Product Details
The Shepherd's Dog

The Shepherd's Dog
Iron and Wine

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Product Description

'The Shepherd's Dog' is the third album from Florida-born singer/songwriter Sam Beam AKA Iron And Wine. Recorded with long-time producer Brian Deck (Modest Mouse, Josh Ritter) Beam takes inspiration from his work with Calexico on 2005's 'In The Reins' EP by recording with a full band, giving his once lo-fi acoustic sound a fuller and richer sound. The single 'Boy With A Coin' is also featured.

Track Listing

  1. Pagan Angel And A Borrowed Car
  2. White Tooth Man
  3. Lovesong Of The Buzzard
  4. Carousel
  5. House By The Sea
  6. Innocent Bones
  7. Wolves (Song Of The Shepherd's Dog)
  8. Resurrection Fern
  9. Boy With A Coin
  10. Devil Never Sleeps
  11. Peace Beneath The City
  12. Flightless Bird American Mouth

Product Details

  • Amazon Sales Rank: #1990 in Music
  • Released on: 2007-09-24
  • Number of discs: 1

Customer Reviews

undeniably good4
The best new artist in this sphere of music is Nick Worrall. Google him and get his debut album for FREE. Incredible.

Iron And Very Fine4
South Carolina-born, Texas-based Sam Beam's third studio album as Iron And Wine is one which has split his fanbase right through the middle. Described by some fans as comperable to 'when Dylan went electric', The Shepherd's Dog is the sound of an artist evolving, expanding, creating and refusing to be defined by his previous work - and it's wonderful. Always interesting, this piece of work gathers folk influences ranging from the late 60s/early 70s (Simon & Garfunkel, Tim Buckley, Nick Drake) to the contemporary (Elliott Smith) and combines them with a vision of the unlimited and unconstrained, both in terms of structure and instrumentation, resulting in a dizzying dozen tracks of intriguing artistry inspired by, according to Sam Beam, "political confusion".

Highlights of the album include the stomping opener, 'Pagan Angel And A Borrowed Car', the folk/country, acoustic guitar-driven simple beauty of 'Resurrection Fern' and the spiraling, almost tribal-chant-like 'Boy With A Coin', but it would be difficult task selecting the weakest track on this album, being a work of consistency. In fact, where individual songs don't perhaps work for you, they are never short of interesting and always capture your attention, sometimes even drawing you into a trance-like state as you're captivated by the rhythms, the looping music and the fact that you're having your soul massaged by the soft, often self-harmonising vocals. Even if this album's lyrics are a tad opaque, ambiguous and confusing, to me that's part of Sam Beam's appeal. Sometimes the very best puzzles are the ones you just can't solve.

Exceptional5
This was the first Iron & Wine offering I heard, so I came to it without any baggage about the purity of the earlier work. Having since heard some of it I don't think I would have bothered seeking out more, but THIS, this is exceptional.

`The Shepherd's Dog' manages to be both hushed and lush at the same time - but with a sinewy edge too. The singing is an urgent whisper, the lyrics are elusive and evocative and weave common themes through the different songs. The playing is top notch and the arrangements inventive; there are layers and layers of sound with a web of instruments playing off each other - slide guitar vs dub piano at one point. There is some fun with tape loops and linking material, but these always enhance rather than annoy, teasingly delaying the start of the next song.

And the songs - all great tunes. The album has an overall unifying sound, but the individual songs feature a range of styles, even dipping into a grin-inducing piano boogie. After the first two songs I knew I liked it, when the Highway 61 organ swirled into the second verse of `Lovesong of the Buzzard' I knew I loved it. By the time `Resurrection Fern' was over, it was jostling the all time favourites list.

Stand out tracks are too numerous to name - virtually all of them. It's one of those albums where as each song ends, you think "oh yeah, now there's that one... and then there's that one..." and so on.

I'll admit I didn't hear too many new albums in 2007, but I would be surprised of there were many as extraordinary, intelligent, intriguing and downright catchy as this.