Product Details

• Amazon Sales Rank: #925 in DVD
• Released on: 2006-06-01
• Rating: Suitable for 15 years and over
• Aspect ratio: 2.35:1
• Formats: Dubbed, PAL, Widescreen
• Original language: English
• Subtitled in: Arabic, Dutch, English, French, German, Italian, Portuguese, Spanish
• Dubbed in: French, Italian
• Number of discs: 1
• Running time: 111 minutes

Amazon.co.uk Review
After a nine-year break from the genre that made him an international star (the Western just before this one was The Outlaw Josey Wales, from 1976), Clint Eastwood returned in this gritty Western, crafted in the tradition of Shane and High Noon. Eastwood directed and stars as the nameless stranger known only as "Preacher" because he rides into a beleaguered mining town wearing a clerical collar. He's either an agent of death or an angel of mercy, and the echoes of Shane ring loud and clear when he comes to the aid of independent miners who are being terrorized by a local tycoon (Richard Dysart) and his ruthless band of hired guns. Befriended by a miner (Michael Moriarty) and idolized by the miner's wife and daughter (played by Carrie Snodgress and Sydney Penny, respectively), the "Pale Rider" sparks the defiant spirit of the underdog miners and takes after the bad guys with single-minded purpose. --Jeff Shannon

Special Features
2.35 Wide Screen
DVD 5
French\Italian
English\Italian
English
Region 2
Dolby Digital 5.1 English\Mono French Italian
Dolby Digital 5.1
Interactive Menus
Scene Access
Arabic\Dutch\English\French\German\Italian\Portuguese\Spanish

Synopsis
A girl kneels over the grave of her murdered dog, praying for a miracle, while off in the distance, a man rides toward town on a pale horse. Clint Eastwood's PALE RIDER was the filmmaker's first Western in nearly a decade. It finds a pleasant balance between the mystical revisionism of films such as HIGH PLAINS DRIFTER and the traditional Western. Eastwood stars as the Preacher, who wanders into a dusty California town and tries to rescue a community of gold prospectors that is being terrorized by the local corporate mining operation, which is strip-mining the land. He's taken in by Hull Barrett (Michael Moriarty), who lives with Sarah Wheeler (Carrie Snodgrass) and her 14-year-old daughter, she of the murdered pooch, Megan (Sydney Penny). The Preacher is something of a blend of Eastwood's Man with No Name and the title character of George Stevens's SHANE. The story and treatment are straightforward and entertaining, and the strong performances draw the audience in. The Preacher remains a mysterious character, but in the end, as he takes on the evil mining corporation's hired guns, it's impossible not to root for him.

Customer Reviews

Jaw(s) dropping, maybe?
No matter how hard fighters have fought there is always one more battle around the corner. Trying to put his dubious past behind himself Pale Rider stumbles upon a small but split community. He is taken by their endeavours and honesty, but he is ultimately drawn into a fight he'd rather ride away from. Having been shown hospitality by them he obliges to see off an intruder in the shape of Richard Kiel(Jaws from Moonraker). He manages this in a manner reminiscent of David versus Goliath.
A criticism I would level at our hero is that he accounts for more corpses than the Black Death, and his final confrontation leaving his "mark" in a unique fashion was way too contrived. No matter how good or crafty he may be it doesn't have the full menace of a man well out-numbered. Still, as a man of the cloth he'd have God on his side, so perhaps divine intervention gave him an edge( "A man's got to have an edge"...?? :) ).
If I'm correct then this is the second preacher he has portrayed, the first in Thunderbolt and Lightfoot. Never quite converts fully to the cloth as old habits are hard to break....?

Solid, well groomed but not an innovator
Clint Eastwood is capable of a great deal yet he doesn't always need to innovate or aim high. This movie, which he directs and produces, is sensibly not that ambitious, but it is, for that reason perhaps, very well realised. You don't have to re-invent the wheel all the time, and Eastwood uses the western formulas well (the mining community being moved out for commercial development is hardly new; nor the drifting taciturn gunslinger), but Eastwood has a very nice ear for bringing out the emotions and character of supporting cast, aided here by good performances most especially from Michael Moriarty, and the actresses who play his putative wife and step-daughter to perfection.

There is some nicely suppressed sexual politics between mother and daughter (have you ever come across a mother-daughter-man-preacher quadrangle?) and the movie as a whole is under-stated, yet well-paced. You can certainly sense eastwood searching gently for a more meaningful western which of course, he finds later with Unforgiven. By some western standards, the shoot-out is relatively unspectacular, yet the movie never loosens its grip, and the camel-coated deputies and sherrif stockwell are progressively dispatched, occasionally with a modicum of humour.

The idea of a Preacher - fake or otherwise - is a neat twist in a gunslinger; Eastwood plays it with a sort of amoral rectitude, reaping ultimate revenge on the bad guys, but refusing to take advantage of the besotted daughter. He's not quite so self-denying when it comes to the wife, and Moriarty's character is left somehow cuckolded and yet King. There are shades here of Alan Ladd and Shane too, in the final scene. One small issue is the mysterious sight and references to his mortality - the ancient gunshot wounds. This is not resolved but neither is it sufficiently drawn out and hangs as a bit of an irrelevant teaser. I suspect this was poor editing or else a rare misjudged plot orphan.

As with most Eastwood movies, you certainly can't accuse this film of waffling, and the direction is tight but not claustrophobic. But its not going to redefine the genre: and hey, why should it? A good one from Eastwood.

Cuts Deep into a fairly standard script
In the Sergio Leone spaghetti westerns of the 60s, Clint Eastwood rose to fame playing the man with no name. In 'Pale Rider', Eastwood creates his own variation of this character. Eastwood plays a mysterious gunfighter who is given the name 'preacher' because of the preacher's collar he wears. When the 'preacher' arrives at a gold mining community, he helps them stand up against a callous landowner.

Eastwood cuts deep into the film's characters in what is a rather standard script. Particularly, in the scenes involving the preacher and a gold-mining family. Eastwood also succeeds in giving his film a dark atmosphere which only adds to its intensity.