Product Description

The popular paperback edition with a cover design by Tolkien himself, to complement the Hobbit and Lord of the Rings paperbacks. Includes a special preface by J.R.R. Tolkien. The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings.

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Product Details

• Amazon Sales Rank: #2095 in Books
• Published on: 1992-01-09
• Original language: English
• Binding: Paperback
• 480 pages

Amazon.co.uk Review
Although The Silmarillion takes place in the same imaginary world as J.J.R Tolkien's The Lord of the Rings, and was originally published four years after the author's death and over two decades after the former book, it is set much earlier, in the First Age of the World. The tales and the book which reads as a fusion between a story collection and historical chronicle, are a matter of legend even to the characters of The Lord of the Rings:

In the beginning Eru, the One, who in the Elvish tongue is named Ilúvatar, made the Ainur of his thought; and they made a great Music before him

Tolkien wrote the heart of this material very early in his career, and continued to work on it throughout his life. It fell to his son, Christopher Tolkien, to edit it into book form, and such proved the unquenchable public appetite that he subsequently oversaw 12 volumes of The History of Middle-Earth. This edition features 20 highly evocative colour plates by Ted Nasmith, themselves worth the price of admission, while reinforcing the sense of a historical work are genealogical tables, an extensive index, appendix and colour map. Far removed from the genial style of The Hobbit, this is Tolkien at his most formal, his prose austere, poetically beautiful, his storytelling capturing the epic scale, high drama and melancholy wonder of myth. These stories of elves and heroes and old gods are quite literally the foundation of the entire modern fantasy-publishing revival, and are therefore essential reading. --Gary S. Dalkin

Amazon.co.uk Review
JRR Tolkien is best known for The Hobbit and The Lord Of The Rings but those who thought these two wonderful adventures marked the height of his imagination have many more delights to come. The Silmarillion represents the source of Tolkien's later work and follows the events of the First Age of Middle Earth. For information, The Lord Of The Rings concerns the end of the Third Age.

The Silmarillion is a gloriously realised story of rebellion, exile, war and the heroism of elves and men. But to gain an insight into the staggering complexity of Tolkien's world, however, the shorter works also included are must-reads. Dealing with the myth of creation, the nature of the Gods, the fall of Númenor and the Rings of Power, they paint a vivid picture not only of Middle Earth but also of the author's soaring imagination.

Tolkien was born of English parents in Bloemfontein, South Africa, in 1892 and died in England in 1973. He worked on The Silmarillion from as early as 1917 but the work was not published until after his death. This edition, richly illustrated by Ted Nasmith, is both collector's item and source of reference and fascination for every follower of Tolkien. --James Barclay

Review
'How, given little over half a century of work, did one man become the creative equivalent of a people?' The Guardian 'Demanding to be compared with English mythologies! at times rises to the greatness of true myth.' Financial Times 'A creation of singular beauty! magnificent.' Washington Post 'A grim, tragic, brooding and beautiful book, shot through with heroism and hope! its power is almost that of mysticism.' Toronto Globe & Mail