Product Details

• Amazon Sales Rank: #22242 in DVD
• Released on: 2007-11-05
• Rating: To Be Announced
• Aspect ratio: 1.78:1
• Formats: Colour, PAL, DTS Surround Sound
• Original language: English
• Number of discs: 6

Amazon.co.uk Review
There were a few moments in the third season of the revived Doctor Who when you begin to wonder if the bubble has burst. A couple of tepid Dalek episodes, and a handful of forgettable stories, make you begin--perhaps for the first time since the show’s revival--whether it’s already hits its peak.

But never underestimate the new Doctor Who. For the back run of series three is as good as anything that’s gone before it, with ingenious plotting, the clever layering of elements it casually--nah, crucially--refers to later on, and some quite superb individual episodes. It not only restores any hint of lost faith, it sets the bar even higher.

Examples? The stunning single story Blink is extremely clever, genuinely scary and has immense rewatch value. While the equally strong double-header of Human Nature and The Family Of Blood is a two-parter in the traditional Doctor Who way, building up its story in a measured and really effectively creepy way.

Then there’s the finale. Presenting the Doctor with one of his finest, most ingenious villains makes for quite brilliant television (albeit with a slightly underwhelming concluding episode), as exciting to long-time fans of Doctor Who as it is for the newcomers.

And that, ultimately, is the brilliance of Doctor Who. It staggers so many levels of viewer enthusiasm, appeals to an extremely broad age demographic, and woos over fans new and old in a manner that no show currently on television can manage. And while the cliché of hiding behind the sofa may not be as accurate as it once was, Doctor Who season three will undoubtedly leave you gripped to the TV. --Simon Brew

DVD Description
Special features:
This fantastic shimmering, 3D-effect box set of the Doctor Who complete third series features a dual message from the Master (John Simm) on the sleeve and an exlusive image in the brochure inside. The Lenticular Master/Mister Sleeve Limited Edition is exclusive to Amazon.co.uk.

Customer Reviews

Series 3 - A Flawed Masterpiece
Having just read all the comments below, I thought I would add a few lines to try and resolve the apparent conflict between those who loved it and those who hated it.

The point about series 3 is that it is brave. It tries stuff. Sometimes it comes off (as in the truly astonishing Blink), sometimes it doesn't (human daleks in manhattan - puh-lease).

The trouble with trying stuff is you put yourself out there to be shot down. Also, traditionalists hate it: one reviewer here has decided not to buy it in spite of having every other episode already. And I can (kind of) understand why - when series 3 is bad, it's pretty awful....

So - why the 5 stars? Well, it's because the highs it hits are better than anything Dr Who has done before. I'm a lifelong fan, but I'd put the Human Nature and The Family Of Blood two-parter, plus the truly frightening Blink, into the "as good as anything ever" category.

But that's not all. Tthe 3-parter around the Master is simply the best Dr Who ever told. Bar none. Again, John Simm has attracted praise and brickbats. But that's because his performance is extraordinary. He actually completely steals the show - which some traditionalists are not going to like as it threatens the pre-eminence of Doctor - but hey it's called acting guys. And boy, can this guy act. Simply the scariest enemy the doctor has ever faced. (And to think - he has to follow the great Jacobi on to the stage...).

Oh, and to the reviewer who talks about the soundtrack - I've tried it and he's right. The attack of the Toclafane is astonishing. As I write, it is weeks since I last saw it, yes it still makes me skin tingle to hear the strains of Voodoo Child banging out as the human race gets slaughered. Devastating.

My advice is - just buy it. When it's bad, just keep watching. Trust me, it gets better and better and better.

And then John Simm shows up... and it's glorious.

Another season of improvement
New series, new companion, new (and old) beasties and new adventures, the 3rd series of the revitalised juggernaut that is Doctor Who rumbles into view. And, generally speaking, it's another success, and maybe the best of the all the new series'. Series 3 was mainly concerned with the following themes: a new companion, Martha Jones, and her feelings towards the Doctor, a cryptic message from The Face of Boe, and the enigmatic Harold Saxon. Martha's character, and her introduction in `Smith & Jones' (maybe the best of all the new series' openers), is generally handled well and Freema Agyeman does reasonably well in her first major role, and I was pleased to see that she will be back for series 4, along with Catherine Tate (oh dear..).

Ultimately, any series of Doctor Who will be judged on its episodes and series 3 is generally rollicking entertainment. As usual the filler episodes vary in quality, whereas the arcs almost define the long-lasting memories of the season. The Daleks returned again in `Daleks in Manhattan / Evolution of the Daleks', and once again the writers showed an inclination to try something different with the Doctor's most enduring foes, without detracting from the Daleks' original concept, this time creating a Dalek in human form in 1930's Manhattan. The mid-series arc `Human Nature / The Family of Blood' dealt with the Doctor's decision to become a human being in order to escape a malevolent alien family who are out destroy him in order to further their own life span. I remember this story best for David Tennant's excellent, and touching, performance as John Smith, the Doctor's human alter-ego. Strange how his best performance in his tenure was when he wasn't actually playing the Doctor! A great story set in England just before World War 1, with other notable performances from Agyeman, Jessica Hynes and a very creepy Harold Lloyd. The final arc was the series-closing, three-parter, `Utopia / The Sound of Drums / Last of the Time Lords', which re-introduced another of the Doctor's greatest enemies, the Master, played briefly by the excellent Derek Jacobi, and then regenerating into the wonderful John Simm. The story mainly deals with the Master's domination of both the Doctor and the whole human race and is memorable for Simm's absolutely brilliant performance as the Master, and the return of Captain Jack Harkness to the Tardis crew. While this arc didn't close the season as well as series 2's `Army of Ghosts / Doomsday', it certainly didn't lack in excitement and even managed to draw on a moment from the golden age of Doctor Who in one of its final scenes.

The filler episodes range from being solid to superb. While episodes such as `Gridlock' and `The Lazarus Experiment' fall into the former category, they manage to attain some level of importance in the series with their connections to the series end. `The Shakespeare Code' once again showed the writers' willingness to involve some of Britain's greatest historical figures, this time in a tale of witchcraft, while the absolutely superb `Blink' not only showed Steven Moffat's ability as one of the show's very best, and most original writers (he also wrote `The Empty Child / The Doctor Dances' and `The Girl in the Fireplace'), but also that a successful episode can be made that isn't told from the Doctor's viewpoint. After last season's utterly abysmal `Love & Monsters' I was a little surprised that a similar episode was tried again, but this time we were offered a true `behind the sofa' experience.

Series 3 is not without its niggles though. I still have some quibbles with David Tennant's portrayal of the Doctor. Tennant still has the annoying propensity to grossly overact when displaying bouts of intense emotion or when trying to convey Time Lord eccentricity. Capturing the Doctor's quirkiness is one thing but unnecessary shouting, teeth-gritting and stomping around in a circle while verbally rambling and grasping your hair is another. Barring those points, Tennant's looks, natural charm and sense of style carry him through well enough, always making him extremely watchable, but without him capturing the Doctor's quirks as well as Tom Baker or Christopher Ecclestone. There's also still too much sycophantic babble from the Doctor about the accomplishments of the human race. If the series actually dealt with other races as potential victims a little more this could be reduced, or even avoided. Freema Agyeman's performances plateaued a little after `The Family of Blood', also coinciding with her character appearing a little under-written too. Finally, the re-introduction of Captain Jack seemed almost unnecessary as he added next to nil to the finale; maybe a cameo from the Doctor in Torchwood may have served better.

But, as I mentioned earlier, series 3 is possibly the best of all the new series and seeing as it doesn't have any really weak episodes then I can't help but recommend it heartily (still not looking forward to Catherine Tate though...)

A brief footnote: I must say that this 'exclusive' box-set from Amazon represents very poor value for money. A lenticular sheet stuck onto the front of the high-street box-set hardly seems worth an extra £8 after last year's Cyberman box and exclusive postcards. More effort for the season 4 packaging please.

Best of the New Series by far
This was by far the best season so far since the series returned. I'm baffled by the reviewer on here that has given it 2 stars and called it 'the worst season in the shows 44 year history' - that makes no sense whatsoever. With episodes such as Blink, Gridlock and Utopia I just don't see how that could be. This season is far more intense now that the 'fun' element of series 1 and 2 has been toned down and as a result it feels more like the old series. (Unfortunately Russell T Davies has been quoted as saying that he wants to get back to the 'fun' side of things which doesn't bode well for series 4!)

But I digress...make sure you purchase this. You won't regret it.