Product Details

• Amazon Sales Rank: #233 in DVD
• Released on: 2006-07-31
• Rating: Suitable for 15 years and over
• Aspect ratio: 2.35:1
• Formats: Anamorphic, PAL
• Original language: English
• Subtitled in: Icelandic, Dutch, Norwegian, Finnish, Russian, Hebrew, Danish, English, Swedish, Arabic
• Number of discs: 1
• Running time: 123 minutes

Amazon.co.uk Review
An intelligent thriller with a healthy few twists up its sleeve, The Inside Man marks strong, although hardly career-best, work from all concerned.

The plot is simple, and hardly fresh. On one side, you have a sophisticated team who walk into a bank, take everyone hostage and issue demands. On the other, you have a team of cops trying to apprehend those responsible and get the hostages out safely. In the middle, you have the owner of the bank, who's willing to bring in a bit of extra help to get the situation resolved. And yet what could have been a standard two-dimensional Hollywood blockbuster gets brains and substance thanks to those in front of and behind the camera.

The talent in front is led by a consummate Denzel Washington, as the cop leading the situation. Then there's the increasingly impressive Clive Owen and the always-excellent Jodie Foster, with sterling support from the likes of Christopher Plummer and Willem Dafoe.

Behind the camera, much has been made of the fact that this is the least Spike Lee-like film that Spike Lee has directed, yet that misses the point. The Inside Man sees a skilful, diligent and clever director utterly comfortable with what's going on, and wringing out plenty from the simple premise.

It's not a flawless film by any means: the last reel doesn't quite match up to what preceded it, and the script doesn't really get you near the skin of the characters (even if it does serve up some delicious, not entirely expected moments). Yet as heist movies go, this is one of the better examples of recent times, with plenty of reasons to recommend it. --Simon Brew

Synopsis
In the tense thriller Inside Man, a bank robbery leads to a number of people being taken hostage and it’s up to NYPD hostage negotiators Detectives Keith Frazier and Bill Mitchell to secure their release. The detectives are sent to the scene with orders to contact the ringleader of the gang, Dalton Russell (Clive Owen, Sin City), and ensure the release of the 50 bank staff and patrons taken hostage. However, things fail to progress as smoothly as the duo had hoped, with Russell proving to be an intelligent and calm operator that is able to stay one step ahead of the police. The situation is further complicated when power player Madeline White (Jodie Foster, Panic Room) requests a meeting with Russell. Acclaimed director Spike Lee (Do the Right Thing, Malcolm X) stamps his own individual mark on the action thriller genre--a genre that he doesn’t normally work in--with Inside Man, a film full of smart twists, snappy dialogue, and interesting character developments. However, the reoccurring theme of ethnic politics displayed in Lee’s previous work is once again prevalent and he once again decides to use New York as the backdrop for the action. Lee manages to turn what could have been a standard thriller into a stylish, kinetic and ultra-sharp film. Denzel Washington (Training Day) and Chiwetel Ejiofor (Kinky Boots) produce sterling performances as the two detectives attempting to control the volatile situation, while the film also greatly benefits from the skills of Clive Owen, Jodie Foster, and Willem Defoe (Spider-Man). The dense, multi-layered, yet always entertaining plot combined with Lee’s adrenaline-fuelled style makes for a superb and breath-taking film.

Customer Reviews

Clever, underrated movie
This is a clever and exciting film. I didn't guess the twist, found the whole thing pretty believable and enjoyed it a great deal. Solidly recommended.

first class
excellent caper film thats both exciting and gripping and boosted by excellent performances from a first class cast

No Dog Day. No prizes.
Lumet and Pacino defined the bank heist movie in Dog Day Afternoon. Nothing had ever appeared like it before. Nothing has bettered it since. For literacy, surprises, tension, and a stunning climax, Dog Day continues to rank as one of the best American movies ever made.

Presumably, Lee had this in mind when directing this movie, because it's certainly literate, and, thankfully, imbued with no little intelligence. But artifice can only go so far, and here, in the editing of present events and future outcomes, that artifice begins to creak, betraying as it does a lack of confidence in a plot that if rendered in linear fashion would amount to, well, nothing much at all.

At the movie's core is a time-worn cinematic cliche about Nazis and ill-gotten gains, and because it is at the core, and therefore buried deep, the plot ultimately makes no sense at all.

Worse: to sustain it, Jodie Foster appears in one of the daftest roles she's ever taken on, a role whose complete unbelievability destroys the reality which Lee and a superb ensemble cast work so hard to sustain.

By no means a bad movie, it's nevertheless a slight effort, watchable but forgettable, and disappointing in that though the handling of the plot is slick and assured, the movie's basis is as trite and as melodramatic as it gets.