Product Details

• Amazon Sales Rank: #822 in DVD
• Released on: 2003-11-10
• Rating: Parental Guidance
• Aspect ratio: 2.35:1
• Number of discs: 1
• Formats: PAL, Widescreen
• Original language: English
• Subtitled in: Arabic, Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hebrew, Hindi, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish
• Number of discs: 1
• Running time: 134 minutes

Synopsis
Following the rise of Oliver Cromwell (Richard Harris) to power as Lord Protector and in the process was central to bringing King Charles I to trial and exectution. In doing so, Cromwell laid the seeds for the more democratic Great Britain of today. This amazing story is told in an epic and lavish style in Director Ken Hughes CROMWELL with world class performances from Harris and Alec Guinness as the noble, but doomed, Charles I.

Customer Reviews

One of the most interesting - and flawed - historical dramas of the Seventies
A valiant and not entirely successful attempt at a very English 'thinking-man's' epic, Cromwell is one of the most interesting of the historical dramas of the early seventies - and also one of the most flawed.

The first third of the film is very ropey indeed, with banal dialogue full of stilted clichés (the best lines are from history, not Ronald Hardwood or Ken Hughes), a very mannered performance Richard Harris and a clumsy dilution of history. It is only too easy to think that the English Civil War was fought because Cromwell didn't get on with the King's wife and that it was won and lost on the outcome of two battles.

The first battle scene is surprisingly weak - even the extras die unconvincingly - and it is not until its aftermath and the training of the New Model Army that the film really finds its feet and gets some fire in its belly. Hughes saves his visual imagination for the Battle of Naseby, (long since turned into a motorway by the decree of an ungrateful Parliament) and gives a surprisingly gripping account of its aftermath that puts some humanity into the history.

As a warts and all portrait, the wart is most definitely missing but Richard Harris' Cromwell is a complex and convincing character, always being forced into action rather than forcing events. Alec Guinness' Charles I is also a considered portrait, a mixture of integrity and pragmatic duplicity (recalling Parliament to raise finance for a war with the Scots, he ends up allied to his enemies against his own politicians) that is entirely understandable and on occasion even sympathetic.

The cast of supporting players for the most part prove rather less convincing. Nigel Stock is quietly impressive as the King's ultimately disillusioned confidante and Geoffrey Keen solidly reliable as ever as one of Cromwell's political allies; but while Timothy Dalton's Prince Rupert of the Rhine cuts a dash as he brings his pooch into battle on his arm, Patrick Magee's Royal advisor is a parody worthy of Blackadder the Third - as Guinness points out, "You're too loud, Lord Stafford. It is most unpleasant to the ear."

The first hour has no driving force or feeling of the relentless rush towards an irreversible destiny: the force of history is almost totally absent. Similarly, it does not really gain that much in Scope. Geoffrey Unsworth's photography is ill-served by the production and costume design and Hughes lack of visual sense. Indeed, much of this first third is surprisingly slipshod. There are some very clumsy edits, both on sound and picture and Frank Cordell's often damaging score offers an object lesson in how not to score a film.

Where Miklos Rozsa and Dimitri Tiomkin integrated their grandiose style into the fabric of the drama, composer Frank Cordell points every action with sledgehammer subtlety with crescendos on every move and under every key line of dialogue. Atrociously spotted with no faith in the audience's intelligence, there is too much Benjamin Britten in Cordell's music, which is more of an opera than a film score. Some of the problem can be put down to the appalling mixing that results in the score overpowering a scene rather than underplaying it. Only in the preparations for battle does it gain the grim restraint it needs to work.

Not a great film - for that it really needed a better script, score and director - but, after a very bad start, a very good one.

Some of the opening credits are so finely printed that they are unreadable (as they are on the video) but otherwise the print quality is quite superb, as if taken from a brand new print, though lovers of the roadshow era will be disappointed that Columbia have removed the Overture and well-timed Intermission. And what happened to the original stereo? Tut tut. No extras either.

Entertaining at times - but it's not history
This film has a few things going for it. It's bright, colourful, reasonably dramatic - and has a great peformance from Alec Guinness as King Charles. He brings out Charles's vacillating character but also shows his dignity and composure at his trial and execution.
Richard Harris as Cromwell, though, is fiery enough but seems to overact for much of the film. He was obviously suffering with his voice as at times he seems incapable of speaking in anything more than a whisper. The most absurd part of the film is when he calls for the trial of "King Charles I..." Think about it!
The Battle of Edgehill is another weak point. Prince Charles was 12 when this battle was fought in 1642. In the film he looks about 30. The battle itself was a bloody draw which petered out as night fell - not the quick and decisive Royalist victory the film depicts.
Nor is Cromwell's the first signature on Charles's death warrant.
So enjoy this film for what it is: a reasonably entertaining romp with the impeccable Alec Guinness the real star of the show. Just don't expect historical accuracy. That wasn't why it was made.

Absolutely faaaaaaaantastic !!!
This film is right up there with the greats. For anyone that likes history films, this one is a MUST for the bookshelf.