familiar from McCarthy's novels but missing is the hope, the mercy, dare I say it the humanity that would make it a convincing parable rather than a high class shoot-em-up.

I loved it, BUT its not for everyone
This Oscar winning film is based on an unusual 2005 novel by American author Cormac McCarthy and is very faithful to the book. Beautifully brought to life with stunning cinematography, inventive direction, some great set pieces and, for the most part, realistic acting. I say for the most part because the main villain, played by Javier Bardem (who also won an Oscar) is like a malevolent phantom; a creature of pure evil, more like the Devil than a person. His nightmarish performance is the best part of the movie - every time he is on screen he chills and fascinates in equal measure.

The film is a modern day Western, set in 1980 on the US / Mexico border with a plot so simple it's not worth mentioning. The action is viewed from the perspectives of the three main characters; the psycho Bardem, a world-weary (and philosophising) Sheriff played by Tommy Lee Jones, and a man who gets himself into a heap of trouble, played by Josh Brolin. Although told at a slow pace, the first 2 thirds are very compelling, mostly due to the well-worked set-pieces and the ever-menacing presence of Bardem. The movie does however become ever more strange with a somewhat modernist attention to detail on small things, while the big events get glossed over. By the final third, it has become so interiorised that the action is threatening to cease at any moment. And in fact that's what it does. The film ends when you least expect it to. This has infuriated and baffled many, but, in restrospect, I feel it finishes at just the right time. It's in keeping with the real themes of the movie, which are not spelled out, (and it wouldn't be right for me to spell them out either).

If I had to compare this film to other Coen Bros films; the first two thirds are like Blood Simple and Fargo whereas the final third is more like Barton Fink (i.e a bad dream!). Not everybody's cup of tea, for sure, but like I said, I loved it.