Product Description

Cambridge is sweltering, during an unusually hot summer. To Jackson Brodie, former police inspector turned private investigator, the world consists of one accounting sheet - lost on the left, found on the right - and the two never seem to balance. Jackson has never felt at home in Cambridge, and has a failed marriage to prove it. Surrounded by death, intrigue and misfortune, his own life haunted by a family tragedy, he attempts to unravel three disparate case histories and begins to realise that in spite of apparent diversity, everything is connected...

Product Details

• Amazon Sales Rank: #2249 in Books
• Published on: 2005-06-01
• Original language: English
• Binding: Paperback
• 399 pages

Amazon.co.uk Review
Case Histories continues a winning streak for Kate Atkinson which began when her impressive novel Behind the Scenes at the Museum won the Whitbread First Novel Award. Since that book, Atkinson has gleaned a keen following of readers who are prepared to follow in the surprising directions the unpredictable author takes us on. And Atkinson--so far--hasn’t let us down.

The perfectly judged prose that distinguished Human Croquet is fully in evidence in Case Histories, and a new frisson here comes from the genre-stretching that Atkinson is indulging in. In some ways, this book could almost be seen as a new take on the crime novel (not the first genre one would expect the author to tackle), but the crime elements here Atkinson uses are peripheral. The protagonist here is a former police inspector who now makes a living as a private investigator. Jackson Brodie is making ends meet in a sweaty Cambridge summer and trying to deal with his own failed marriage. But if his life is adrift, perhaps Brodie can justify his existence via his belief that he can do some good for the people he encounters in his job. But he is to find that he will be irrevocably changed by those he is trying to help.

As a vividly created cast of characters surround the beleaguered Brodie, all the novelistic skills that shone in Atkinson's earlier books are fully in play. Those deluded into thinking they've picked up something resembling a standard private eye novel will find something much more rich and strange; Atkinson goes from strength to strength.--Barry Forshaw

Review
" 'Her best book yet, an astonishingly complex and moving literary detective story that made me sob but also snort with laughter. It's the sort of novel you have to start rereading the minute you've finished it' Guardian"

From the Publisher
Bestselling literary crime, from a master storyteller.

Customer Reviews

Fantastic read
Case histories follows private investigator Jackson through 3 unsolved case histories from the past. One missing child, one unsolved murder and a wife who murdered her husband. The results of each story are very surprising and not what you expect while reading the book. The story also delves deeper into Jacksons life. All the loose ends are tied up but still leaving something to the readers imagination.

The book is incredibly well written, not simplified in any way and doesn't state the obvious. Each character is very individual and not the standard stereotypes found in many novels. Suspense and mystery is built up very carefully and the ending still surprises.

An exciting mystery, with several funny moments too. Well worth reading and highly recommended!

Kate does it again
Having struggled through some of Kate Atkinsons other novels, I was expecting a similar read. The same sorts of criminal twists and turns of plot are played out through a lot of detailed back-story, but it feels much easier to get through.
The story was satisfying and the various strains of the plot came together in (to me at least) an unexpected way. Unexpected because of how plausible it seemed. I suppose I felt a little cheated as I read Atkinson's books for the surreal quality she tends to bring and not the crime aspect (which is unconventional but quite realistic.)
In parts quite bleak but the skill with which Atkinson constructs a tale makes it worth the effort and I am happy to say, that for readers of her other books who have missed the absence of a sort of conclusion, you won't be dissapointed this time.

Delightful novel, filled with irony and mordant wit.
Jackson Brodie, a private detective, is investigating three old cases, which soon begin to converge and overlap. Three-year-old Olivia Land disappeared without a trace thirty-five years ago while sleeping outside with one of her sisters, two of whom have hired Jackson to find out what happened. Theo Wyre has hired him to investigate the death of his daughter Laura Wyre, who was killed by a maniac ten years before while working in her father's office. Shirley Morrison, Jackson's third client, is trying to locate her sister and her niece. Her sister Michelle, living with her husband and young daughter on an isolated farm, has vanished from Shirley's life, and after twenty-five years, Shirley wants to find her.

Atkinson's suspenseful and dramatic cases pique the reader's interest in the characters and their lives, especially the female characters. All have faced traumatic events and suffered through less than ideal childhoods, which unfold inexorably as the cases become more complex. Not a linear narrative, the novel focuses on different characters in successive chapters, moving back and forth in time to provide background and to set up the overlaps which eventually occur. The characters are sometimes bizarre, baffling, and even unsympathetic, but they are always memorable for their behavior and their justifications for it.

Filled with ironies and noir humor, the novel also reveals Atkinson's astute observation of social interactions, as she skewers some aspects of her characters' lives while also creating sympathy for them. While the first two case histories-that of the missing Olivia and the murdered Laura-are genuinely sad and regarded overall as tragedies, the story of Michelle Fletcher, and peripherally, her sister Shirley, is much darker. Neither Michelle nor Shirley elicits much empathy after the opening chapter, but the occasional interjection of their story line stirs up the action, changes the pace, and keeps the novel from being overly melodramatic. Atkinson's eventual revelations about Michelle's life provide Atkinson with some of her best opportunities for social satire and wit.

Readers will delight in Atkinson's characterizations, and the ironies are priceless--the room where Laura was killed has, ten years later, become a day spa named "Bliss," and the place where two other deaths take place becomes an elaborate garden. Atkinson saves the biggest noir twists for last. Though the cases are, in fact, all "solved" by Jackson, they are not really solved. At least five important "loose ends" regarding the perpetrators of these murders and disappearances remain, showing that even murder cases are not as "cut and dried" as one might expect. (4.5 stars) Mary Whipple