Product Description

The pop chameleon Beck returns for a tenth studio LP, this time produced under the watchful eye of the prolific Dangermouse. Ever the contrarian, Beck's evolving sound here pays homage to British beat groups of the 1960s, especially on cuts like 'Beggars Shoes' and the title track itself. In keeping with this more economical sound and approach, the album itself is notably shorter than previous Beck efforts, barely scraping over the half-hour mark. 'Modern Guilt' also benefits from the contribution of Cat Power on backing vocals on several songs.

Track Listing

1. Orphans
2. Gamma Ray
3. Chemtrails
4. Modern Guilt
5. Youthless
6. Walls
7. Replica
8. Soul of A Man
9. Profanity Prayers
10. Volcano

Product Details

• Amazon Sales Rank: #658 in Music
• Released on: 2008-07-07
• Number of discs: 1

Amazon.co.uk Review
If there’s one thing that’s proved consistent about Beck Hansen, it’s that every fresh record will be a curveball, and so it is with Modern Guilt. If 2006’s The Information felt like a return to familiar Odelay territory, a gleaming beats-and-raps record with an eerie futuristic twist perhaps inspired by its maker’s interest in Scientology, its follow-up feels like a step out again into uncharted territory. Recorded with the help of hip-hop beat-maker turned multi-talented producer Brian ‘Danger Mouse’ Burton, Modern Guilt is a foggy, sometimes distant-sounding affair apparently inspired by canyon-dwelling psychedelic rock, conspiracy theories, and end-of-the-world angst. "You and me hit by a test of white evil/Watching the jet planes go by", he strains, urgently, on "Chemtrails", eyes fixed to the sky. "Orphans" and "Walls", two songs recorded with Cat Power’s Chan Marshall feel like a bit of a missed opportunity, Chan’s vocals pushed too far back in the mix. But Danger Mouse’s beats are a delight, giving what could be quite morose numbers like "Gamma Ray" a skippy, vintage beat group feel. All in all, it’s not Beck at his most engaging or playful, but there’s a thoughtful, mature quality to Modern Guilt that you don’t find when he’s playing postmodern prankster, and it’s got much to recommend it. --Louis Pattison

Customer Reviews

Pleasent surprise
Couldnt really be bothered with another beck album boring me to sleep none the less i was given this cd as a gift and well..............what a surprise! each song flows into the other like sweating cheese and before you know it your putting it on again and again and ag.... you get the drift if you like your chedder seriously sweaty then buy this it is MMMMMMMMMMMMMMMMMMIIIIIIIIIIIIIIIIIIINNNNNNNNNNNNNNNNNNTTTTTTTTTTTTTTTTTT

Competent, but no classic
'Modern Guilt' has the feeling of an 'in-between' album, although having said that, Beck's last truly great album was 'Sea Change' - 'The Information' and 'Guero' had moments of brilliance, but were incomparible to 'Midnite Vultures' or 'Odelay'.

I think the saddest thing about this album is that its hard to even pick one song that could have been a decent launch single. Its all just... samey, which is a shame.

I've not given up on Beck, because he clearly has talent... but this feels like an album cranked out in his sleep.

Unfairly labeled a return to form, as he was always deadly
Like I said above, nearly all the reviews I've read for Modern Guilt have praised it as a return to form, "best since Sea Change", and that sort of garbage. Lazy, lazy journalism, particularly considering I read the exact same things about previous two albums (and bona fide clinkers) Guero and The Information. Where Modern Guilt outshines those albums is in its length, as both were at least twice as long as the half-hour Modern Guilt. That, and the music.

Which is fantastic. For reasons I don't understand, this Beck album took me the longest to get into. Well, of the ones I like. The less said about the boring Mellow Gold and the HIDEOUS Midnite Vultures the better. I was initially put off by how minimalist the album sounds. After about three listens, I was completely and utterly dependent on it. I couldn't do without it. Still can't. Strange that, isn't it? I think the reason for it is that I like the songs, or something.

Seriously though, the songs are fantastic. From the opener "Orphans" to closer "Volcano", there's not a duff moment on here. Plus, not one of the songs outstays its welcome. Once the verses, choruses and bridges have had their moment, its onto the next one. "Gamma Ray" is about the funnest song of the summer so far, "Chemtrails" has some incredible drumming and eerie vocals, "Modern Guilt" is relentlessly catchy, "Youthless" and "Replica" sound like Guero culls, "Walls" could pass for a Gnarls Barkley song (thanks Danger Mouse), "Soul of a Man" is sleazy as anything, "Profanity Prayers" is a super-happy bass fest and "Volcano" is perfect. The songs are as sparse as the artwork, but Beck doesn't need to layer his songs full of washboard solos and Schubert to be great. Modern Guilt's your proof.