Product Details

• Amazon Sales Rank: #1968 in DVD
• Released on: 2007-07-09
• Rating: Exempt
• Formats: Colour, PAL
• Original language: English
• Number of discs: 2
• Running time: 360 minutes

Amazon.co.uk Review
Anchored by the impassioned presence of David Dimbleby, How We Built Britain is a terrific documentary series that follows its host on a journey of Britain's architectural heritage.

Spread across six hours, it's a diligent, patient journey too, allowing plenty of time and space to tell some of the extraordinary stories that underpin the buildings and work that Dimbleby discovers. How We Built Britain takes in the breadth of the British mainland, and fascinating stories are never far away.

What's more, How We Built Britain is happy to pose many questions, attempting to uncover the appropriate answers too. What led to the modern day shopping centre, for instance? How, over the last 1000 years, has architecture developed? And has it been of benefit? What defined the look of certain types of buildings? These and many more posers are ably tackled by an intelligent and rewarding piece of television.

Grounded by strong photography, an unwillingness to resort to gimmicks, and a focus on good, honest documentary making, How We Built Britain is a terrific piece of work. Engaging, educational and with a broad appeal, it also boasts welcome rewatch value, and is also likely to ignite a desire to explore what lies beyond your front door. Excellent stuff. --Jon Foster

Synopsis
Travelling through our nation’s countryside, David Dimbleby presents this captivating portrait of Britain’s architecture. Along the way he takes in the splendour of East Anglia’s cathedrals and manor houses and the majestic sights of the mills and mansions of the Victorian North. Each of his tales is illustrated with high definition visuals and stories concerning the inhabitants who had once lived there.

Customer Reviews

Not HOW but WHY
Written and presented by David Dimbleby, this is a sister series to his "A Picture of Britain" with many of the same production team on-board. The concept is broadly the same too, in that the different episodes focus on a different part of the country, but this time there is a distinct chronological element as well. For example, the first episode focuses on East Anglia but also deals with its medieval architectural exuberance

So the second episode looks at the sixteenth-century transformations in architecture that took place in the heart of England, from Wiltshire up to Cheshire; the third episode is the odd one out since it is wholly concerned with Scotland and not with any particular period; the fourth reviews eighteenth-century classicism in a westcountry context; the fifth is in the north looking at Victorian buildings; whilst the sixth and final view is of twentieth-century building in the south of England (including London). This brings us right up-to-date with the Jubilee Line extension.

This is not a programme about the technical aspects of architecture - alas - but about the context in which buildings arose. As Dimbleby relates in the short fifteen-minute interview that serves as an `extra', those in power expressed it by the buildings they built. In the Middle Ages it was the church; in the present-day it is the multinational corporation. He often strays from his path too, so that his is more often than not a social rather than an art-historical essay. Not that what he has to say is without insight or interest, for example that, "The Victorians believed that for every new problem, there was a building to solve it"; or, with regard to modernism, "We may not have liked what we saw, but we were prepared to take risks." And he is not without some academic background in the subject, pointing out in the interview that he once did a course in Gothic architecture at the Sorbonne.

The series is awash with the almost continuous and marvellous soundtrack provided by composer Andrew Blaney. There are also the usual breathtaking aerial shots and atmospheric photography. One can argue that this is chocolate-box Britain: it is, but sometimes I like to scoff a whole boxful. Dimbleby is his usual engaging self. He is not scared to show his fears: he is clearly uncomfortable with the Blackpool rides and felt more at home with the tea-dancing. Dressed in pink shirt with pink and blue socks, and driving again his Land Rover about the British countryside, this does, however, bode badly for his green credentials; and his talking to the camera whilst driving is a bad habit that might lead him into trouble one day.

There is very little on detail. The brush with which Dimbleby paints his canvas is very broad indeed. For instance, Robert Adam is just a name mentioned in passing. There is much jumping too: in the second episode we switch speedily from the knot garden in Cheshire's Little Moreton Hall to the dry stone walls of the Cotswolds. And in a sense, the title is a misnomer, for this programme is not about HOW we built Britain, but rather WHY.

A disappointing change from the TV version
I bought this DVD set because I had watched the series on BBC TV and was very impressed with the combination of spectacular images and beautiful musical score. So I was very disappointed when I watched the first two episodes and found that the music on the DVD is not the same as in the TV version. The series is still interesting, but that wonderful pairing of images and music is what I really wanted to see and hear again, and that is gone. Now I wish I'd recorded the series when I had the chance!

A Fantastic Journey Through Britain's Past
In my opinion, as a professional TV producer and director and an avid film buff from 'down under', I can't fault this amazing 6-part series in any way. In a word it's FANTASTIC!

David Dimbleby in his watermelon pink shirt does a sterling job (as usual) with his friendly and informative on-camera-location presentations. The production values are first class with some of the most beautiful camerawork I've ever seen in any English or International TV documentary. Congratulations BBC, the aerial shots are mind-blowing. The music score is excellent too, and one would believe that a mammoth budget was spent on its composition, orchestration, and recording.

The complete series is presented in widescreen 1.85:1 (anamorphic) and is one of the best transfers I have seen in a long, long time, with sharp, clean images and glorious colour. I can heartily recommend this series to anyone who loves Britain and would relish a trip through Britain's past to savour its heritage buildings, its beautiful countryside, and its famous towns and cities. Enjoy!